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The Joust of Peace (The Black Knight) by Mark Churms.


The Joust of Peace (The Black Knight) by Mark Churms.

Edward Plantagenet, Prince of Wales turns his charger once more to engage his opponent in a joust of courtesy using blunt lances.
Item Code : DHM0462The Joust of Peace (The Black Knight) by Mark Churms. - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 1000 prints.

Image size 24 inches x 15 inches (61cm x 38cm)Artist : Mark Churms£40 Off!
Supplied with one or more free art prints!
Now : £90.00

Quantity:
EXCLUSIVE website offer from Cranston Fine Arts - FREE art print(s) supplied with the above item!


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FREE PRINT : Morning of Agincourt by Sir John Gilbert.

This complimentary art print worth £14
(Size : 12 inches x 8 inches (31cm x 20cm))
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.

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Buy With :
The Black Prince Before the Battle of Crecy by Mark Churms.
for £105 -
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Battle of Crecy by Brian Palmer.
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Other editions of this item : The Joust of Peace (The Black Knight) by Mark Churms. DHM0462
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
Limited edition of 50 artist proofs. Image size 24 inches x 15 inches (61cm x 38cm)Artist : Mark Churms£20 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!
Supplied with one or more free art prints!
Now : £140.00VIEW EDITION...
POSTCARDPostcard Postcard size 6 inches x 4 inches (15cm x 10cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£2.00VIEW EDITION...
EX-DISPLAY
PRINT
**Signed limited edition of 1000 prints. (1 copy reduced to clear)

Ex-display copy - near perfect condition with slight border damage.
Image size 24 inches x 15 inches (61cm x 38cm)Artist : Mark ChurmsHalf Price!Now : £60.00VIEW EDITION...
General descriptions of types of editions :




Artist Details : Mark Churms
Click here for a full list of all artwork by Mark Churms


Mark Churms

Mark was born in Wales in 1967. He gained his degree in Architectural Studies at Oxford Polytechnic in 1989, but soon his interest in drawing buildings was surpassed by his love of painting horses and in 1991 he began work as a freelance artist. His first commissions were for sporting subjects, Polo, Racing and Hunting. However his consuming passion for military history, particularly of the Napoleonic era, quickly became his dominant theme, with the invaluable counsel of French military experts (accuracy in uniform and terrain of the various battles takes a great deal of time and consultation with many experts across Europe). Mark Churms joined Cranston Fine Arts in 1991 and for a period of 8 years, was commissioned for several series and special commissions. His series of the Zulu War, and of the Battle of Waterloo were the highlights during this period. Mark Churms' deep understanding and detailed knowledge of the period made Mark at that time one of the most prolific and successfull artists for Cranston Fine Arts. Cranston Fine Arts are proud with their series of superb art prints and original paintings painted by Mark Churms in this period. We now offer Mark Churms art prints in special 2 and 4 print packs with great discounts as well as a number of selected original paintings at upto half price.

More about Mark Churms

This Week's Half Price Art

The battle took place on the 17th November 1796, Arcole is a small village in Italy on the Alpine river. Bonaparte, holding the tri colour, urges on his Grenadiers and carries the Bridge of Arcole, thus bringing victory over the Austrians. This episode has passed into French Army Legend but we understand the truth to be. A French Officer cried if you fall we are lost, you shall not go further. This is not your place and Bonaparte almost drowned when the officer pushed him into the water.
Le Bataille Du Pont D Arcole by Horace Vernet (GS)
Half Price! - £200.00
<b>Slightly noticeable mark on the image - hence the low price of this item. </b>

AD43 by Chris Collingwood. (Y)
Half Price! - £27.50
 North Africa, 30th September - 6th November 1942.  During the final battle at El Alamein the Italian paratroopers of the 185th <i>Folgore</i> Parachute Division held the southern end of the Axis defence line down to the Qattara Depression.  For several days they repelled constant attacks by a succession of Commonwealth units including the vaunted 7th Armoured Division, <i>The Desert Rats</i>.  All of this ended on November 6th, when the last organized group commanded by Colonel Camosso and Major Zanninovich, surrounded by British tanks, finished its ammunition reserves.  From an initial strength of 5,000, only 306 paratroopers were still alive.  For their bravery, the British gave them the singular honour of allowing the Folgore survivors to retain their weapons on their surrender.

Folgore at El Alamein by David Pentland. (GS)
Half Price! - £250.00
 Albert Kerscher and Otto Carius. Kinderheim, Narva Bridgehead 17th March 1944, 2nd Kompany, 502 Heavy Tank Battalion. Tiger I tanks of Albert Kersher and Otto Carius, of 2nd Company. Heavy tank Battalion 502, pull back to their headquarters at The Kinderheim to reload ammunition and refuel for the next engagement.

