Customer Helpline
(UK) : 01436 820269

Shipping Rates
Valuation of Your Collection

You currently have no items in your basket


FREE worldwide shipping for orders over £150

Join us on Facebook!


Buy with confidence and security!
Publishing historical art since 1985

Follow us on Twitter!

AMAZING VALUE SPECIAL OFFERS !

VIEW ALL OF OUR CURRENT SPECIAL OFFERS HERE!
 
Product Search        
Massive savings on this month's big offers including our BUY ONE GET ONE HALF PRICE offer on many prints, many others at HALF PRICE or with FREE PRINTS and all orders over £150 get FREE WORLDWIDE SHIPPING!
Many of our offers end in 6 hours, 37 minutes!

Strike and Strike Again by Robert Taylor.


Strike and Strike Again by Robert Taylor.

By the spring of 1945, Germanys once all-conquering submarine fleet, driven by allied forces from its bases in estern France, had fled to the relative safety of the Norwegian fjords - territory still remaining under German occupation since 1940. In one of Hitlers last stands, more than 100 U-Boats, merchant freighters, flakships, and other military vessels were hathered in the narrow fjords, laying up by day and sailing undercover of darkness. They were a menace that had to be dealt with. Tasked with the difficult job of eliminating this force were the Beaufighters and Mosquitos of RAF Coastal Commands Strike Wings based in Scotland. - Our job was to go after this shipping and sink it - recalled Wing Commader Colin Milson, C.O. of No. 455s Beaufighters. - The fjords were often just 200 - 300 yards across with cliffs rising vertically up 2000 feet, the deep water allowing the German shipping to get in beneath these high overhanging cliffs. This made for difficult and dangerous flying, exacerbated by the heavy flak and machine gun fire that always welcomed us.
Item Code : DHM2581Strike and Strike Again by Robert Taylor. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT RAF Aircrew Edition: Signed Limited Edition of 450 prints.

Image size 28 inches x 16 inches (72cm x 41cm) Corbin, Harold
Doughty, Les
Graham, Herbert
+ Artist : Robert Taylor


Signature(s) value alone : £85
£40 Off!
Supplied with one or more free art prints!
Now : £200.00

Quantity:
EXCLUSIVE website offer from Cranston Fine Arts - FREE art print(s) supplied with the above item!


Exclusive Offer for Online Orders Only

FREE PRINT : Desert Prang by Geoff Lea.

This complimentary art print worth £40
(Size : 16 inches x 10 inches (41cm x 25cm))
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.

This item can be viewed or purchased separately in our shop, HERE


SAVE MONEY WITH OUR DISCOUNT DOUBLE PRINT PACKS!

Buy With :
Beaufighter Attack by Ivan Berryman.
for £230 -
Save £90

Buy With :
Seastrike by Ivan Berryman
for £230 -
Save £100
SAVE MONEY WITH OUR TRADE DISCOUNT MULTI-PRINT PACKS - AVAILABLE DIRECT TO OUR CUSTOMERS AT THESE PRICES!
Beaufighter Aviation Art Print Collector Pack.

Pack price : £300 - Save £195

      
Buy With :
3 other prints in this pack :
CLICK HERE TO VIEW OR PURCHASE

Pack price : £300 - Save £195

Titles in this pack :
Strike and Strike Again by Robert Taylor.  (View This Item)
Beaufighter Attack by Ivan Berryman.  (View This Item)
Desert Prang by Geoff Lea. (D)  (View This Item)
Seastrike by Ivan Berryman. (C)  (View This Item)

Beaufighter Aircraft Print Pack.

