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Culloden the Aftermath by Brian Wood (GL)


Culloden the Aftermath by Brian Wood (GL)

This is my personal interpretation of the events immediately following the Battle of Culloden. There is no intention to depict either the shores of LochNam-Uarnh, the Highlands, glens or castles with geographic accuracy. Instead I have tried to portray the scenes following the first 3 days of the battle, the escape of Bonnie Prince Charlie, the destruction and brutality wreaked upon the Highlands and the real sufferers, women and the innocent. 1 . The battlefield scene represents the time from plundering and butchering the wounded to when the ordinary people were allowed on to collect their dead. In the main central figure I have tried to impart a feeling of stoic dignity in the face of an uncertain future 2. The top section represents the form of Prince Charles. Despite the flames and carnage of Culloden, he is firmly supported in the hand of his Jacobite faithful to his safe exile aboard a French warship. Being mindfull that Clan tartans were not in common usage as uniforms of war at the time, only one tartan has been represented as such, that of the Royal Stewart, and that only to signify Charles claim to the thrones of England and Scotland. With his leaving, the sett fades as does he and his ambition. The burning, smouldering tartans signify the proscription of tartans, kilts, plaids etc by Westminster to discourage further rebellion. 3. With the Clans and their regiments broken, neither the natural barrier of the Highlands nor the great chiefs castles would prevent the poison of Culloden seeping into every glen or the fury of Cumberlands dragoons plundering at will. This is represented in the lower section. Armed with sword, manacles and the noose, these, Cumberlands most pitiless embarked on an orgy of murder, rape and pillage. The abyss of prison or exile awaited those suspected of Jacobite sympathies, the gallows for more serious resistance. Battles are fought and won, or lost, as all battles are, but Cullodens aftermath changed Scottish Highland society forever, ushering in a long period of suffering. This painting is my humble attempt to interpret that tragic period.
Item Code : VAR0316GLCulloden the Aftermath by Brian Wood (GL) - This Edition
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Limited edition of 200 giclee canvas prints.

Image size 40 inches x 30 inches (102cm x 76cm)Artist : Brian Wood
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Other editions of this item : Culloden the Aftermath by Brian Wood.VAR0316
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PRINT Open edition print, signed by the artist. Image size 25 inches x 17 inches (64cm x 43cm)Artist : Brian Wood£10 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £60.00VIEW EDITION...
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Limited edition of 50 artist proofs, signed by the artist. Image size 25 inches x 17 inches (64cm x 43cm)Artist : Brian Wood£20 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £115.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 200 giclee canvas prints. Image size 36 inches x 26 inches (91cm x 66cm)Artist : Brian Wood
on separate certificate
Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£500.00VIEW EDITION...
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Artist Details : Brian Wood
Click here for a full list of all artwork by Brian Wood


Brian Wood

He was born in London 19th August 1948, grew up in Tolworth, Surrey, eventually emigrating to Australia with his family. He left school aged 16 and served an apprenticeship in the printing industry as a machine minder. In that vocation he was a lost cause. He was aware of an ability to draw from an early age but only became interested in painting whilst recovering from a broken leg at the age of 20, never regarding it as any more than a hobby. On completion of his apprenticeship he joined the Australian Army, serving in Vietnam as an infantryman come photographer, working in less than ideal conditions. His duties called for him to photographically record his battalions tour for intelligence purposes as well as posterity. He was also prevailed upon to sketch for newsletters etc. After his discharge in 1972, he decided to travel on a working holiday which included working on an oil rig in the North Sea before travelling extensively in Europe, South America and Africa. He settled in South Africa for a period of time working in various jobs and experimenting more seriously with art. He returned to Australia where he accepted a position with the Port of Melbourne Authoritys Emergency Service, performing a number of duties but chiefly concerned with construction and salvage diving. During this period his recreation was his painting and he is completely self taught. Entries into specific exhibitions led to modest recognition by acceptance into the Australian Guild of Realist Artists and the securing of several private commissions. His interest in historical subjects, mainly maritime, has been with him since childhood. Due to developments beyond his control, his employment with the Port Authority ceased in mid 1991 and he embarked on painting full time. This resulted in his winning a First Prize Award in Sydneys Royal Easter Show for 1993 with Culloden - The Aftermath, which is now hanging in Aros - Isle of Skye Heritage Centre in Scotland. He now lives on the shores of Moreton Bay, Queensland and outside of his occupation of painting, sailing is his main recreation - a natural extension of his interesr in the sea.

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