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Skipper Comes Home by Robert Taylor

Skipper Comes Home by Robert Taylor

From the summer of 1942 until the end of hostilities, the USAAFs Eighth Air Force took the battle to enemy occupied Europe every single day that weather permitted. The largest air unit ever to go to war, the Eighth played a vital role in the ultimate defeat of Hitlers Germany. In the forefront of this awesome fighting force, the crews of the mighty B-17 Flying Fortress will be forever remembered.
Item Code : DHM2579Skipper Comes Home by Robert Taylor - This Edition
PRINTSigned Limited Edition of 500 prints. Includes 4 signatures.

Image size 23.5 inches x 17 inches (60cm x 43cm) Greer, Paul H
Kincheloe, William P
Nielsen, Don
Paris, Robert
+ Artist : Robert Taylor

Signature(s) value alone : £130

All prices on our website are displayed in British Pounds Sterling

Other editions of this item : Skipper Comes Home by Robert Taylor DHM2579
Artist Proof Edition. Edition of 25, with 4 signatures. Image size 23.5 inches x 17 inches (60cm x 43cm) Greer, Paul H
Kincheloe, William P
Nielsen, Don
Paris, Robert
+ Artist : Robert Taylor

Signature(s) value alone : £130
£325.00VIEW EDITION...
PRINTLimited edition of 25 remarques.

Image size 23.5 inches x 17 inches (60cm x 43cm) Greer, Paul H
Kincheloe, William P
Nielsen, Don
Paris, Robert
+ Artist : Robert Taylor

Signature(s) value alone : £130
General descriptions of types of editions :

Signatures on this item
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
Captain Robert Paris (deceased)
*Signature Value : £35

Joining up in June 1940, Rob Paris qualified with dual rating as pilot and navigator, flying a total of 52 combat missions on B17s. Posted first to the 8th Air Force in England, Rob flew with the 325th Squadron of the 92nd Bomb Group, completing his first mission in October 1942. In November he was posted to join the 12th Air Force in North Africa, again with B17s, joining the 342nd Squadron of the 97th Bomb Group. Amongst others, he participated in raids on the Italian Fleet in Trieste and Gorizia, the battle of Kasserine Pass, at Palermo during the Invasion of Sicily, as well as raids on the Italian mainland. Rob flew a total of 52 combat missions on B17s, and was Lead Navigator of many 100-plane missions. Sadly Rob passed away on the 21st September 2010, he was honored in december during a ceremony at National Cemetery in Phoenix with a fly over by a vintage B-25 aircraft.
First Lieutenant Don Nielsen
*Signature Value : £35

A pilot with the 457th Bomb Group, Don Nielson had joined up in February 1943, originally training for combat flying on B24 Liberators. In November 1944 he was posted to England, joining the 751st Squadron, 457th Bomb Group at Glatton flying B17 Fortresses - first as co-pilot and then as First Pilot, undertaking the first combat mission of his tour on 12 December 1944. On 3 February 1945 he took part in the big raid on Berlin, which was the heaviest concentration on the German capital so far in the war, encountering some of the most intense and accurate flak ever experienced by the Eighth. During his tour Don took part in a total of 34 raids, all on B17s.
Lieutenant Colonel William P Kincheloe
*Signature Value : £35

Bill Kincheloe joined the service in April 1942, training as a pilot. He was posted to England to join the 327th Squadron, 92nd Bomb Group (Fames Favoured Few), based at Podington in Bedford, flying B-17s. His first combat mission was on 18 December 1943, when the 92nd went to Kiel, and in the following months other notable targets included the heavily defended factories at Schweinfurt. Bill flew a total of 28 raids to the Reich during his tour, all on B-17s, and six of which he commanded. After World War II Bill flew KC135s during the Vietnam War. He retired from the service in 1972.
Major Paul H Greer
*Signature Value : £25

After arriving in England, the first of Paul Greers 35 combat missions took place on a freezing cold New Years Day, 1945, as co-pilot on B-17s. Flying out of Thurleigh in Bedfordshire with the 368th Squadron, 306th Bomb Group (The Reich Wreckers), the oldest operational Bomb Group in the 8th Air Force, Paul flew a total of 31 missions on Fortresses as co-pilot, and a further 4 as lead pilot. Amongst other targets in Germany, he went on the big raids to Dresden and Schweinfurt, and led led missions to Berlin, on which he came under heavy attack from the Luftwaffes fast Me262 jet fighters.
The Aircraft :
Flying FortressIn the mid-1930s engineers at Boeing suggested the possibility of designing a modern long-range monoplane bomber to the U.S. Army Air Corps. In 1934 the USAAC issued Circular 35-26 that outlined specifications for a new bomber that was to have a minimum payload of 2000 pounds, a cruising speed in excess of 200-MPH, and a range of at least 2000 miles. Boeing produced a prototype at its own expense, the model 299, which first flew in July of 1935. The 299 was a long-range bomber based largely on the Model 247 airliner. The Model 299 had several advanced features including an all-metal wing, an enclosed cockpit, retractable landing gear, a fully enclosed bomb bay with electrically operated doors, and cowled engines. With gun blisters glistening everywhere, a newsman covering the unveiling coined the term Flying Fortress to describe the new aircraft. After a few initial test flights the 299 flew off to Wright Field setting a speed record with an average speed of 232-mph. At Wright Field the 299 bettered its competition in almost all respects. However, an unfortunate crash of the prototype in October of 1935 resulted in the Army awarding its primary production contract to Douglas Aircraft for its DB-1 (B-18.) The Army did order 13 test models of the 299 in January 1936, and designated the new plane the Y1B-17. Early work on the B-17 was plagued by many difficulties, including the crash of the first Y1B-17 on its third flight, and nearly bankrupted the Company. Minor quantities of the B-17B, B-17C, and B-17D variants were built, and about 100 of these aircraft were in service at the time Pearl Harbor was attacked. In fact a number of unarmed B-17s flew into the War at the time of the Japanese attack. The German Blitzkrieg in Europe resulted in accelerated aircraft production in America. The B-17E was the first truly heavily armed variant and made its initial flight in September of 1941. B-17Es cost $298,000 each and more than 500 were delivered. The B-17F and B-17G were the truly mass-produced wartime versions of the Flying Fortress. More than 3,400 B-17Fs and more than 8,600 B-17Gs would be produced. The American daylight strategic bombing campaign against Germany was a major factor in the Allies winning the War in Europe. This campaign was largely flown by B-17 Flying Fortresses (12,677 built) and B-24 Liberators (18,188 built.) The B-17 bases were closer to London than those of the B-24, so B-17s received a disproportionate share of wartime publicity. The first mission in Europe with the B-17 was an Eighth Air Force flight of 12 B-17Es on August 12, 1942. Thousands more missions, with as many as 1000 aircraft on a single mission would follow over the next 2 years, virtually decimating all German war making facilities and plants. The B-17 could take a lot of damage and keep on flying, and it was loved by the crews for bringing them home despite extensive battle damage. Following WW II, B-17s would see some action in Korea, and in the 1948 Israel War. There are only 14 flyable B-17s in operation today and a total of 43 complete airframes
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor

Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

More about Robert Taylor

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