Pack price : £290 - Save £195

      
Buy With :
3 other prints in this pack :
CLICK HERE TO VIEW OR PURCHASE

Pack price : £290 - Save £195

Titles in this pack :
Strike and Strike Again by Robert Taylor.  (View This Item)
Seastrike by Ivan Berryman  (View This Item)
Beaufighter Attack by Ivan Berryman.  (View This Item)
Desert Prang by Geoff Lea. (D)  (View This Item)

All prices on our website are displayed in British Pounds Sterling



Other editions of this item : Strike and Strike Again by Robert Taylor DHM2581
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
RAF Aircrew Edition: Artist Proof Edition of 25 prints. Image size 28 inches x 16 inches (72cm x 41cm) Corbin, Harold
Doughty, Les
Graham, Herbert
+ Artist : Robert Taylor


Signature(s) value alone : £85
Free
Shipping!
£325.00VIEW EDITION...
PRINTRAF Victory in Europe. Signed Limited Edition of 400 prints. Image size 28 inches x 16 inches (72cm x 41cm) Harrington, Ray
Webb, Maurice
Curtis, Des
Parfitt, Bill
Corbin, Harold
Doughty, Les
Graham, Herbert
+ Artist : Robert Taylor


Signature(s) value alone : £240
£40 Off!
Supplied with one or more free art prints!
Now : £250.00VIEW EDITION...
PRINT RAF Victory in Europe. Remarque Edition of 25 prints. Includes 7 signatures.

SOLD OUT (September 2009).
Image size 28 inches x 16 inches (72cm x 41cm) Harrington, Ray
Webb, Maurice
Curtis, Des
Parfitt, Bill
Corbin, Harold
Doughty, Les
Graham, Herbert
+ Artist : Robert Taylor


Signature(s) value alone : £240
SOLD
OUT
VIEW EDITION...
PRINT RAAF Edition: Signed Limited Edition of 150 prints. Includes 9 signatures. Image size 28 inches x 16 inches (72cm x 41cm) Corbin, Harold
Doughty, Les
Graham, Herbert
+ Artist : Robert Taylor


Signature(s) value alone : £85
Free
Shipping!
£275.00VIEW EDITION...
General descriptions of types of editions :


Signatures on this item
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo
Flight Lieutenant Herbert Bert Graham
*Signature Value : £35

Bert Graham joined the RAF in 1941 and was immediately posted to a pilot training station in Torquay, Devon. After passing his final exams he then went on to fly Tiger Moths, before being posted to RAF Brize Norton flying Oxfords. In 1942 Bert transferred to start flying with 143 Squadron on Blenheims, but quickly moved on to Beaufighters with the North Coates Strike Wing. For his second tour Bert was posted to Scotland flying Mosquitos, where, before the end of hostilities, he completed many port and shipping strikes over Norway and occupied Europe.


Flying Officer Harold Corbin CGM
*Signature Value : £30

Harold Corbin joined the RAF in November 1940 and was sent to the United States to train as a pilot. On completion he returned to England as a Sergeant and after several positions was posted to 235 Squadron at RAF Portreath flying operations on Beaufighters. He completed many missions attacking various ports and enemy shipping on the French coast and in the Bay of Biscay. In 1944 he converted onto Mosquitos and joined 248 Squadron at RAF Banff, part of the Banff Strike Wing. The Banff Wing was to become immortalised for undertaking some of the most dangerous and concentrated attacks on German surface vessels and U-boats in the North Sea and on the Norwegian coastline. He was awarded the CGM in August 1944, and was given a full commission in December 1944. He had flown as co-pilot / observer with Maurice Webb from 1943 until the end of the war.
Warrant Officer Les Doughty DFM
*Signature Value : £20

