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Portrait of Napoleon by Jacques Louis David.- Cranston Fine Arts Aviation, Military and Naval Art
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Portrait of Napoleon by Jacques Louis David.


Portrait of Napoleon by Jacques Louis David.

Item Code : DHM0327Portrait of Napoleon by Jacques Louis David. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTOpen edition print. Image size 13 inches x 23 inches (33cm x 58cm)noneHalf
Price!

Supplied with one or more free art prints!
Now : £33.00

Quantity:
EXCLUSIVE website offer from Cranston Fine Arts - FREE art print(s) supplied with the above item!


Exclusive Offer for Online Orders Only

FREE PRINT : Napoleon by Ernest Crofts (B)

This complimentary art print worth £14
(Size : 8 inches x 12 inches (20cm x 31cm))
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.

This item can be viewed or purchased separately in our shop, HERE


HALF PRICE SALE ... HALF PRICE SALE ... HALF PRICE SALE ... HALF PRICE SALE ... HALF PRICE SALE
THIS PRINT IS HALF PRICE!
For a short time, this item is being offered at half of its normal price.
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Other editions of this item : Portrait of Napoleon by Jacques Louis David DHM0327
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTOpen edition print. Image size 7 inches x 12 inches (18cm x 31cm)none
B.O.G.O.F.
Now : £15.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm)noneHalf Price!Now : £200.00VIEW EDITION...
General descriptions of types of editions :


Artist Details : Jacques Louis David
Click here for a full list of all artwork by Jacques Louis David


Jacques Louis David

Jacques-Louis David. French historical painter born in Paris on 30th August 1748. David was a highly influential French painter in the Neoclassical style, considered to be the preeminent painter of the era.

Jacques-Louis David was a supporter of the French Revolution and a friend of Maximilien Robespierre and one of the leading figures of Neoclassicism. He was a distant relative of Boucher, who perhaps helped his early artistic progress as a pupil under Vien (1765). He won the Prix de Rome in 1774 and travelled with his master to Rome where he spent six years. It was during this period (1775-81), that he abandoned the grand manner of his early work, with its Baroque use of lighting and composition for a stark, highly finished and morally didactic style. In 1784 the change of style was confirmed by the Oath of the Horatii which hangs in the Louvre in Paris. During the French Revolution, David played an active role both artistically - he reorganized the Académe and produced numerous and spectacular propaganda exercises - and politically, as an avid supporter of Robespierre, who voted for the execution of the king. He also attempted to catalogue the new heroes of the age, abortively in the Oath of the Tennis Court, and successfully in his pieta-like portrayal of the Death of Marat (1793, Brussels, Musée Royaux). He aligned himself with yet another political regime upon his release, that of Napoleon I. It was at this time that he developed his 'Empire style'. In 1799 Napoleon gained power, and David gained a new hero. He recorded the general and later the Emperor in numerous propaganda pieces, especially Napoleon at St Bernards Pass , 1800, Versailles, and the Crowning of Josephine. In professional terms, he failed to survive the fall of Napoleon, and retired to Brussels in 1815 where he died on 25th December 1825.

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