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2nd Maryland Regiment at the Guildford Courthouse 1781 by Brian Palmer.


2nd Maryland Regiment at the Guildford Courthouse 1781 by Brian Palmer.

Item Code : DHM04992nd Maryland Regiment at the Guildford Courthouse 1781 by Brian Palmer. - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTSigned limited edition of 1000 prints. Image size 17 inches x 13 inches (43cm x 33cm)Artist : Brian PalmerHalf
Price!
Now : 35.00

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Other editions of this item : 2nd Maryland Regiment at the Guildford Courthouse 1781 by Brian Palmer DHM0499
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
Limited edition of 50 artist proofs. Image size 17 inches x 13 inches (43cm x 33cm)Artist : Brian Palmer10 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : 90.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 50 giclee canvas prints. Image size 20 inches x 16 inches (51cm x 41cm)Artist : Brian Palmer
on separate certificate
Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!250.00VIEW EDITION...
ORIGINAL
PAINTING
Original painting by Brian Palmer. Artist : Brian PalmerHalf Price!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : 1400.00VIEW EDITION...
EX-DISPLAY
PRINT
**Signed limited edition of 1000 prints. (3 copies reduced to clear) Image size 17 inches x 13 inches (43cm x 33cm)Artist : Brian Palmer35.00VIEW EDITION...
General descriptions of types of editions :





Artist Details : Brian Palmer
Click here for a full list of all artwork by Brian Palmer


Brian Palmer

Ever since Brian Palmer was a young boy his two main passions have been art and history, in particular military history. Between 1965 and 1969 Brian studied graphic design and illustration at Hornsey College of Art in London and for many years worked as a Designer / Illustrator, primarily in the music and publishing industries. Some years ago he began to work solely as a freelance illustrator, eventually concentrating exclusively on military paintings as a means of combining his two great loves. The substantial majority of Brian's paintings of the past 12 or so years have been commisisoned by Cranston Fine Arts, and signed limited edition art prints have been produced, covering many famous and not so famous periods of warfare. For Brian, one of the most important elements of a painting is research. Costume or uniform details, arms, geography and even weather conditions if known, can all combine to bring a realistic and accurate look to a piece of work. Brian has been influenced by many artists and illustrators over the years but his personal favourites within the military genre are Messionier, J.P. Beadle and Caton Woodville, and he has long been a great admirer of Vermeer, Carravagio and the Pre-Raphaelite movement. Cranston Fine Arts are very happy with the art work Brian has produced for them and have commissioned many new items to be shown over the coming years.

More about Brian Palmer

This Week's Half Price Art

 Baron de Donops Brigade at the Battle of Waterloo, 5.30pm, 18th June 1815.  After four hours of fighting, the squadrons of Napoleons 3rd Cavalry Corps finally join the massed assaults on the battered allied infantry squares.  With the 42 year old marechal de camp Frederic-Guillaume de Donop at their head, the 2nd and 3rd Cuirassier Regiments break from a trot into a canter as they clear the ridge.  The heavy cavalry are smashed against the steadfast bayonets of the redcoats and countercharged by light horsemen.  In one of these encounters the general himself is terribly wounded and falls from his horse. His son (aide-de-camp) is also injured.  Both are reported missing and presumed captured.  Although the generals body is not found,it is certain that he met his death in the muddy fields of Waterloo alongside many of his brigade.  In 1895 his name is inscribed on the north face of LArc de Triomphe in Paris in recognition of his service to France.

La Charge (Donops Cavalry at Waterloo) by Mark Churms. (Y)
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 A Viking raiding party comes ashore from their Viking longboat on the western coast of England, 890 A.D.

Sons of Odin by Chris Collingwood. (Y)
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 The Duke of Wellington orders Maitland to move the infantry of the guard forward at the climax of the Battle of Waterloo during the Napoleonic war.
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 Confederate skirmishers of the 19th Virginia Volunteers take over behind a farmhouse during the early stages of the war 1861.

Grey Cover for Grey Rifles by Chris Collingwood. (Y)
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 The execution of Charles I, January 30th, 1649.
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 This, my personal interpretation of the viking period attempts to highlight aspects of their rich and diverse culture. A superstitious and pagan society, their influence was felt far beyond their native Scandinavia. 1 . The upper background deals with their pagan worship and tales from their mythology. This is represented by Odin & Thor, their principal Gods along with the saga of Sigurd the Dragonslayer. 2. The dominant figure at the centre is Aegir, God of the Sea whose goodwill was all important to the seafaring Viking. The scene now comes into the real world of their ships and seamanship, expertise for which they had no peer. 3. The extension of their seafaring was to raid, trade and pillage foreign shores, resulting in colonisation and settlement, with scant respect for Christianity or the Church. They ventured still further, exploring the unknown world, this is suggested in the two lower corners. 4. In England, the only King to successfully rise up against these Norsemen was Alfred the Great, a Saxon, represented in the lower centre drawing his sword from a swamp. This symbolises the raising of his army from the marshes of Wessex. Their legacy remains with us today, in language and art.

The Vikings by Brian Wood. (Y)
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