Direct Art .co .uk Home Page
Order Enquiries (UK) : 01436 820269

You currently have no items in your basket


FREE worldwide shipping for orders over £120


Buy with confidence and security!
Publishing historical art since 1985

Product Search         

Signed Avro Lancaster Bomber Aviation Art Prints by Robert Taylor and Nicolas Trudgian.- Cranston Fine Arts Aviation, Military and Naval Art
DHM2088. Target Peenemunde by Robert Taylor. <p> On the evening of 17th August 1943, a total of 596 aircraft of RAF Bomber Command, spearheaded by the Pathfinder Force, set out on what called for, and what became, the most precise bombing raid of the war.  Success was vital.  The target was a secluded research establishment near the remote Baltic town of Peenemunde.  There, a group of top German scientists were developing the V-2 rocket projectile, with which Hitler hoped to devastate London and other major English cities.  When Allied Intelligence discovered the plan, the RAF was allotted the task of destroying the installation at Peenemunde, whatever the cost.  Brilliantly navigated in darkness right over the target, the masterbombers aircraft, seen in the forefront of this painting, made nine dangerous passes over the target, directing operations. During the next 55 minutes Hitlers secret weapon establishment was almost totally destroyed by the bomber crews that followed his directions.  The raid was completed with great gallantry but at heavy cost, and is today remembered as one of the greatest achievements of the RAF.  The painting shows Lancasters of No. 83 Squadron Pathfinder Force as they climb out over the east coast of England en-route for Peenemunde on the warm summer evening of 17th August, 1943. <p><b>Last 2 copies of this sold out edition.<b><p> Signed by : <br>Flight Lieutenant Bill Reid VC (deceased), <br>Wing Commander Roderick Learoyd VC (deceased),  <br>Group Captain Hamish Mahaddie DSO DFC (deceased) <br>and <br>Squadron Leader Norman Scrivener DSO DFC (deceased). <p> Signed limited edition of 1250 prints. <p> Paper size 33 inches x 25 inches (83cm x 64cm)
NT318.  Home at Dawn by Nicolas Trudgian. <p> When No 49 Squadron Lancasters bombed the S.S. barracks at Berchtesgaden on 25th April 1945, its aircrews completed a campaign that had begun 5 and a half years earlier in September, 1939. From the very beginning, 49 Squadron were in the thick of the action with one of their pilots, Roderick Learoyd, winning Bomber Commands first Victoria Cross. In 1942 it was Lancasters of 49 Squadron that led the epic raid on Schneider armament and locomotive works at Le Creusot. In 1943 they flew the shuttle-bombing raids to Friedrichshafen and Spezia, attacked the heavily defended rocket sites at Peenemunde, and in preparation for D-Day, bombarded the coastal batteries in Normandy and the V-1 sites in the caves by the river Loire, north of Paris. Later in 1944 the squadron notably took part in the raid on German Baltic Fleet, continuing to fly important bombing missions against the Nazi war machine until the final collapse of the Third Reich. So it was fitting that an RAF squadron whose history went right back to 1916, should make the coupe de grace at Berchtesgarden.  Northern Europes short summer nights, with darkness lasting but a few hours, often saw the RAF bomber crews returning to England at dawn, and it is one such scene which is caught up over the river Orwell at Pin Mill, Lancasters of No. 49 Squadron descend low over Suffolk, heading towards their base at Fiskerton. The night raid on Hamburg is almost completed. Spitfires from No. 129 Squadron, based at Hornchurch, having made an early morning attack on German installations in Holland, have picked up the bombers and escorted them home. <b><p> Signed by Flight Lieutenant Eric Jones, Flight Lieutenant Leslie Hay,   Flight Lieutenant Robert Souter and Flight Lieutenant Ernest Webb , in addition to the artist.  <p> Signed limited edition of 500 prints. <p> Paper size 31 inches x 24 inches (79cm x 61cm)

Please note that our logo (below) only appears on the images on our website and is not on the actual art prints.


