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Tattersalls Sales, Newmarket (Parade Ring) by Jacqueline Stanhope.


Tattersalls Sales, Newmarket (Parade Ring) by Jacqueline Stanhope.

Item Code : JS0018Tattersalls Sales, Newmarket (Parade Ring) by Jacqueline Stanhope. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTSigned limited edition of 500 paper prints. Print size 17 inches x 13 inches (43cm x 33cm)Artist : Jacqueline Stanhope£85.00

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Artist Details : Jacqueline Stanhope
Click here for a full list of all artwork by Jacqueline Stanhope

Jacqueline Stanhope

Jacqueline Stanhope was born in 1963 and was educated in Scotland. Facinated by horses and racing she began painting and drawing them at an early age by the young age of 10 she was using oils. She was gifted both academically as well as artistically, she began selling her work in secondary school. She left school at the age of 16 to follow her career in painting on a professional level, chosing this route over a career in medicine. She was facinated by anatomy and science more than art and started freelancing as a graphic and portrait artist. By age 21 she had undertaken work for Walt Disney and had painted football teams. Jacqueline took time out to raise a young family and then re-entered the art world by producing 'Northern Dancer & Sons' a limited edition print. This print led to a rise in her popularity with leaders in the racing world investing in her work. Her work is exhibited annually at Tattersalls December Sales which has also raised her profile with paintings being sold to clients worldwide.

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This Week's Half Price Art

 Captain Montague Lind, leading a Squadron of the 1st Life Guards against the 12th regiment of Cuirassiers during the battle of waterloo, Hougoumont Farm can be seen in the distance.

Charge of the Life Guards by Mark Churms.
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 Depicting soldiers of the French Second Empire dreaming of the victorious French Army of the Napoleonic period.
La Reve (The Dream) by Edouard Detaille. (Y)
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Battle of Waterloo 1815

Royal Horse Guards by Brian Palmer (P)
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As the French regiment man the postion while under heavy attack, a French drummer boy and soldier are seen attending the wounded mascot dog of the regiment.
The Dog of the Regiment is Wounded by Horace Vernet. (Y)
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 The painting depicts the climax of the Zulu attacks at the defence of Rorkes Drift. The Zulus were unable to effectively penetrate the mealie bag defenses at Rorkes Drift, even though they succeeded in burning down the hospital, and peppering the storehouse with bullet holes. The confined space available to the British garrison caused a certain degree of physical compression, but this in fact worked against the Zulus, as it drove the defenders closer together with the result being that the volley fire from the defenders was concentrated and subsequently very effective at close range, as opposed to the spread out skirmish line type formation used at Isandlwhana. The Zulu attacks also became uncoordinated, being driven forward by charismatic individuals, but lacking the support of the necessary numbers needed to overwhelm the desperate defenders, who now appreciated that they were literally fighting for their lives.

Rorkes Drift by Jason Askew. (GS)
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 In the Spring of 1854 the Seventeenth lancers, the Death or Glory Boys, a nickname derived from the regiments dashingly sinister skull and crossbones badge received orders to make ready for the Crimea. The Seventeenth was to be brigaded with the 8th and 11th Hussars and the 4th and 13th Light dragoons to comprise what was said at the time to be The finest Brigade of Light cavalry ever to leave the shores of England. Prior to departure for the front. The seventeenth is reviewed by its Colonel in Chief, the Duke of Cambridge wearing scarlet full dress in contrast to the dark blue of the seventeenth. A bit of swagger before the Charge which would secure the regiments place in history.

Last Review Before the Charge by Mark Churms. (Y)
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 Depicting the Inniskilling Dragoons and the Scots Greys during the classic Cavalry Charge.

The Glorious Charge of the Heavy Brigade by Henry Courtney Selous. (Y)
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