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Azamour by Jacqueline Stanhope.


Azamour by Jacqueline Stanhope.

Item Code : JS0047Azamour by Jacqueline Stanhope. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 500 paper prints. Print size 20 inches x 16 inches (51cm x 31cm)Artist : Jacqueline Stanhope£120.00

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Artist Details : Jacqueline Stanhope
Click here for a full list of all artwork by Jacqueline Stanhope

Jacqueline Stanhope

Jacqueline Stanhope was born in 1963 and was educated in Scotland. Facinated by horses and racing she began painting and drawing them at an early age by the young age of 10 she was using oils. She was gifted both academically as well as artistically, she began selling her work in secondary school. She left school at the age of 16 to follow her career in painting on a professional level, chosing this route over a career in medicine. She was facinated by anatomy and science more than art and started freelancing as a graphic and portrait artist. By age 21 she had undertaken work for Walt Disney and had painted football teams. Jacqueline took time out to raise a young family and then re-entered the art world by producing 'Northern Dancer & Sons' a limited edition print. This print led to a rise in her popularity with leaders in the racing world investing in her work. Her work is exhibited annually at Tattersalls December Sales which has also raised her profile with paintings being sold to clients worldwide.

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This Week's Half Price Art

 Trapped within a rapidly decreasing perimeter, the exhausted BEF along with elements of the French 1st Army appeared to be at the mercy of the mighty Luftwaffe. No one though had reckoned on the brilliant leadership of Admiral Ramsay nor the gallant and unstinting efforts of the military and civilians who managed to rescue over 330,000 troops in nine days.

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21st July 1842: When bad feeling arose over trade relations between the Honourable East India Company and China, an expedition was mounted to re-establish trading facilities in certain Chinese ports. A force of infantry was accompanied by units of the Royal Artillery and Madras Artillery. An amphibious attack was made up-river towards Canton in 1840, and after first taking the forts which defended it, the city itself was eventually captured. After taking Amoy, the British force moved back to establish itself in Canton. Then, the entire British force sailed to capture Shanghai.  Proceeding up the river Yangtse Kiang, the fleet anchored abreast of the city of Chin-kiang-foo, at the foot of whose walls lay the grand canal. On 21st July 1842 all the troops were disembarked and took up their positions. Colonel Montgomerie, who commanded the artillery brigade, placed his guns in a strong position on a low hill commanding the Western gateway and walls. The infantry escaladed the North angle of the walls and after a sharp struggle the city was captured. Hostilities ended when the force reached Nanking.  For operations in the stifling heat and the swampy banks of Eastern rivers, the smaller and handier artillery equipments were preferred. As well as the smaller howitzers, five 6-pounder guns were also used. Field guns of the Madras Artillery had a distinctive flat, circular brass nave plate.  The Madras Artillery regulations describe the Undress uniforms and horse furniture of the officers. They and their men are wearing forage caps. Gunners and drivers with field batteries were armed with short swords. In marching order the Madras Artillery men were ordered to wear Undress jackets, woollen trousers and carry haversacks (containing provisions). As a gun is loaded, one of the detachment goes to fetch another cartridge from the limber in the rear. An officer of the 18th (The Royal Irish) Regiment, suffering (like many) from heat stroke, is aided by a soldier and a sepoy of the Madras Native Infantry.

The Madras Foot Artillery at the Assault on Chin-Kiang-Foo, 21st July 1842 by David Rowlands. (B)
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