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Charge of the Life Guards by Richard Caton Woodville


Charge of the Life Guards by Richard Caton Woodville

1st Life Guards charge against the 12th regiment of Cuirassiers during the battle of waterloo.
Item Code : DHM0945Charge of the Life Guards by Richard Caton Woodville - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition print.

Image size 14 inches x 25 inches (36cm x 64cm)none£25 Off!
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FREE PRINT : Officer 2nd Regiment of Life Guards in Full Dress by J C Stadler after Charles Hamilton Smith.

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(Size : 9 inches x 11 inches (23cm x 28cm))
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Other editions of this item : Charge of the Life Guards by Richard Caton Woodville. DHM0945
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
GICLEE
CANVAS		 Limited edition of 200 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£500.00VIEW EDITION...
GICLEE
CANVAS		 Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£390.00VIEW EDITION...
EX-DISPLAY
PRINT		**Open edition print. (Two ex display copies reduced to clear)

Ex display prints in near perfect condition. 		Image size 14 inches x 25 inches (36cm x 64cm)none£35.00VIEW EDITION...
General descriptions of types of editions :



Extra Details : Charge of the Life Guards by Richard Caton Woodville
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Artist Details : Richard Caton Woodville
Click here for a full list of all artwork by Richard Caton Woodville

Richard Caton Woodville

WOODVILLE, Richard Caton Born London 1856; died there 1927. Woodville was the most prolific battle artist of the nineteenth and early twentieth century in Britain, producing countless oil paintings and drawings, many for the Illustrated London News. As was the case with several history painters of the Victorian period, he studied at Dusseldorf sometime with Wilhelm Camphausen, the great German military painter, and later in Paris. He experienced was first-hand in Albania and Montenegro towards the end of the Russo-Turkish War in 1877, and later in Egypt during the war of 1882. During the latter conflict, he made numerous sketches and obtained photographs of the trenches at Tel-e-Kebir for his friend, the French military artist, Alphonse de Neuville (q.v.) who had been commissioned to paint a scene of the battle. The fruits of both their labours were shown at the Fine Art Society in 1883, Woodville, exhibiting The Moonlight Charge at Kassassin. In 1884, Woodville exhibited by Royal Command, another picture relating to the Egyptian War. The Guards at Tel-e-Kebir (Royal Collection). His first Royal Academy picture exhibited in 1879, was entitled Before Leuthen, Dec. 3rd, 1757. Thereafter, he was a frequent exhibitor at Burlington House, showing no less than 21 battle pictures, many dealing with contemporary events such as the Second Afghan War, Candahar (Private collection) and Maiwand; saving the Guns (Walker Art Gallery, Liverpool), the Zulu War - Prince Louis Napoleon in Zululand, and the Boer War - Lindley; Whitsunday 1900 (Oxfordshire Light Infantry Association), and Dawn of Majuba (Canadian Military Institute). He painted many historical recreations both in oil and water-colour including a series on famous British battles for the Illustrated London News. He depicted The Charge of the Light Brigade (Royal Collection, Madrid) and The Charge of the 21st Lancers at Omdurman (Walker Art Gallery, Liverpool), Blenheim, Badajos and several Waterloo pictures. During the Great War, he turned his talents to depicting the current events, three of which were exhibited at the Royal Academy. The 2nd Batt. Manchester Regiment taking six guns at dawn near St. Quentin (The Rings Regiment), Entry of the 5th Lancers into Mons (16th/5th Royal Lancers), and Halloween, 1914: Stand of the London Scottish on Messines Ridge (London Scottish Museum Trust) exhibited in the year of his death. During his life, he was the most popular artist of the genre and he was the subject of several articles in magazines and journals. He himself wrote some memoirs in 1914 entitled Random Recollections. He was deeply interested in the army and joined the Royal Berkshire Yeomanry Cavalry in 1879, staying with them until 1914 when he joined the National Reserve as a Captain.

