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The Black Watch by Richard Caton Woodville.


The Black Watch by Richard Caton Woodville.

Item Code : UN0468The Black Watch by Richard Caton Woodville. - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition reprint. Image size 8 inches x 12 inches (20cm x 31cm)none£14.00

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Other editions of this item : The Black Watch by Richard Caton Woodville UN0468
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ANTIQUE
CHROMOLITHOGRAPH
Original chromolithograph, published c,1900. Image size 7 inches x 11 inches (18cm x 28cm)none£75.00VIEW EDITION...
General descriptions of types of editions :


Artist Details : Richard Caton Woodville
Click here for a full list of all artwork by Richard Caton Woodville

Richard Caton Woodville

WOODVILLE, Richard Caton Born London 1856; died there 1927. Woodville was the most prolific battle artist of the nineteenth and early twentieth century in Britain, producing countless oil paintings and drawings, many for the Illustrated London News. As was the case with several history painters of the Victorian period, he studied at Dusseldorf sometime with Wilhelm Camphausen, the great German military painter, and later in Paris. He experienced was first-hand in Albania and Montenegro towards the end of the Russo-Turkish War in 1877, and later in Egypt during the war of 1882. During the latter conflict, he made numerous sketches and obtained photographs of the trenches at Tel-e-Kebir for his friend, the French military artist, Alphonse de Neuville (q.v.) who had been commissioned to paint a scene of the battle. The fruits of both their labours were shown at the Fine Art Society in 1883, Woodville, exhibiting The Moonlight Charge at Kassassin. In 1884, Woodville exhibited by Royal Command, another picture relating to the Egyptian War. The Guards at Tel-e-Kebir (Royal Collection). His first Royal Academy picture exhibited in 1879, was entitled Before Leuthen, Dec. 3rd, 1757. Thereafter, he was a frequent exhibitor at Burlington House, showing no less than 21 battle pictures, many dealing with contemporary events such as the Second Afghan War, Candahar (Private collection) and Maiwand; saving the Guns (Walker Art Gallery, Liverpool), the Zulu War - Prince Louis Napoleon in Zululand, and the Boer War - Lindley; Whitsunday 1900 (Oxfordshire Light Infantry Association), and Dawn of Majuba (Canadian Military Institute). He painted many historical recreations both in oil and water-colour including a series on famous British battles for the Illustrated London News. He depicted The Charge of the Light Brigade (Royal Collection, Madrid) and The Charge of the 21st Lancers at Omdurman (Walker Art Gallery, Liverpool), Blenheim, Badajos and several Waterloo pictures. During the Great War, he turned his talents to depicting the current events, three of which were exhibited at the Royal Academy. The 2nd Batt. Manchester Regiment taking six guns at dawn near St. Quentin (The Rings Regiment), Entry of the 5th Lancers into Mons (16th/5th Royal Lancers), and Halloween, 1914: Stand of the London Scottish on Messines Ridge (London Scottish Museum Trust) exhibited in the year of his death. During his life, he was the most popular artist of the genre and he was the subject of several articles in magazines and journals. He himself wrote some memoirs in 1914 entitled Random Recollections. He was deeply interested in the army and joined the Royal Berkshire Yeomanry Cavalry in 1879, staying with them until 1914 when he joined the National Reserve as a Captain.

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This Week's Half Price Art

 On January 22nd 1879, during the Zulu War, the small British field hospital and supply depot at Rorkes Drift in Natal was the site of one of the most heroic military defences of all time. Manned by 140 troops of the 24th Regiment, led by Lieutenant John Chard of the Royal Engineers, the camp was attacke by a well-trained and well-equipped Zulu army of 4000 men, heartened by the great Zulu victory over the British forces at Isandhlwana earlier on the same day. The battle began in mid afternoon, when British remnants of the defeat at Isandhlwana struggled into the camp. Anticipating trouble, Chard set his small force to guard the perimeter fence but, when the Zulu attack began, the Zulus came faster than the British could shoot and the camp was soon overcome. The thatched roof of the hospital was fired by Zulu spears wrapped in burning grass and even some of the sick and the dying were dragged from their beds and pressed into the desperate hand-to-hand fighting. Eventually, Chard gave the order to withdraw from the perimeter and to take position in a smaller compound, protected by a hastily assembled barricade of boxes and it was from behind this barricade that the garrison fought for their lives throughout the night. After twelve hours of battle, the camp was destroyed, the hospital had burned to the ground, seventeen British lay dead and ten were wounded. However, the Zulus had been repulsed and over 400 of their men killed. The Battle of Rorkes Drift is one of the greatest examples of bravery and heroism in British military history. Nine men were awarded Distinguished Conduct Medals, and eleven, the most ever given for a single battle, received the highest military honour of all, the Victoria Cross.

Defence of Rorkes Drift by Lady Elizabeth Butler. (C)
Half Price! - £40.00
So Tell The Spartans, Stranger passing by that here, Obedient to their laws, we lie.   In 480 BC the Spartans tried to defend the pass at Thermopylae against the Persians led by Xerxes.  The Persian fleet had sailed along the coastline from northern Greece into the Gulf of Malia on the eastern Aegean Sea towards the mountains at Thermopylae. The Greek General and King Leonidas led the Greeks  and tried to defend the pass of Thermopylae.  All the defending Spartans were killed during the Battle of Thermopylae. Their defence and courage provided inspiration to the Greeks, and the following year the Greeks won battles against their old enemy the Persians.

Thermopylae 480BC, Spartan and Thespaian Hoplites. By Chris Collingwood.
Half Price! - £85.00
 Replacements from 1st Battalion Irish Guards and Sherman tanks of the 46th Royal Tank Regiment move through the debris of Anzio town towards their jump-off positions for the Battle of Campoleone Station.

Anzio, Italy, February 1944 by David Pentland. (Y)
Half Price! - £50.00
 Polish 7TP (Twin Turret) light tank of Captain F. Michalowskis training company breaks out from the street barricade to counter attack German reconnaissance elements.

Warsaw, September 1939 by David Pentland.
Half Price! - £40.00

Napoleon is shown taking leave of the Imperial Guard outside the Palace of Fontainbleau. With a dramatic final gesture, I cannot embrace you all but I shall embrace your General, and after General Petit, he kissed the eagle of the 1st Grenadiers whose bearer, Lieut Fortin covers his face. The officers at the right are representative of the Allied armies and are considerably less affected by the scene than the Frenchman.

Les Adieux de Fontainebleau by Horace Vernet.
Half Price! - £40.00
 A miners companion, little guys like this always did more than their share of the work.
Lil Corky by Bud Bradshaw. (GL)
Half Price! - £250.00
 Sturmgeschutz IIIF of Stug Battalion Grossdeutschland, and supporting infantry from GD Regiment 1 battle against Soviet forces defending the strategically important city of Voronezh on the Don. Combined arms operations such as this proved the value of the assault gun, which took a terrible toll on enemy armour and men alike.

Assault on Voronezh, Russia, 2nd - 7th July 1942 by David Pentland. (P)
Half Price! - £1800.00
The Black Watch is shown with the Coldstream Guards and Scots Guards in the distance advancing up from the river Alma to attack the Russian forces at the top of the surrounding hills.
The Battle of Alma by Felix Philippoteaux.
Half Price! - £40.00
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