Joining the RAF in 1939 as a driver, Les Doughty was posted overseas to serve in Iraq. In 1941 he applied for, and was accepted, to be a pilot and went on to train in Rhodesia. In 1943 his first operational posting was to 248 Squadron flying Beaufighters from RAF Predannack, providing fighter escorts and coastal patrols, with combat strikes mostly against enemy shipping. He moved with 248 Squadron to RAF Portreath and converted to Mosquitos. In early 1944 whilst out on a strike mission, he attacked submarine U-155 whilst under heavy fire as it was entering the French harbour of Lorient. The submarine was put out of action for the duration of the war, and Les was awarded an immediate DFM.
The Aircraft :
NameInfo
BeaufighterBRISTOL BEAUFIGHTER The Bristol Beaufighter was a Torpedo Bomber and had a crew of two. with a maximum speed of 330mph and a ceiling of 29,000 feet. maximum normal range of 1500 miles but could be extended to 1750 miles. The Bristol Beaufighter carried four 20mm cannon in the belly of the aircraft and upto six .303in browning machine guns in the wings. it could also carry eight 3 -inch rockets, 1605 lb torpedo or a bomb load of 1,000 lb. The Bristol Beaufighter first flew in July 1939 and with some modifications entered service with the Royal Air Force in July 1940. In the winter of 1940 - 1941 the Beaufighter was used as a night fighter. and in March 1941 the aircraft was used at Coastal Command as a long range strike aircraft. and in 1941, the Beaufighter arrived in North Africa and used as a forward ground attack aircraft. The Bristol Beaufighter was used also in India, Burma and Australia. A total of 5,564 Beaufighters were built until production in Britain finished in 1945, but a further 364 were built in Australia for the Australian Air Force
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

More about Robert Taylor

This Week's Half Price Art

 The success of the attack on the Möhne dam on the night of 16th/17th May 1943 meant that the remaining three 617 Sqn Lancasters of the First Wave could turn their attention to the Eder, some twelve minutes flying time away.  Wing Commander Guy Gibson first called in Flight Lieutenant D J Shannon, flying AJ-L (ED929G) to make the initial run, but he had great difficulty achieving the correct height and approach, so Gibson now ordered Squadron Leader H E Maudslay in AJ-Z (ED937G) to make his run.  Again, the aircraft struggled to find the correct height and direction, so Shannon was again brought in, AJ-L finally releasing its <i>Upkeep</i> on the third attempt. The bomb bounced twice before exploding with no visible effect on the dam. Now Maudslay made another attempt, but released his bomb too late.  The mine bounced off of the dam wall and exploded in mid air right behind AJ-Z, the Lancaster limping away, damaged, from the scene, only to be shot down on the way home with the loss of all crew.  Finally, Pilot Officer Les Knight was called in for one final attempt. AJ-N (ED912G) released its <i>Upkeep</i>  perfectly, the mine bouncing three times before striking the dam slightly to the south.  In the ensuing explosion, the dam was seen to shake visibly before the masonry began to crumble and a massive breach appeared.  With the Möhne and Eder dams both destroyed and the Sorpe demonstrated to be equally vulnerable, <i>Operation Chastise</i> had been a remarkable success and will stand forever as one of the most heroic and audacious attacks in the history of aerial warfare.

The Eder Breaks by Ivan Berryman. (Y)
Half Price! - £40.00
 A Douglas C-47 of the 91st Troop Carrier Squadron, 439th Troop Carrier Group gets away from the Devon airfield of Upottery on 5th June 1944 carrying paratroops of 101st Airborne Division.  The company departed from Upottery airbase in Devon, England, and dropped over the Cotentin Peninsula of Normandy, France in the early hours of the morning of June 6th, 1944 at the start of the Normandy invasion.

101st Airborne en route to Normandy by Ivan Berryman. (P)
Half Price! - £700.00
 The success of Operation Bodenplatte, on January 1, 1945, was to be achieved by mass surprise attacks on British and American bases in France, Belgium and Holland. It was a battle fought at great cost to the Luftwaffe. During the battles some 300 Luftwaffe aircraft were lost. Though 200 Allied aircraft were destroyed, most on the ground, pilot losses were light. Nicolas Trudgians brilliant painting takes us right into the action above the Allied air base at Eindhoven. Me262 jets join a concentration of Me109s and Fw190s of JG-3 fighter wing, as they hurtle across the airfield in an assault that lasted 23 minutes, while Spitfires from 414 Sqn RCAF do their best to repel the attack. On the ground Typhoon fighters of 439 Sqn take a hammering. <br><br><b>Signed by four top Luftwaffe pilots who flew in Operation Bodenplatte.  Published in 1998, this great art print sold steadily through the following 12 years and now very few are available.  Due to the outstanding signatures sadly most of whom are not with us anymore the value has increased from the issue price to nearly double in the first 14 years .  This is certainly one to add to your collection.  Nicoals Trudgian's early releases were very under priced and many had fantastic signatures.  Many collectors recognised this fact in the early years and wisely took advantage of these great initial offer prices, meaning many of these sought after editions soon became hard to find.</b>