When you are ready to add this item to your basket, click the button below.

 

 

  Website Price: £ 400.00  

Quantity:
 

 

Signed Avro Lancaster Bomber Aviation Art Prints by Robert Taylor and Nicolas Trudgian.

PCK1940. Signed Avro Lancaster Bomber Aviation Art Prints by Robert Taylor and Nicolas Trudgian.

Aviation Print Pack.

Items in this pack :

Item #1 - Click to view individual item

DHM2088. Target Peenemunde by Robert Taylor.

On the evening of 17th August 1943, a total of 596 aircraft of RAF Bomber Command, spearheaded by the Pathfinder Force, set out on what called for, and what became, the most precise bombing raid of the war. Success was vital. The target was a secluded research establishment near the remote Baltic town of Peenemunde. There, a group of top German scientists were developing the V-2 rocket projectile, with which Hitler hoped to devastate London and other major English cities. When Allied Intelligence discovered the plan, the RAF was allotted the task of destroying the installation at Peenemunde, whatever the cost. Brilliantly navigated in darkness right over the target, the masterbombers aircraft, seen in the forefront of this painting, made nine dangerous passes over the target, directing operations. During the next 55 minutes Hitlers secret weapon establishment was almost totally destroyed by the bomber crews that followed his directions. The raid was completed with great gallantry but at heavy cost, and is today remembered as one of the greatest achievements of the RAF. The painting shows Lancasters of No. 83 Squadron Pathfinder Force as they climb out over the east coast of England en-route for Peenemunde on the warm summer evening of 17th August, 1943.

Last 2 copies of this sold out edition.

Signed by :
Flight Lieutenant Bill Reid VC (deceased),
Wing Commander Roderick Learoyd VC (deceased),
Group Captain Hamish Mahaddie DSO DFC (deceased)
and
Squadron Leader Norman Scrivener DSO DFC (deceased).

Signed limited edition of 1250 prints.

Paper size 33 inches x 25 inches (83cm x 64cm)


Item #2 - Click to view individual item

NT318. Home at Dawn by Nicolas Trudgian.

When No 49 Squadron Lancasters bombed the S.S. barracks at Berchtesgaden on 25th April 1945, its aircrews completed a campaign that had begun 5 and a half years earlier in September, 1939. From the very beginning, 49 Squadron were in the thick of the action with one of their pilots, Roderick Learoyd, winning Bomber Commands first Victoria Cross. In 1942 it was Lancasters of 49 Squadron that led the epic raid on Schneider armament and locomotive works at Le Creusot. In 1943 they flew the shuttle-bombing raids to Friedrichshafen and Spezia, attacked the heavily defended rocket sites at Peenemunde, and in preparation for D-Day, bombarded the coastal batteries in Normandy and the V-1 sites in the caves by the river Loire, north of Paris. Later in 1944 the squadron notably took part in the raid on German Baltic Fleet, continuing to fly important bombing missions against the Nazi war machine until the final collapse of the Third Reich. So it was fitting that an RAF squadron whose history went right back to 1916, should make the coupe de grace at Berchtesgarden. Northern Europes short summer nights, with darkness lasting but a few hours, often saw the RAF bomber crews returning to England at dawn, and it is one such scene which is caught up over the river Orwell at Pin Mill, Lancasters of No. 49 Squadron descend low over Suffolk, heading towards their base at Fiskerton. The night raid on Hamburg is almost completed. Spitfires from No. 129 Squadron, based at Hornchurch, having made an early morning attack on German installations in Holland, have picked up the bombers and escorted them home.

Signed by Flight Lieutenant Eric Jones, Flight Lieutenant Leslie Hay, Flight Lieutenant Robert Souter and Flight Lieutenant Ernest Webb , in addition to the artist.

Signed limited edition of 500 prints.

