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Assiniboin Warrior by Alan Herriot. (GS)


Assiniboin Warrior by Alan Herriot. (GS)

Item Code : DHM0807GSAssiniboin Warrior by Alan Herriot. (GS) - This Edition
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GICLEE
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Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm)noneHalf
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Other editions of this item : Assiniboin Warrior by Alan Herriot.DHM0807
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PRINTSigned limited edition of 1150 prints. Image size 12 inches x 17 inches (31cm x 43cm)Artist : Alan HerriotHalf Price!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £30.00VIEW EDITION...
ARTIST
PROOF
Limited edition of 50 artist proofs. Image size 12 inches x 17 inches (31cm x 43cm)Artist : Alan Herriot£20 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £80.00VIEW EDITION...
ORIGINAL
PAINTING
Original painting by Alan Herriot. Image size 24 inches x 16 inches (61cm x 41cm)Artist : Alan HerriotHalf Price!Now : £1000.00VIEW EDITION...
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Artist Details : Alan Herriot
Click here for a full list of all artwork by Alan Herriot


Alan Herriot

Alan Herriot. Scottish historical artist and Sculptor, Alan graduated from Duncan of Jordanstone College of Art in 1974. Alan produced a range of paintings of Native American Indians and Scottish Pipers through the ages. This range of his superb paintings and art prints are only available direct form Cranston Fine Arts. Alan is also a world renowned sculptor and his sculptures portray characters from history, literature and legend. His sculptural pedigree can be traced back from Rodin, Eduard Lanteri and Alexander Carrick, Scott Sutherland to contemporaries such as Alistair Smart and Dr. Alistair Ross and David Annand. He has produced work for the major Heritage Conservation bodies, The National Trust for Scotland and Historic Scotland as well as for organisations and individuals in Britain and Ireland, Holland, France and Norway. His Ancient Mariner and Yankee Jack sculptures are sited at the Maritime Museum, Watchet, Somerset. The Highland Division Piper stands at the entrance to The House of Bruar, in Perthshire. HRH Prince Andrew the Duke of York unveiled a bronze memorial to Bamse, the WWII Norwegian sea dog at Montrose. He has recently completed a large equestrian bronze statue of King Robert the Bruce, to be sited in 2011 in The City of Aberdeen.

More about Alan Herriot

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This is my personal interpretation of the events immediately following the Battle of Culloden. There is no intention to depict either the shores of LochNam-Uarnh, the Highlands, glens or castles with geographic accuracy. Instead I have tried to portray the scenes following the first 3 days of the battle, the escape of Bonnie Prince Charlie, the destruction and brutality wreaked upon the Highlands and the real sufferers, women and the innocent. 1 . The battlefield scene represents the time from plundering and butchering the wounded to when the ordinary people were allowed on to collect their dead. In the main central figure I have tried to impart a feeling of stoic dignity in the face of an uncertain future 2. The top section represents the form of Prince Charles. Despite the flames and carnage of Culloden, he is firmly supported in the hand of his Jacobite faithful to his safe exile aboard a French warship. Being mindfull that Clan tartans were not in common usage as uniforms of war at the time, only one tartan has been represented as such, that of the Royal Stewart, and that only to signify Charles claim to the thrones of England and Scotland. With his leaving, the sett fades as does he and his ambition. The burning, smouldering tartans signify the proscription of tartans, kilts, plaids etc by Westminster to discourage further rebellion. 3. With the Clans and their regiments broken, neither the natural barrier of the Highlands nor the great chiefs castles would prevent the poison of Culloden seeping into every glen or the fury of Cumberlands dragoons plundering at will. This is represented in the lower section. Armed with sword, manacles and the noose, these, Cumberlands most pitiless embarked on an orgy of murder, rape and pillage. The abyss of prison or exile awaited those suspected of Jacobite sympathies, the gallows for more serious resistance. Battles are fought and won, or lost, as all battles are, but Cullodens aftermath changed Scottish Highland society forever, ushering in a long period of suffering. This painting is my humble attempt to interpret that tragic period.

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 The Infantry Heavy Weapons School at Netheravon in Wiltshire circa 1940.
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On a dark winter evening, the Permanent Vehicle Check Point (PVCP) north of Rosslea, close to the border with Monaghan, was manned by 8 soldiers commanded by Corporal Robert Duncan.  In response to a threat to the border locations an additional 4-man team commanded by Corporal Ian Harvey was on external patrol.  From the direction of the border a specially armour-plated lorry, with about twelve terrorists intent on destroying the base stopped, and as Private Houston checked the back of it, automatic gunfire opened up from Armalite and AK47 rifles.  Grenades were thrown into the base, and a flame-thrower was aimed at the command sangar.  Two RPG7 Rockets were fired at the observation sangar.  Heavy suppressive fire continued as the lorry reversed and smashed its way into the compound.  Two soldiers were killed.  The truck drove out of the devastated PVCP, and a red transit van drove in, laden with explosives.  Fortunately only the booster charge exploded.  As the patrol came up rapidly, firing at the terrorists, the truck drove off at speed, its two machine-guns mounted on the rear firing, its driver intent on escape.  It was found abandoned at the border with a 210 kg bomb on board.  The scale and type of this attack had never been seen before in Northern Ireland.  Every soldier involved acted with exemplary courage and the determination to defeat the enemy.  The conduct of Corporals Duncan and Harvey was in the highest traditions of conspicuous gallantry.  Each received the Distinguished Conduct Medal.  The events of the Derryard Action are a landmark in the modern fighting history of the King's Own Scottish Borderers.  I was phoned soon after the action.  I flew to Belfast and was driven to the location.  In order to paint the action it was important to see the PVCP in its scarred condition, before it was repaired.  The lonely, isolated building put me in mind of the beleaguered little forts which dotted this part of Ireland in the time of Queen Elizabeth I.  The soldiers took up the positions they had fought in, while I sketched them in their Tam-o'-shanters.  Corporal Ian Harvey is in the foreground with Pte Maxwell.  Cpl Robert Duncan kneels in the road.
1st Battalion Kings Owns Scottish Borderers. The Derryard Action, Co Fermanagh, December 13th 1989 by David Rowlands (GL)
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<b>Ex-display prints in near perfect condition. </b>
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