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Leutnant Wolfram von Richthofen by Ivan Berryman. (GS)- Cranston Fine Arts Aviation, Military and Naval Art
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Leutnant Wolfram von Richthofen by Ivan Berryman. (GS)


Leutnant Wolfram von Richthofen by Ivan Berryman. (GS)

The aerial battle of 21st April 1918 was notable for involving two young novice pilots, each from opposing sides, and their part in the events that followed was as significant as it was tragic. Both William Wop May and Wolfram Ulf von Richthofen had been instructed to stay out of trouble, to remain on the very outskirts should a battle occur and simply get used to being in the sky with so many other aircraft. Delighted to have been assigned to Jasta 11 under the custodianship of his older, eminent cousin, Manfred, Wolfram was eager to cut his teeth and show that he, too, could get the job done. Both he and May kept a watchful vigil over proceedings from a safe distance as battle was joined between the red-nosed Fokker DR.1s of Jasta 11, the green-tailed Albatrosses of Jasta 5 and the RFC Sopwith Camels of 209 Squadron. Somehow, whether through carelessness or the adrenalin rush of the moment, Wolfram flew his Fokker tantalisingly close to Mays Camel who immediately gave chase, sensing that an easy first kill might just be a possibility. May quickly realised that all was not well, however, finding his guns jammed and unable to fire. He quickly broke off the attack and swooped away, but his actions had caught the attention of Manfred von Richthofen who, although engaged in a battle of his own, had been keeping a watchful eye over his young charge. The red Triplane now latched onto the tail of Mays helpless Camel and a lurid chase began along the Somme River, a chase from which the Red Baron would not return. The young Wolfram went on to become an ace, scoring all of his eight victories in the closing months of the war, was awarded the Iron Cross 1st and 2nd and survived to be a major force in Hitlers Luftwaffe in World War Two. He was eventually taken prisoner and spent his last months in an American PoW camp where he died of a brain tumour in 1945.
Item Code : DHM1652GSLeutnant Wolfram von Richthofen by Ivan Berryman. (GS) - This Edition
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Size 30 inches x 20 inches (76cm x 51cm)Artist : Ivan Berryman
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Other editions of this item : Leutnant Wolfram von Richthofen by Ivan Berryman.DHM1652
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PRINT Signed limited edition of 1150 prints. Image size 17 inches x 12 inches (43cm x 31cm)Artist : Ivan Berryman£5 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!
Supplied with one or more free art prints!
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Limited edition of 50 artist proofs. Image size 17 inches x 12 inches (43cm x 31cm)Artist : Ivan Berryman£30 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £115.00VIEW EDITION...
PRINT Limited edition of 20 publishers proofs. Image size 17 inches x 12 inches (43cm x 31cm)Artist : Ivan BerrymanAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£115.00VIEW EDITION...
GICLEE
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Limited edition of up to 50 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm)Artist : Ivan Berryman
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Original painting, oil on canvas by Ivan Berryman.

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Size 30 inches x 20 inches (76cm x 51cm)Artist : Ivan BerrymanSOLD
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Extra Details : Leutnant Wolfram von Richthofen by Ivan Berryman. (GS)
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Notes on Livery of Wolfram von Richthofens Aircraft.

I had a bit of a struggle to find information on Wolframs DR.1. Very little is recorded about his service in Jasta 11. It is known, of course, that all Jasta 11 aircraft possessed a red cowling, red wing struts and wheels covers. Many of the pilots had adopted their own colourful liveries within this dictate, however, making the identification of many of Wolframs peers quite simple. Popular opinion has it that Wolfram was new to the Jasta and that his DR.1, serial No 161/17, was most likely left in its factory finish, apart from the application of red in all the correct places. Even though he remained with Jasta 11 until the wars end, there is no evidence that his aircraft was ever personalised. For the record, all of Wolframs victories were scored between June and November 1918 and comprised two Spads, two Sopwith Camels, one Sopwith Dolphin, two SE5as and one DH.4.

- Ivan Berryman, April 2008

The Aircraft :
NameInfo
CamelSOPWITH CAMEL: was the most successful fighter of World War one. Claiming almost 3,000 air victories. The prototype of the Sopwith camel first flew in December 1916, and its first combat mission began in June 1917. joined 4 squadron RNAS based near Dunkirk. The first Royal Flying Corp squadron to receive the aircraft was no. 70 squadron. The Sopwith camel was the first designed fighter to have two forward firing machine guns. Its design gave it amazing maneuverability and aerobatic qualities. and was perfectly suited for aerial dog fighting. Squadron after squadron was re equipped with the camel and by the end of February 1918 13 squadrons were fully operational with the aircraft along the western front. Also used on the Italian Front with 3 squadrons equipped. This figure increased with a total of 19 squadrons equipped on the western front by August 1918. This included two squadrons no. 151 and 152 for night fighter duties. in June 1918. There was also a naval version of the Sopwith camel. the 2F.1s which gradually replaced the Sopwith Pup and other naval aircraft. The Naval version most memorable fete was done by Lt S D Culley who took off from a towed wood platform and destroyed the Zeppelin L.53 on the 10th August 1918. also on the 18th July six aircraft took off from the forward deck of HMS Furious to bomb the Zeppelin base at Tondern which they successfully did destroying two Zeppelins L.54 and L.60. This was the first time carrier borne aircraft had destroyed a land base installation. In total 5597 F.1s and 317 2F.1s were ordered but there may have been 200 less built. Performance. speed: 113mph at 10,000 feet. service ceiling 19,000 feet. Armament: two fixed forward firing Vickers .303 machine Guns. or one .303 forward firing and one .303 Lewis Gun
Dr.I
Artist Details : Ivan Berryman
Click here for a full list of all artwork by Ivan Berryman


Ivan Berryman

Over the last 30 years, Ivan Berryman has become a leading aviation, motor racing and naval artist. In this time, the subjects of his paintings have been wide and varied as he has deliberately strived to include some of the lesser know aircraft, ships and events in his portfolio, which includes aircraft like the Defiant, TSR2, Beaufort, ships including MTBs and corvettes, and around 100 different aircraft of the first world war. In addition to this he has taken new approaches to the classic subjects of his field, including the Dambuster Lancasters, Battle of Britain Spitfires, Bf109s and Hurricanes, HMS Hood, Bismarck and the best known naval ships, as well as some iconic sporting moments. In his own words : Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception...





Ivan with some of his original paintings in the originals gallery at Cranston Fine Arts and in his studio.

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