More about Richard Caton Woodville

This Week's Half Price Art

Objective Steel, 26th February 1991. Just before the start of the ground offensive, the artist was invited by 3rd Battalion The Royal Regiment of Fusiliers to join them in the desert, and jumped at the opportunity. After various adventures with other units in trying to reach their location in the flat, featureless terrain, I was attached to the crew of a Warrior Armoured Fighting Vehicle of C Company, Callsign Zero Charlie, commanded by Captain Bob Keating. The Battlegroup made a wide sweep around the enemy and attacked them unexpectedly from the west. The area codenamed Objective STEEL consisted of dugouts, trenches and artillery pieces. In this painting, soldiers are dismounting from Warriors with fixed bayonets to capture Iraqi artillery, which was uselessly pointing to the South. The green pennant flying from an antenna denotes C Company. The black desert rat painted on the rear stowage bin was the badge of 4th Armoured Brigade. The battlegroup halted around the final Iraqi gun positions on STEEL at 1445 hours, and about 800 prisoners in all were taken. I was able to take some photographs of the enemy's 155 mm guns here. The ground was littered with MLRS bomblets. At 1502 hours, nine British soldiers were killed and 12 seriously injured as a result of a tragic mistake by US Air Force pilots, who engaged and destroyed two of the Warriors of C Company. David Rowlands was asked to depict these two vehicles, call signs Two Two and Two Three, in this painting.

Assault on Iraqi Artillery Positions, 3rd Fusiliers Battle Group by David Rowlands. (GL)
Half Price! - £300.00 		Assault in the vicinity of Thiepval by the Ulster division-1st July 1916. The 11th Royal Irish Rifles, moving forward from the A line of trenches, and moving forward to attack the B line of trenches, the attacking infantry are preceded by Bombers - seen carryng grenades in green canvas buckets - who are engaged in throwing grenades in anticipation of the rifle company assault on the enemy trenches; an activity barely changed since the days of Marlborough. The rifle companies are armed with the Lee Enfield SMLE - a superb rifle, though expensive to make. The advance is made with bayonets fixed, as trench clearing involved numerous hand to hand confrontations and bayonet fights. The rifle companies are supported by two Lewis gun teams per company. Note that visible in the painting is a man carrying an orange painted steel marker, painted on one side only. The markers are to to indicate to British artillery observers as to the most forward positions taken by the British advance. Naturally, one does not present the orange side to the enemy!

The Great Folly of 1916 by Jason Askew. (P)
Half Price! - £2500.00 		Abram M1A1 tanks and Bradley APCs of Charlie Company, the Cobras, 1-64 Desert Rogues Armoured Battalion, US 3rd Infantry Division (Mechanised) drive into central Baghdad, through Saddams famous war memorial.

Through the Hands of Victory, Baghdad, Iraq, 7th April 2003 by David Pentland. (Y)
Half Price! - £50.00 		DHM499. 2nd Maryland Regiment at the Guildford Courthouse 1781 by Brian Palmer.

2nd Maryland Regiment at the Guildford Courthouse 1781 by Brian Palmer.
Half Price! - £35.00

Depicting Colonel Hugh Halkett and the German Landwehr battalion Osnabruck capturing General Cambronne.

The Capture of General Cambronne by Richard Knotel.
Half Price! - £20.00 		Stonewall Jackson with the Stonewall Brigade during the Valley Campaign of 1862.

Thomas Jonathan (Stonewall) Jackson by Chris Collingwood. (P)
Half Price! - £8000.00 		A Voltigeur corporal, 2nd battalion, 4th regiment etranger, Holland 1813.

Tireur D Elite by Mark Churms. (Y)
Half Price! - £50.00 		Robert The Bruce dispatches Sir Henry De Bohun before the Battle of Bannockburn. Far ahead of Edward IIs main army, marching from Falkirk to relieve Stirling Castle, rides the English vanguard. Late on that day, 23rd June 1314, these horsemen advance along the Roman road and cross Bannockburn. Eager for combat Gloucesters bold Barons and Knights spur on their chargers towards the gathered Scottish infantry. Robert the Bruce, King of Scots, not yet fully dressed for battle, sits astride a grey pony. He rides out ahead of his formations to observe the enemys advance. One of the English Knights, Sir Henry De Bohun, seeing the Kings vulnerable position, gallops ahead of his fellows to engage Bruce in single combat. Undaunted, the King holds his ground. Skillfully turning his mount away from the thrust of the Knights deadly lance in one movement he swings his battle axe down upon his enemys head with such force that the handle is shattered and the unfortunate attackers skull is split in two. In triumph, Bruce returns to the cheers of his countrymen who before the day is out will soon deliver a similar fate upon many other English noblemen. As the light fades the Riders retire but both armies know well that the main battle of Bannockburn has yet to begin.

In Single Combat by Mark Churms. (P)
Half Price! - £3100.00
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