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Ensign of the 17th regiment of Foot, American War of Independence 1779. by Jim Lancia.


Ensign of the 17th regiment of Foot, American War of Independence 1779. by Jim Lancia.

Item Code : DHM0598Ensign of the 17th regiment of Foot, American War of Independence 1779. by Jim Lancia. - This Edition
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PRINTOpen edition print. Image size 12 inches x 17 inches (31cm x 43cm)noneHalf
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Other editions of this item : Ensign of the 17th regiment of Foot, American War of Independence 1779. by Jim Lancia DHM0598
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Original painting by Jim Lancia. Image size 12 inches x 18 inches (31cm x 46cm)noneHalf Price!
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Artist Details : Jim Lancia
Click here for a full list of all artwork by Jim Lancia

Jim Lancia

Jim Lancia. American historical artist, who has produced a superb range of military small group uniform and portrait scenes, of some of the most dramatic periods in history. Jim Lancia was influenced by some of the great French artists such as Detaille and during the late 1980s produced a series of French Napoleonic scenes which are superb and accurate. Mostly French cavalry regiments caught Jims focus. Due to this superb range of prints, Cranston Fine Arts commisisoned Jim Lancia during the late 1990s to produce a range of American Civil War and Russian Napoleonic scenes. These low cost art prints are available direct form this website as well as newly available original military paintings.

More about Jim Lancia

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 Crocket is shown at the Barricades at 6am on the 5th March 1836. The siege of the Alamo ended on March 6th, when the Mexican army attacked while the Alamo defenders were sleeping.   The garrison defenders awakened,  and the final fight began.  One of the women who were gathered in the chapel witnessed Crockett  running to his post, Crockett paused briefly in the chapel to pray.  But when the Mexican soldiers breached the outer walls of the Alamo complex, most of Crocket and the defending Texians fell back to the barracks and the chapel area which had been the plan.  Davy Crockett and his men were too far from the barracks to be able to take shelter and were the last remaining defenders within the mission to be in the open. The men desperatly defended the low wall in front of the church,  using their rifles as clubs and using there knives in close combat as the Mexican troops were too close and made it impossible to reload their rifles. After a volley of fire and a charge with fixed bayonets, Mexican soldiers pushed the few remaining Texans back toward the church and soon after the Battle for the Alamo had ended after lasting 90 minutes.  It is said that the body of Crockett was surrounded by up to 12 Mexican soldiers bodies and one with Crocketts knife in him.

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The Battle at Rorke's Drift, also known as the Defence of Rorke's Drift, was an action in the Anglo-Zulu War. The defence of the mission station of Rorke's Drift, under the command of Lieutenant John Chard of the Royal Engineers, immediately followed the British Army's defeat at the Battle of Isandlwana on 22nd January 1879, and continued into the following day, 23rd January.  150 British and colonial troops successfully defended the garrison against an intense assault by approximately 2000 Zulu warriors. The intense and noisy Zulu attacks on Rorke's Drift came very close to defeating the tiny garrison, but were ultimately repelled by blasts of Martini-Henry rifle fire-and some smart bayonet work-with some guts behind the bayonet thrusts! Eleven Victoria Crosses were awarded to the defenders, along with a number of other decorations and honours. Of particular note in the painting is the dog 'Pip' - he survived Isandlwhana by retreating along the fugitive's trail to Rorke's Drift. During the Zulu attacks on Rorke's drift, Pip did his part in the defence - by jumping on the mealie bag parapets and barking at Zulus- who were hiding in the long grass and sneaking up to the defences, then biting any Zulu who came within range. Unfortunately Pip was not officially recognised for his part in the action. He was not awarded a VC, on the basis that he was a volunteer canine that accompanied an officer, rather than a War Office issued canine. Conversely, if Pip had been killed, then he would not have been officially listed as a casualty, as he accompanied the army in a strictly private capacity. British army horses were in a different category as they were War Office issue, therefore the loss of a horse in action, or to disease, carried a financial liability for the War Office.

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<b>Ex display prints in near perfect condition. </b>

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