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1st Regiment French Light Infantry at Waterloo by Brian Palmer.


1st Regiment French Light Infantry at Waterloo by Brian Palmer.

Item Code : DHM05051st Regiment French Light Infantry at Waterloo by Brian Palmer. - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTSigned limited edition of 1000 prints. Image size 17 inches x 13 inches (43cm x 33cm)Artist : Brian PalmerHalf
Price!
Now : £40.00

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Other editions of this item : 1st Regiment French Light Infantry at Waterloo by Brian Palmer DHM0505
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
Limited edition of 50 artist proofs. Image size 17 inches x 13 inches (43cm x 33cm)Artist : Brian Palmer£20 Off!
B.O.G.O.F.
Now : £80.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm)Artist : Brian Palmer
on separate certificate
Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£460.00VIEW EDITION...
ORIGINAL
PAINTING
Original painting by Brian Palmer. Artist : Brian Palmer£500 Off!Now : £1700.00VIEW EDITION...
EX-DISPLAY
PRINT
**Signed limited edition of 1000 prints. (One print reduced to clear)

Ex display prints with some border damage and handling dents.
Image size 17 inches x 13 inches (43cm x 33cm)Artist : £35 Off!Now : £40.00VIEW EDITION...
General descriptions of types of editions :





Artist Details : Brian Palmer
Click here for a full list of all artwork by Brian Palmer


Brian Palmer

Ever since Brian Palmer was a young boy his two main passions have been art and history, in particular military history. Between 1965 and 1969 Brian studied graphic design and illustration at Hornsey College of Art in London and for many years worked as a Designer / Illustrator, primarily in the music and publishing industries. Some years ago he began to work solely as a freelance illustrator, eventually concentrating exclusively on military paintings as a means of combining his two great loves. The substantial majority of Brian's paintings of the past 12 or so years have been commisisoned by Cranston Fine Arts, and signed limited edition art prints have been produced, covering many famous and not so famous periods of warfare. For Brian, one of the most important elements of a painting is research. Costume or uniform details, arms, geography and even weather conditions if known, can all combine to bring a realistic and accurate look to a piece of work. Brian has been influenced by many artists and illustrators over the years but his personal favourites within the military genre are Messionier, J.P. Beadle and Caton Woodville, and he has long been a great admirer of Vermeer, Carravagio and the Pre-Raphaelite movement. Cranston Fine Arts are very happy with the art work Brian has produced for them and have commissioned many new items to be shown over the coming years.

More about Brian Palmer

This Week's Half Price Art

Sir John Moores epic retreat to Corunna was punctuated by desperate and often heroic rear-guard actions - none more dramatic than the cavalry clash at Benevente on the 29th December 1808. Having crossed the river Esla, cold and swollen by recent rainfall, a British picquet, comprised of elements of the Kings German Legion Hussars and the 7th, 10th and 18th Hussars, covers the river and its tactically demolished Castro Gonzalos bridge from a position near the town of Benevente. Napoleon himself leads the pursuit. The Emperors elite Guard Light Cavalry, commanded by General Lefebvre-Desnouettes, is ordered at daylight to ford the river and launch a surprise attack on what appears to be the numerically inferior British units. As five-hundred and fifty French cavalry emerge in orderly fashion from the river, intent upon quickly dispatching the opposition, they are startled to find the British piquet, reinforced by a host of British cavalry, streaming from within the confines of Benevente, some on their left flank. Under the command of Lord Paget, the British become the pursuers of the surprised French, who turn and retreat with the frigid waters of the Esla blocking their escape. Unlike their crossing in echelon just minutes before, the French now in disorder plunge into the river, where many drown. Others are captured including General Lefebvre-Desnouettes who is made prisoner by Grisdale of the 10th Hussars following a dramatic pursuit. General Lefebvre-Desnouettes will eventually escape from captivity in England, to encounter Lord Paget once again on the field of Waterloo.

Sabres on the Esla Pursuit of the Imperial Guard at the Battle of Benevente by Mark Churms.
Half Price! - £80.00
 Often called the Last Patrol, the painting depicts a scene from the Boer war, showing a party of Lancers bringing a riderless horse back from patrol. Art prints reproduced by kind permission of the 9th / 12th Lancers.

The Empty Saddle by J P Beadle. (Y)
Half Price! - £25.00
At 0620 hours covered by a brief barrage from 1000 guns, the tanks of C and F Battalions in MkIV tanks advanced alongside the men of the British 12th Division against the impregnable German Hindenburg line at Cambrai.  Supported in the air by 4 RFC squadron flying ground attack missions, the general offensive had broken through 3 trench lines and penetrated 5 miles on a 6 mile front by lunchtime.  Although these gains were not exploited and later retaken by a German counter offensive, Cambrai showed the full potential of the tank on the battlefield.

Battle of Cambrai, France, 20th November 1917 by David Pentland. (GL)
Half Price! - £300.00
 The Duke of Wellington was blockading the fortress of Ciudad Rodrigo with 32,000 troops. The French sent a force of 45,000 troops under Marshal Andre Massena to relieve the fortress. Wellington took up a strong position at Fuentos DOnoro and the French attacked on May 5th with superior numbers. The British army held their ground with the cost of 1,500 casualties, the French suffered higher losses of 2,200 troops and finally withdrew. The Duke of Wellington quickly seized Almeida.

The 95th Rifle Brigade at the Battle of Fuentes De Onoro, 5th May 1811 by Chris Collingwood. (Y)
Half Price! - £65.00

DHM556.  1st Texas Infantry by Jim Lancia.
1st Texas Infantry by Jim Lancia.
Half Price! - £20.00
Richard the Lionhearts tactical skills and military training played a substantial role in the capture of Acre in 1191 by the Crusaders. But Richard the Lionheart was ruthless and after the capture of the city he marched 2,700 Muslim soldiers onto the road of Nazareth and in front of the Muslim army positions, had them executed one by one.  But Richard the Lionheart was up against a great leader in Saladin and the crusades did not always go his way.  After he negotiated the Treaty of Jaffa with Saladin and secured the granting of special rights of travel around Palestine and in Jerusalem for Christian pilgrims, Richard the Lionheart started his journey back to England in 1192.  He was shipwrecked, and captured by the German Emperor Henry VI, only being released after a 150,000 mark ransom was paid.  This money was raised by taxes in England.

Richard the Lionheart by Brian Palmer.
Half Price! - £50.00
DHM301.  Grant and His Generals by Balling.
Grant and His Generals by Balling.
Half Price! - £33.00
 One of the last cavalry charges in British Military history, 8th November 1917.

The Charge of the Warwickshire and Worcestershire Yeomanry at Huj by Lady Elizabeth Butler. (Y)
Half Price! - £30.00
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