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Up Guards and at Them by Richard Caton Woodville.


Up Guards and at Them by Richard Caton Woodville.

Wellington orders the Grenadier Guards to advance during the closing stages of the Battle of Waterloo.
Item Code : VAR0279Up Guards and at Them by Richard Caton Woodville. - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition print.

Image size 8 inches x 12 inches (20cm x 31cm)none£14.00

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Series of 12 Collectors Prints of the Battle of Waterloo.

Pack price : £65 - Save £108

      

      

      
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11 other prints in this pack :
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Pack price : £65 - Save £108

Titles in this pack :
Evening of Waterloo by Ernest Crofts. (B)  (View This Item)
The Duke of Wellington on the Road to Quatre Bras by Robert Hillingford (B)  (View This Item)
Incident at Waterloo by Robert Hillingford (B)  (View This Item)
Now Maitland Now is Your Time by Thomas Jones Barker. (B)  (View This Item)
Napoleons Last Grand Attack by Ernest Crofts (C)  (View This Item)
Defence of Hougoumont Farm by Robert Hillingford (B)  (View This Item)
Battle of Waterloo at Close of Day by Robert Hillingford (B)  (View This Item)
Saving the Kings Colour of the 32nd During the Battle of Waterloo by Richard Simkin.  (View This Item)
The Decisive Moment at Waterloo by Robert Hillingford.  (View This Item)
Up Guards and at Them by Richard Caton Woodville.  (View This Item)
Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts (B)  (View This Item)
Morning of Waterloo by Ernest Crofts (B)  (View This Item)

Series of 6 Collectors Print of the Battle of Waterloo.

Pack price : £40 - Save £47

      

    
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5 other prints in this pack :
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Pack price : £40 - Save £47

Titles in this pack :
Battle of Waterloo at Close of Day by Robert Hillingford (B)  (View This Item)
Saving the Kings Colour of the 32nd During the Battle of Waterloo by Richard Simkin.  (View This Item)
The Decisive Moment at Waterloo by Robert Hillingford.  (View This Item)
Up Guards and at Them by Richard Caton Woodville.  (View This Item)
Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts (B)  (View This Item)
Morning of Waterloo by Ernest Crofts (B)  (View This Item)

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Other editions of this item : Up Guards and at Them by Richard Caton Woodville VAR0279
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GICLEE
CANVAS
Limited edition of 200 giclee art prints. Image size 25 inches x 15 inches (64cm x 38cm)none£135.00VIEW EDITION...
ANTIQUE
CHROMOLITHOGRAPH
Original coloured lithograph. Size 19 inches x 38 inches (48cm x 97cm)none£1200.00VIEW EDITION...
POSTCARDPostcard Postcard size 6 inches x 4 inches (15cm x 10cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£2.00VIEW EDITION...
General descriptions of types of editions :




Artist Details : Richard Caton Woodville
Click here for a full list of all artwork by Richard Caton Woodville

