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Worcestershire Regiment (29th and 36th Foot) by Richard Simkin


Worcestershire Regiment (29th and 36th Foot) by Richard Simkin

Item Code : UN0307Worcestershire Regiment (29th and 36th Foot) by Richard Simkin - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition print. Image size 9 inches x 12 inches (23m x 31cm)none14.00

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Other editions of this item : Worcestershire Regiment (29th and 36th Foot) by Richard Simkin UN0307
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ORIGINAL
PAINTING
Original chromolithograph. Image size 10 inches x 13 inches (25cm x 33cm) One copy available,none130.00VIEW EDITION...
General descriptions of types of editions :


Artist Details : Richard Simkin
Click here for a full list of all artwork by Richard Simkin

Richard Simkin

Born on November 5th 1850 and was born in Herne Bay Kent, England, Richard Simkin grew up in Aldershot, Hampshire, marrying his wife, Harriet, in 1880, and it is also believed he was a volunteer in the Artist's Rifles. He was employed by the War Office to design recruiting posters. He is probabaly best know for his series of Army regiments including Yeomanry and Colonial regiments, a weekly supplement print to the Army and Navy Gazette. In 1901 he created a series of 'Types of the Indian Army' for the Gazette. He obtained much of the information from the Colonial and India Exhibition of 1886. Over a period of over 50 years Richard Simkin produced thousands of watercolours of Army uniforms and watercolours of Army life and campaigns. Many of these paintings can be seen in regimental museums and messes. Simkin also contributed illustrations to The Army and Navy gazzette, the Boy's Own Magazine, and The Graphic and many paintings were used in books and publications of Raphael Tuck and Sons. Richard Simkin died on the 25th June 1926 at home at 7 Cavensigh Street, Herne Bay. Many of richard Simkin's antique prints have been reproduced as prints by Cranston Fine Arts and are available from our websites, along with many original antique prints which are hard to find these days.

More about Richard Simkin

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The Battle at Rorke's Drift, also known as the Defence of Rorke's Drift, was an action in the Anglo-Zulu War. The defence of the mission station of Rorke's Drift, under the command of Lieutenant John Chard of the Royal Engineers, immediately followed the British Army's defeat at the Battle of Isandlwana on 22nd January 1879, and continued into the following day, 23rd January.  150 British and colonial troops successfully defended the garrison against an intense assault by approximately 2000 Zulu warriors. The intense and noisy Zulu attacks on Rorke's Drift came very close to defeating the tiny garrison, but were ultimately repelled by blasts of Martini-Henry rifle fire-and some smart bayonet work-with some guts behind the bayonet thrusts! Eleven Victoria Crosses were awarded to the defenders, along with a number of other decorations and honours. Of particular note in the painting is the dog 'Pip' - he survived Isandlwhana by retreating along the fugitive's trail to Rorke's Drift. During the Zulu attacks on Rorke's drift, Pip did his part in the defence - by jumping on the mealie bag parapets and barking at Zulus- who were hiding in the long grass and sneaking up to the defences, then biting any Zulu who came within range. Unfortunately Pip was not officially recognised for his part in the action. He was not awarded a VC, on the basis that he was a volunteer canine that accompanied an officer, rather than a War Office issued canine. Conversely, if Pip had been killed, then he would not have been officially listed as a casualty, as he accompanied the army in a strictly private capacity. British army horses were in a different category as they were War Office issue, therefore the loss of a horse in action, or to disease, carried a financial liability for the War Office.

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<b>Ex display prints in near perfect condition. </b>

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