Rearm and Resupply by David Pentland. (Y)
Half Price! - £40.00

 The Battle of Aliwal was fought on 28th January 1846 between the British and the Sikhs.  The British were led by Sir Harry Smith, while the Sikhs were led by Ranjodh Singh Majithia.  The British won a victory which is sometimes regarded as the turning point of the First Anglo-Sikh War.  The Sikhs had occupied a position 4 miles (6.4 km) long, which ran along a ridge between the villages of Aliwal, on the Sutlej, and Bhundri.  The Sutlej ran close to their rear for the entire length of their line, making it difficult for them to manoeuvre and also potentially disastrous if they were forced to retreat.  After the initial artillery salvoes, Smith determined that Aliwal was the Sikh weak point.  He sent two of his four infantry brigades to capture the village, from where they could enfilade the Sikh centre.  They seized the village, and began pressing forwards to threaten the fords across the Sutlej.  As the Sikhs tried to swing back their left, pivoting on Bhundri, some of their cavalry tried to threaten the open British left flank.  A British and Indian cavalry brigade, led by the 16th Lancers, charged and dispersed them.  The 16th Lancers then attacked a large body of Sikh infantry.  These were battalions organised and trained in contemporary European fashion by Neapolitan mercenary, Paolo Di Avitabile.  They formed square to receive cavalry, as most European armies did.  Nevertheless, the 16th Lancers broke them, with heavy casualties.  The infantry in the Sikh centre tried to defend a nullah (dry stream bed), but were enfiladed and forced into the open by a Bengal infantry regiment, and then cut down by fire from Smith's batteries of Bengal Horse Artillery.  Unlike most of the battles of both Anglo-Sikh Wars, when the Sikhs at Aliwal began to retreat, the retreat quickly turned into a disorderly rout across the fords.  Most of the Sikh guns were abandoned, either on the river bank or in the fords, along with all baggage, tents and supplies.  They lost 2,000 men and 67 guns. <i><br><br>Comment from the artist, Jason Askew.</i><br><br>This painting shows the extremely violent and brutal clash between British cavalry (16th Lancers) and Sikh infantry at the battle of Aliwal.  The Sikh infantry formed 2 triangles, a version of the famous Allied/British squares used at Waterloo, but the Sikhs, after firing a ragged volley at the attacking horsemen, dropped their muskets and assaulted the cavalry with their traditional Tulwars (sabres) and dhal shields.  These shields are also used offensively, to punch, and to slice with the edge.  Although the British horsemen claimed a victory as they felt they successfully dispersed the Sikh triangles, and forced the Sikh infantry to retreat to the nullah (dry stream bed) in the Sikh rear, this opinion is open to debate.  The Sikhs traditionally fought in loose formations, with tulwar and shield-taking full advantage of their abilities as swordsmen, blades being weapons with which the Sikhs are particularly skilled in the use of.  The Sikhs actually inflicted more casualties on the 16th Lancers than the lancers inflicted on the Sikh infantry.  British eye witnesses spoke of the sight of the grotesquely swollen and distorted dead bodies of men and horses of the Her Majesty's 16th Lancers, stinking in the sun and littering the ground at Aliwal - testimony to the progress of their charge.  The regiment lost 27% of effectives out of a total strength of over 400 effectives.  The lancers were dreadfully hacked about, many being cruelly maimed for life, losing hands and limbs to the slashing strokes of the Sikh blades.  The Sikhs had no compassion for the cavalry horses either - many of the poor animals (over 100 by some accounts) had to be shot, due to having their legs hacked clean off, or being literally disemboweled by Sikh Tulwars.  In the painting, the central figure with the wizard-shaped Turban, is in fact an Akali - a sect of extremely religious Sikhs, who disdained the use of armour, and often fought to the death with a fanatical and suicidal devotion.

The Battle of Aliwal by Jason Askew. (GL)
Half Price! - £300.00
CCP0056. Rorkes Drift by Chris Collingwood.
Rorkes Drift by Chris Collingwood.
Half Price! - £34.00
Depicting troopers of the 2nd Royal North British Dragoons (Scots Greys) on the morning of 18th June 1815. before the Battle of waterloo, and their great charge into history.

The Dawn of Waterloo by Lady Elizabeth Butler.
Half Price! - £38.00
GIJL3070GS.  Napoleon at the Battle of Waterloo by George Jones.
Napoleon at the Battle of Waterloo by George Jones. (GS)
Half Price! - £200.00
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