Operation Bodenplatte by Nicolas Trudgian.
Half Price! - £140.00
 When the RAF took delivery of their first Consolidated B.24 Liberators in 1941, aerial cover for trans-Atlantic convoys was strengthened, affording these brave merchant ships a modicum of protection as they forged their slow passage from the US to Britain with vital supplies. 120 Sqn was immediately pressed into this role from their initial base at Nutts Corner in Northern Ireland, before moving to Ballykelly and Reykjavik in Iceland as the U-Boat threat increased. The example shown is a Liberator V of RAF Coastal Command.

The Long Patrol by Ivan Berryman. (P)
Half Price! - £550.00

 A BAE Viscount on final approach to Birmingham Airport, c.1962.

Elmdon Evening by Mark Postlethwaite. (AP)
Half Price! - £55.00
 Albatros DIII of Godwin Brumowski about to shoot down a Caquot balloon.

Oberleutnant Godwin Brumowski by Ivan Berryman. (GS)
Half Price! - £250.00
 Obersalzberg, a spectacularly picturesque area of southern Germany in the Bavarian Alps, became a focal point for the Allies as World War II was drawing to its close. This mountain village had become a Nazi stronghold after the Third Reich had seized houses, farms, and some 600 acres, and built private residences for Martin Bormann and Hermann Goering, an SS barracks, and erected a 30kmn fence around the perimeter to deter intrusion. At its centre was the Berghoff, Adolf Hitlers private mountain retreat.  Crowning Bormanns lavish building programme was the house he had built on a rocky spur almost 3000 feet above the Obersalzberg, some 6000 feet above sea level. Reached via a twisting road blasted out of the mountainside, the house was approached after entering a tunnel via a large brass two story elevator rising over 400 feet to the building. The Kelilsteinhaus was Martin Bormanns present for Hitter on the occasion of his 50th birthday in 1939. It was known by the Allies as the Eagles Nest.  Believing the Obersalzberg to be where Hitler and his closest henchmen would make their final stand, in April 1945 Allied bombing raids reduced much of the area to ruins. The Eagles Nest, intended as a private retreat from which Hitler could gaze over a conquered Europe, being an isolated target, survived this onslaught, and endures to this day.  Nicolas Trudgians painting shows P-51Ds of the 339th Fighter Group roaring over the rooftop of Hitlers now abandoned folly. With Germany and the Third Reich on the brink of defeat, this majestic aviation image conveys the poignant irony of the greatest lost cause in human history, with P-51 Mustangs providing a fitting symbol of victory over tyranny.

Mustangs Over the Eagles Nest by Nicolas Trudgian.
Half Price! - £145.00
 Ben Drew shot down two Me262s in October of 1944. The painting shows the second Me262 as the main subject with Ben's <i>Detroit Miss</i> peeling off at full speed after he showered the aircraft with the fatal bullets.  The shoot down action was so quick in occurring, (31 seconds), that Drew never saw what had actually happened to the pilot, Oblt. Paul Bley, who slipped over the side in time to live to fight again.  As fate would have it Oblt. Bley was killed 2 weeks later when his 262 developed trouble while taking off and he plowed into a tractor at the end of the field.

Shooting Swallows by Brian Bateman. (P)
Half Price! - £1700.00
          Home / View All Products                       View Your Basket