Richard Caton Woodville

WOODVILLE, Richard Caton Born London 1856; died there 1927. Woodville was the most prolific battle artist of the nineteenth and early twentieth century in Britain, producing countless oil paintings and drawings, many for the Illustrated London News. As was the case with several history painters of the Victorian period, he studied at Dusseldorf sometime with Wilhelm Camphausen, the great German military painter, and later in Paris. He experienced was first-hand in Albania and Montenegro towards the end of the Russo-Turkish War in 1877, and later in Egypt during the war of 1882. During the latter conflict, he made numerous sketches and obtained photographs of the trenches at Tel-e-Kebir for his friend, the French military artist, Alphonse de Neuville (q.v.) who had been commissioned to paint a scene of the battle. The fruits of both their labours were shown at the Fine Art Society in 1883, Woodville, exhibiting The Moonlight Charge at Kassassin. In 1884, Woodville exhibited by Royal Command, another picture relating to the Egyptian War. The Guards at Tel-e-Kebir (Royal Collection). His first Royal Academy picture exhibited in 1879, was entitled Before Leuthen, Dec. 3rd, 1757. Thereafter, he was a frequent exhibitor at Burlington House, showing no less than 21 battle pictures, many dealing with contemporary events such as the Second Afghan War, Candahar (Private collection) and Maiwand; saving the Guns (Walker Art Gallery, Liverpool), the Zulu War - Prince Louis Napoleon in Zululand, and the Boer War - Lindley; Whitsunday 1900 (Oxfordshire Light Infantry Association), and Dawn of Majuba (Canadian Military Institute). He painted many historical recreations both in oil and water-colour including a series on famous British battles for the Illustrated London News. He depicted The Charge of the Light Brigade (Royal Collection, Madrid) and The Charge of the 21st Lancers at Omdurman (Walker Art Gallery, Liverpool), Blenheim, Badajos and several Waterloo pictures. During the Great War, he turned his talents to depicting the current events, three of which were exhibited at the Royal Academy. The 2nd Batt. Manchester Regiment taking six guns at dawn near St. Quentin (The Rings Regiment), Entry of the 5th Lancers into Mons (16th/5th Royal Lancers), and Halloween, 1914: Stand of the London Scottish on Messines Ridge (London Scottish Museum Trust) exhibited in the year of his death. During his life, he was the most popular artist of the genre and he was the subject of several articles in magazines and journals. He himself wrote some memoirs in 1914 entitled Random Recollections. He was deeply interested in the army and joined the Royal Berkshire Yeomanry Cavalry in 1879, staying with them until 1914 when he joined the National Reserve as a Captain.

More about Richard Caton Woodville

This Week's Half Price Art

 Hauptsturm fuhrer Fritz Klingenberg, and the men of 2nd SS Divisions Motorcycle Reconnaissance battalion stop at the swollen banks of the River Danube. The following day he and six men, a broken down radio, and totally unsupported were to capture the Yugoslavian capital of Belgrade.

The Magician, Balkans, 11th April 1941 by David Pentland. (GS)
Half Price! - £250.00
Napoleon contemplates the forthcoming battle of Wagram surrounded by his Generals.
Napoleons Bivouac at Wagram on the 5th-6th July 1809 by Adolphe Roehn. (GS)
Half Price! - £250.00
The fourth release of Ernest Crofts Waterloo series.  Napoleon is seen with his generals as his faithfull Guard regiments (held in reserve) pass him on their way to the last French attack on the British lines during the last stages of the Battle of Waterloo. Painted in 1895 and was last sold at Sothebys London.

Napoleons Last Grand Attack by Ernest Crofts.
Half Price! - £33.00
 Icy rain adds its misery to the bitter conflict on Drumossie Moor. In the shadow of the Black Isle, two English ships on the waters of the Moray Firth, await the outcome of the decisive battle. Pounded by Cumberlands gunners and raked by steady musketry, the Princes brave men can make no headway. Although the Irish and French regulars refuse to give ground, the Jacobite lines gradually disintegrate. Tired, cold and hungry men flea past Culloden House for the relative safety of Inverness. On the Scottish right the Argyll Militia, supported by Hawleys Dragoons, tear down the walls of the Culwiniac and Culchunaig enclosures in an outflanking attack. Avochies men offer some resistance but Major Gillies McBean stands alone on the breach. He cuts down more than a dozen Argylls, including Lord Robert Kerr, who lies mortally wounded, but his foes are too many. The hero eventually falls to a vicious cut to the forehead, his thigh bone is also broken. Despite the cries of a mounted officer to save that brave man, the major is ruthlessly bayonetted, his back against the wall. The victory is complete and nothing more can be done. In the distance, the Young Pretender is forced to abandon the field and Scotlands hope of claiming the British Throne.

