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Royal West Kent by Richard Simkin


Royal West Kent by Richard Simkin

Item Code : UN0266Royal West Kent by Richard Simkin - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition print. Image size 9 inches x 12 inches (23cm x 31cm)none£14.00

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Other editions of this item : Royal West Kent by Richard Simkin UN0266
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ORIGINAL
PAINTING
Original chromolithograph, published c.1888. Image size 10 inches x 13 inches (25cm x 33cm)none£140.00VIEW EDITION...
EX-DISPLAY
PRINT
**Open edition print. (One copy reduced to clear) Image size 9 inches x 12 inches (23cm x 31cm)none£8.00VIEW EDITION...
General descriptions of types of editions :



Artist Details : Richard Simkin
Click here for a full list of all artwork by Richard Simkin

Richard Simkin

Born on November 5th 1850 and was born in Herne Bay Kent, England, Richard Simkin grew up in Aldershot, Hampshire, marrying his wife, Harriet, in 1880, and it is also believed he was a volunteer in the Artist's Rifles. He was employed by the War Office to design recruiting posters. He is probabaly best know for his series of Army regiments including Yeomanry and Colonial regiments, a weekly supplement print to the Army and Navy Gazette. In 1901 he created a series of 'Types of the Indian Army' for the Gazette. He obtained much of the information from the Colonial and India Exhibition of 1886. Over a period of over 50 years Richard Simkin produced thousands of watercolours of Army uniforms and watercolours of Army life and campaigns. Many of these paintings can be seen in regimental museums and messes. Simkin also contributed illustrations to The Army and Navy gazzette, the Boy's Own Magazine, and The Graphic and many paintings were used in books and publications of Raphael Tuck and Sons. Richard Simkin died on the 25th June 1926 at home at 7 Cavensigh Street, Herne Bay. Many of richard Simkin's antique prints have been reproduced as prints by Cranston Fine Arts and are available from our websites, along with many original antique prints which are hard to find these days.

More about Richard Simkin

This Week's Half Price Art

 The year is 1807, the French Empire is at the pinnacle of its power. Although not yet 38 years of age the Emperor Napoleon Bonaparte is marching towards the heights of his military career. It is the anniversary of his great victory against the Austrians at Marengo seven years before. Since then the soldiers of The Grand Armee have faithfully followed The Little Corporal from victory to victory across Europe.  Now, in eastern Prussia, the Russians alone are holding out against the might of France. Bennigsens army is strung out on a four mile front along the banks of the river Alle, near the town of Friedland. With their backs to the unfordable river the brave Russian soldiers are drawn up in a poor position to give battle.  It is already midday when Napoleon arrives on the field. Much of the French force is still some miles away but the commanders keen eye immediately perceives an opportunity for victory. He decides to attack. The vigourous assault on the Russian lines commences at about 5.30 pm. Bennigsen, anticipating an engagement on the following day, is completely surprised by this ferocious attack so late in the afternoon. The fighting begins as his divisions are preparing to withdraw across the river Alle, to a stronger position. Napoleons master stroke throws the enemy into confusion. By 8.30 pm the French are masters of the field, the Russians have lost nearly a third of their army and 80 cannons. The town of Friedland is ablaze and the Tsars army in full retreat.  In simple attire and characteristically astride a nimble arab grey, Napoleon Bonaparte rides forward with his reserves of the Guard to survey the final victory.  Within a few days the defeated Tsar Alexander will embrace the French Emperor on a raft anchored in the middle of the Niemen at Tilsit. At their monumental meeting they will talk of peace, co-operation against the British, the division of Prussian Territories and France with Russia will form their uneasy alliance that will quickly collapse into open hostility and present Napoleon with his greatest challenge: The invasion of Russia itself.

Napoleon at Friedland by Mark Churms. (AP)
Half Price! - £95.00
DHM938.  Apsaroke Crow by Alan Herriot.

Apsaroke Crow by Alan Herriot.
Half Price! - £30.00
<b>Ex display prints in near perfect condition. </b>

The Charge of the 6th Inniskilling Dragoons at Tolnay by William Barnes Wollen. (Y)
Half Price! - £25.00
 Soldiers of the Yorkist cause c.1461. Crossbowman, Man at arms and knight with the standard of the Sun in Splendour.

Sun in Splendour by Chris Collingwood. (Y)
Half Price! - £50.00

DHM927P.  William F Cody (Buffalo Bill) by Brian Palmer.

William F Cody (Buffalo Bill) by Brian Palmer. (P)
Half Price! - £1800.00
Lt. John Rouse Merriot Chard, Royal Engineers.At about 3.30 on the afternoon of 22nd January 1879, Lieutenant John Rouse Merriot Chard, Royal Engineers, was supervising repairs on the military pont on the Mzinyathi river, at the border crossing at Rorkes Drift, when survivors brought news  that the advanced British camp at Isandhlwana had been over-run by the Zulus, and that a wing of the Zulu army was on its way to attack Rorkes Drift. Chard ordered Driver Robson to pack up the wagon and return to the mission station, where a stockpile of supplies was under the guard of B Company, 2/24th Regiment. Chard, in consultation with his fellow officers, made the historic decision to make a stand at Rorkes Drift.
Eve of Distinction by Mark Churms. (P)
Half Price! - £3900.00
The painting depicts the climax of the Zulu attacks at the defence of Rorkes Drift.  The Zulus were unable to effectively penetrate the mealie bag defenses at Rorkes Drift, even though they succeeded in burning down the hospital, and peppering the storehouse with bullet holes.  The confined space available to the British garrison caused a certain degree of physical compression, but this in fact worked against the Zulus, as it drove the defenders closer together with the result being that the volley fire from the defenders was concentrated and subsequently very effective at close range, as opposed to the spread out skirmish line type formation used at Isandlwhana.  The Zulu attacks also became uncoordinated, being driven forward by charismatic individuals, but lacking the support of the necessary numbers needed to overwhelm the desperate defenders, who now appreciated that  they were literally fighting for their lives.

Rorkes Drift by Jason Askew. (P)
Half Price! - £2500.00
 Depicts Henry VIII on his way to the Historic meeting with Francis I of France in 1520.

Field of the Cloth of Gold by Sir John Gilbert.
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