Paper size 31 inches x 24 inches (79cm x 61cm)


Website Price: £ 400.00  

To purchase these prints individually at their normal retail price would cost £670.00 . By buying them together in this special pack, you save £270




All prices are displayed in British Pounds Sterling

 

Signatures on this item
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


The signature of Flight Lieutenant Bill Reid VC (deceased)

Flight Lieutenant Bill Reid VC (deceased)
*Signature Value : £70 (matted)

Volunteering for RAF aircrew in 1940, Bill Reid learned to fly in California, training on the Stearman, Vultee and Harvard. After gaining his pilots wings back in England he flew Wellingtons before moving on to Lancasters in 1943. On the night of Nov 3rd 1943, his Lancaster suffered two severe attacks from Luftwaffe night fighters, badly wounding Reid, killing his navigator and radio operator, and severely damaging the aircraft. Bill flew on 200 miles to accurately bomb the target and get his aircraft home. For this act of outstanding courage and determination he was awarded the Victoria Cross. Died 28th November 2001.


The signature of Group Captain Hamish Mahaddie DSO DFC (deceased)

Group Captain Hamish Mahaddie DSO DFC (deceased)
*Signature Value : £60 (matted)

Group Captain Thomas Gilbert "Hamish" Mahaddie. DSO, DFC, AFC.. CzMC. Nos 7, 55, and 77 Squadrons. Born In Keith, Edinburgh, on 19 March 1911. He joined the RAF as a part of the 17th Entry at Halton in 1928 and trained as a metal rigger, after which he was posted to Cranwell on ground servicing duties. In 1933 he boarded a troopship bound for the Middle East where he joined No 4 FTS at Abu Suler for pilot training. He gained his wings in 1935 and his first air crew posting was to No 55 Squadron at Hinaldi flying Westland Wapitis. On his return to England in 1937 he joined No 77 Squadron flying Whitleys from Driffield. During World War II he completed a tour of operations with No 77 Squadron before moving to Klnloss to instruct with No 14 OTU. He completed another tour, this time with No 7 Squadron at Oakington on Stirlings, before joining HQ Staff of No 8 (Pathfinder) Group. Group Captain Mahaddie finished the war as Station Commander at RAF Warboys, home of PFF Navigation Training Unit. In June 1945 he was appointed to command No 111 Wing in Germany followed by a spell at the Staff College, Haifa, In 1947. His postwar duties also included two tours of duty at the Air Ministry, as OC Flying Wing at Binbrook, and also as Station Commander at Sylt and Butzwellerhof in Germany. He finally retired from the RAF in 1958 and has since been involved with the film Industry as an aviation consultant specialising in electronics for all three services. Hamish Mahaddie died 16th January 1997.


The signature of Squadron Leader Norman Scrivener DSO DFC (deceased)

Squadron Leader Norman Scrivener DSO DFC (deceased)
*Signature Value : £50 (matted)

One of the top RAF navigators of the war who went on more than 100 sorties in Bomber Command. Squadron Leader Norman Scrivener was born in Birmingham in November 1915 and joined the Royal Air Force in early 1939. Norman Scrivener trained at Staverton Aerodrome, in Gloucestershire, where he discovered he suffered from air sickness. He joined 97 (New Zealand ) Squadron, became a pilot officer and was one of the first navigators to use the developing radar systems and later flew with Wing Commander Guy Gibson (before Gibson moved to the Dambusters.) with 106 Squadron and in 1943 joined the Pathfinders of 83 Squadron as navigator to the Squadron Commander John Searby and took part in the raid on the German radar facilities in Peenemunde where the German V2 and V1 rockets were produced and tested. Squadron Leader Norman Scrivener was awarded the Distinguished Flying Cross and the Distinguished Flying Order. Sadly Squadron Leader Norman Scrivener died in Worcester aged 91 in May 2007.


