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Royal Engineers by Richard Simkin


Royal Engineers by Richard Simkin

Item Code : UN0256Royal Engineers by Richard Simkin - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition print. Image size 9 inches x 12 inches (23cm x 31cm)none14.00

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Other editions of this item : Royal Engineers by Richard Simkin UN0256
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ORIGINAL
PAINTING
Original chromolithograph published c.1888. Image size 10 inches x 13 inches (25cm x 33cm)none140.00VIEW EDITION...
General descriptions of types of editions :


Artist Details : Richard Simkin
Click here for a full list of all artwork by Richard Simkin

Richard Simkin

Born on November 5th 1850 and was born in Herne Bay Kent, England, Richard Simkin grew up in Aldershot, Hampshire, marrying his wife, Harriet, in 1880, and it is also believed he was a volunteer in the Artist's Rifles. He was employed by the War Office to design recruiting posters. He is probabaly best know for his series of Army regiments including Yeomanry and Colonial regiments, a weekly supplement print to the Army and Navy Gazette. In 1901 he created a series of 'Types of the Indian Army' for the Gazette. He obtained much of the information from the Colonial and India Exhibition of 1886. Over a period of over 50 years Richard Simkin produced thousands of watercolours of Army uniforms and watercolours of Army life and campaigns. Many of these paintings can be seen in regimental museums and messes. Simkin also contributed illustrations to The Army and Navy gazzette, the Boy's Own Magazine, and The Graphic and many paintings were used in books and publications of Raphael Tuck and Sons. Richard Simkin died on the 25th June 1926 at home at 7 Cavensigh Street, Herne Bay. Many of richard Simkin's antique prints have been reproduced as prints by Cranston Fine Arts and are available from our websites, along with many original antique prints which are hard to find these days.

More about Richard Simkin

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 Taking over command of the British Northern Army in 1777, Lt Gen Burgoyne began a march to Albany to join forces with Lt Gen Sir William Howe.  After taking Fort Ticonderoga on route he learned that Howe was leaving for Pennsylvania.  Becoming desperately short on supplies he decided to press on the Albany regardless but found the road blocked by a Continental army under Maj Gen Horatio Gates.  Burgoyne decided not to engage the enemys position frontally but to turn their left at Freemans Farm.  After a day of fierce fighting the British held the field but at a heavy price in casualties.  On the 7th October the Colonial army, after receiving continual reinforcements attacked Howes position (the battle became known as Bemis Heights) and he was forced to retire to Saratoga.

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 The men of the US 501st Parachute Infantry Regiment ambushed the German 1st Battalion, 6th Fallschrimjager Regiment making their way to Carentan, the Battle of Hells Corner ensued.

Hells Corner, 7th June 1944 by David Pentland. (GL)
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Flora MacDonalds Farewell to Bonnie Prince Charlie by George William Joy. (Y)
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King Harold defeats the Viking invaders at Stamford Bridge before his long march south to face William the Conqueror at the Battle of Hastings.

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1st Battalion Cheshire Regiment at Audregneis, 24th August 1914 by David Rowlands. (Y)
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This is my personal interpretation of the events immediately following the Battle of Culloden. There is no intention to depict either the shores of LochNam-Uarnh, the Highlands, glens or castles with geographic accuracy. Instead I have tried to portray the scenes following the first 3 days of the battle, the escape of Bonnie Prince Charlie, the destruction and brutality wreaked upon the Highlands and the real sufferers, women and the innocent. 1 . The battlefield scene represents the time from plundering and butchering the wounded to when the ordinary people were allowed on to collect their dead. In the main central figure I have tried to impart a feeling of stoic dignity in the face of an uncertain future 2. The top section represents the form of Prince Charles. Despite the flames and carnage of Culloden, he is firmly supported in the hand of his Jacobite faithful to his safe exile aboard a French warship. Being mindfull that Clan tartans were not in common usage as uniforms of war at the time, only one tartan has been represented as such, that of the Royal Stewart, and that only to signify Charles claim to the thrones of England and Scotland. With his leaving, the sett fades as does he and his ambition. The burning, smouldering tartans signify the proscription of tartans, kilts, plaids etc by Westminster to discourage further rebellion. 3. With the Clans and their regiments broken, neither the natural barrier of the Highlands nor the great chiefs castles would prevent the poison of Culloden seeping into every glen or the fury of Cumberlands dragoons plundering at will. This is represented in the lower section. Armed with sword, manacles and the noose, these, Cumberlands most pitiless embarked on an orgy of murder, rape and pillage. The abyss of prison or exile awaited those suspected of Jacobite sympathies, the gallows for more serious resistance. Battles are fought and won, or lost, as all battles are, but Cullodens aftermath changed Scottish Highland society forever, ushering in a long period of suffering. This painting is my humble attempt to interpret that tragic period.

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 Sous-Lieutenant Ferdinand de la Riloisiere of 1st Regiment of Carabiniers, moments before he received a mortal wound, in the charge of the 2nd reserve cavalry Corps, against the reavski Redoubt. Despite his injury he survived for several days after the battle and was presented with the cross of the Legion of Honour only hours before his death.

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