Battle of Culloden by Mark Churms. (Y)
Half Price! - £40.00

 Lt Gonville Bromhead stands over Private Hitch, B Co. 2/24th. Rorkes Drift, front barricade

Plugging the Gap by Mark Churms. (P)
Half Price! - £4000.00
 On the night of 6th April 1812 Wellingtons Army, surrounding the walled Spanish town of Badajoz (garrisoned by Napoleons soldiers under general Baron Philippon) is ready to attack!  The men of the 45th regiment from Pictons 3rd Division launch themselves in a desperate and bloody assault against the north castle wall. Carrying improvised ladders, the men have their top buttons undone, overalls rolled up and are stripped for action.  The castles defenders (Germans, allied to Napoleon of the Graf und Erbprinz Regiment from Hesse-Darmstadt) partroling the walls in their greatcoats are intially surprised by the bold assault from this sector but they have been preparing the strong defenses for some time. Soon the night air is full of musketry, falling masonry, burning bundles of ropes and exploding grenades or mines.  Despite the horrific casualties suffered the attackers press home. As the first scaling ladders are raised near a small bell tower the young Lt. James Macpherson reaches for the top of the wall. The ladders are too short! Undaunted he cries to his men below to lift the base of the ladder closer to the wall. This rapid, vertical movement suddenly propels him to a height several feet above the Germans heads. A shot rings out as one of the defenders fires point blank into the young mans chest. Fortunately the lead ball only strikes a glancing blow, cleaving in two a button of the officers waist coat and dislocating one of his ribs. Despite his fortunate escape, the force of the impact nearly sends him tumbling from the ladder. Somehow he maintains his grasp but the ladder itself gives way under the weight of the men following. Some unfortunates are impaled on the bayonets of their comrades below.  Leaping from the rungs of another ladder, Corporal Kelly is the first man over the top and gradually the 45th gain a foothold on the ramparts. The rest of the regiment is ordered to unfix bayonets. Using the few remaining ladders, others also manage to scale the walls. Through the carnage they climb, club and shoot their way into the castle itself!  Maepherson now regains consciousness at the foot of the wall and revived with a cup of coco from his friend A.A. General Hercules Packenham, who was directly behind him on the ladder when it broke. Though winded by the shot he rises to his feet. This sudden movement relocates his rib and he is able to climb the ladders once more. Once over the defense he sees the old towers of Apendez and Albar-rana to his left and the cathedral illuminated by gun fire in the distance. However his objective is directly ahead. Atop the abandoned tower of Santa Maria before him still flies the French tricolour.  Macplierson seizes the opportunity, mounts the spiral stairway to the top turret and pulls down the enemy flag. For want of a substitute he flies his own red jacket from the pole, signifying that the castle has fallen. In the rest of the town the fighting continues and turns into a blood lust. Badajoz is one of the bloodiest and violent sieges of the Peninsula War. On the following day Maepherson presents his trophy to the Duke of Wellington himself but his bravery is not rewarded with a promotion.

Badajoz by Mark Churms.
Half Price! - £75.00
Charles Cattermole was the son of R. Cattermole and the nephew of G. Cattermole whose subject matter he adopted.  He exhibited from 1858 and was elected Associate of the New Watercolour Society in 1863, rising to full Member in 1870, serving as Secretary for many years.  He was also the Secretary of the Artists Society at Langham Chambers. He exhibited at the Royal Academy, the Royal Society of British Artists, to which he was elected Member in 1876, the Royal Institute, to which he was elected Associate Member in 1862, rising to full Membership in 1870, the Royal Institute of Oil Painters, to which he was elected Member in 1883, the Royal Society of Artists Birmingham, Glasgow Institute of the Fine Arts, Walker Art Gallery Liverpool and the Suffolk Street Galleries. Examples of work by Charles Cattermole are in the British Museum, the Victoria and Albert Museum, Leicester Gallery, Paisley Art Gallery, the Royal Shakespeare Theatre Stratford and Sydney Art Gallery.

Mary Queen of Scots Returning from Exile by Charles Cattermole. (GL)
Half Price! - £300.00
 King Tigers of Kampfgruppe von Rosen, 3rd Company Heavy Tank Battalion 503, preparing to move out from the Tisza bridgehead to counter Soviet pressure on German forces attacking to the northwest at Debrecen during the first battles to defend the Hungarian capital of Budapest.

Tigers in the Mist by David Pentland. (B)
Half Price! - £120.00
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