Wing Commander Roderick Learoyd VC (deceased)
*Signature Value : £70 (matted)

On the day that war was declared Rod Learoyd was on patrol flying Hampdens with 49 Sqn. Continually involved with low level bombing, on the night of 12th August 1940, he and four other aircraft attempted to breach the heavily defended Dortmund - Ems canal. Of the four other aircraft on the mission, two were destroyed and the other two were badly hit. Learoyd took his plane into the heavily defended target at only 150 feet, in full view of the searchlights, and with flak barrage all around. He managed to get his very badly damaged aircraft back to England, where he circled until daybreak when he finally landed the aircraft without inflicting more damage to it, or injuring any of his crew. For his supreme courage that night he was awarded the Victoria Cross. He later joined 44 Sqn with the first Lancasters, and then commanded 83 Sqn. He died 24th January 1996.
Signatures on item 2
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


Flight Lieutenant Eric Jones DFC (deceased)
*Signature Value : £35 (matted)

Eric Jones joined the RAF in April 1941 and trained as a pilot in Canada. Back in England he was posted to No.49 Squadron flying Lancasters, and flew his first operation on the night of 22nd August 1943. The target that night was Leverkusen. On the night of 14th January 1944 on a raid against Brunswick his aircraft shot down an Me110 nightfighter south of Hannover. He flew 12 trips to Berlin, the most heavily defended target in the Reich. Eric Jones completed a tour of 29 combat operations in the Lancaster. He was awarded the DFC. Eric Jones died in early 2015.


Flight Lieutenant Ernest Webb DFC
*Signature Value : £35 (matted)

After joining the Royal Air Force in June 1941, Ernie Webb was chosen for training as a pilot. After qualifying he was posted in 1943 to join No.49 Squadron, based at Fiskerton in Lincolnshire. The squadron were by that time flying Lancasters, and heavily involved in the RAF Bomber Command offensive against the major targets in Germany. He flew a total of 30 combat operations in the Lancaster during his tour with No.49 Squadron, and later went on to serve with No.242 Squadron, RAF Transport Command. Ernest Webb was awarded the DFC.


Flight Lieutenant Leslie Hay
*Signature Value : £35 (matted)

Joining the Royal Air Force in May 1941, Leslie Hay was trained as a pilot in Canada. On qualifying he returned to England and eventually was posted to join No.49 Squadron, then based at Fiskerton in Lincolnshire, flying Lancasters. From there he flew his first operation on 1st August 1944, following the Normandy invasion. Leslie Hay completed a total of 36 combat operations in the Lancaster, all with No.49 Squadron, at the height of Bomber Commands offensive against Germany


Flight Lieutenant Robert Souter
*Signature Value : £40 (matted)

Robert Souter joined the Royal New Zealand Air Force in February 1941, and after training was posted in 1942 to the Middle East, joining No.108 Squadron then flying Wellingtons. He first flew operationally in June of that year, in the Western Desert campaign, and the last operation of his first tour was in Nov 1942 with the battle of El Alamein. After a period with No.26 OTUWing, Robert undertook a second tour - this time flying Lancasters with No.49 Squadron, up to the end of the war. He had completed a total of 47 operations by that time. After the war he flew Dakotas and Liberators with RAF Transport Command.
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

More about Robert Taylor
Artist Details : Nicolas Trudgian
Click here for a full list of all artwork by Nicolas Trudgian


Nicolas Trudgian

Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition.

Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!

More about Nicolas Trudgian

Contact Details
Shipping Info
Terms and Conditions
Cookie Policy
Privacy Policy

Join us on Facebook!

Sign Up To Our Newsletter!

Stay up to date with all our latest offers, deals and events as well as new releases and exclusive subscriber content!

This website is owned by Cranston Fine Arts.  Torwood House, Torwoodhill Road, Rhu, Helensburgh, Scotland, G848LE

Contact: Tel: (+44) (0) 1436 820269.  Fax: (+44) (0) 1436 820473. Email: cranstonorders@outlook.com

Follow us on Twitter!

Return to Home Page