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|Signatures on this item|
|*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.|
|Air Commodore E. B. Ted Sismore DSO DFC AFC|
*Signature Value : £55
|Air Commodore Edward Barnes Sismore DSO, DFC, and two bars, AFC was born on the 23rd June 1921 at Kettering, Northamptonshire. Sismore joined the RAF in 1939 as aircrew but became a Flight Sergeant on the 29th of August 1942. He was also later given an emergency commission as a general Duties Branch Pilot Officer in the Royal Air Force Volunteer Reserve, being given a permanent commission on the 1st of February 1945. On 31st January 1943, Mosquitos bombed Berlin for the first time. Timed to coincide with a speech by Hermann Goering, three Mosquitos from 105 Squadron, led by Squadron Leader R W Reynolds and Ted Sismore, attacked at exactly 11.00 hrs to disrupt the Reichmarshalls speech for over an hour. Ted later navigated the final large daylight raid by 105 Squadron in May 1943, when both men led the attack on the Zeiss Optical factory and the glassworks in Jena. Ted Sismore planned the route for the famous Amiens prison raid, and master-navigated all three Gestapo raids in Denmark - Aarhaus, Shelhaus and Odensa. Sismore was awarded a bar to his DFC and was also honoured with the Order of Dannebrog, Degree of Knight. After the war Sismore remained in the Royal Air Force and with Squadron leader Mick martin (former dambuster) broke the Flying record for the London to Cape Town, 6,727 mile journey, completing it in 21 hours and 31 minutes. He was later awarded the Royal Aero Clubs Britannia Trophy for 1947. In 1962 Sismore was promoted to Group Captain and later became Station Commander of RAF Bruggen in Germany and in the late 1960s became commanding Officer of the Royal Air Forces Central Reconnaissance Establishment at RAF Brampton.|
Air Commodore John Ellacombe CB DFC*
*Signature Value : £35
|John Ellacombe joined the RAF in 1939 and was posted to 151 Squadron in July 1940, immediately converting to Hurricanes. On 24th August he shot down a He111, but a week later his Hurricane was blown up in combat and he baled out, with burns. Rejoining his squadron a few months later, in February 1941 was posted to 253 Squadron where he took part in the Dieppe operations. On 28th July, flying a Turbinlite Havoc, he probably destroyed a Do217. Converting to Mosquitos, John was posted to 487 Squadron RNZAF, and during the build up to the Normandy Invasion and after, was involved in many ground attacks on enemy held airfields, railways, and other targets of opportunity. He completed a total of 37 sorties on Mosquitos. Flying a de Havilland Mosquito XIII with a devastating set of four 20mm cannon in the nose, John Ellacombe flew deep into occupied France on the night before D-Day searching out and destroying German convoys and railway targets. As the Normandy campaign raged on, 151 Squadron intensified its interdiction sorties - including night attacks on Falaise and the Seine bridges. On August 1st Ellacombe took part in the famous attack by 23 Mosquitoes on the German bar-racks in Poitiers, led by Group Captain Wykeham Barnes. Ellacombe had first joined 151 Squadron during the Battle of Britain, direct from Flying Training School. Within weeks he had scored his first victory but also force landed in a field, having shot down a He 111, and baled out of a blazing Hurricane. He baled out a second time during the Dieppe Raid in 1942 but was picked up safely. Postwar he had a long and successful career in the RAE.|
|Flight Lieutenant Douglas Hadland|
*Signature Value : £35
|Joining the RAF in 1941, Douglas completed his training in Canada and qualified as a navigator, returning to the UK to spend a brief time with the Navigation Research Flight before being posted to 162 Squadron in No.8 Pathfinder Group at Bourn, near Cambridge, flying Mosquitos. At the end of the war he went briefly to Black Bush Airport flying operations, dropping diplomatic mail in Oslo, Visbarden and Brussels before being posted back to 8 group with 692 Squadron Light Night Strike Force to prepare for the then proposed invasion of Japan.|
|The Aircraft :|
|Mosquito||Used as a night fighter, fighter bomber, bomber and Photo-reconnaissance, with a crew of two, Maximum speed was 425 mph, at 30,300 feet, 380mph at 17,000ft. and a ceiling of 36,000feet, maximum range 3,500 miles. the Mosquito was armed with four 20mm Hospano cannon in belly and four .303 inch browning machine guns in nose. Coastal strike aircraft had eight 3-inch Rockets under the wings, and one 57mm shell gun in belly. The Mossie at it was known made its first flight on 25th November 1940, and the mosquito made its first operational flight for the Royal Air Force as a reconnaissance unit based at Benson. In early 1942, a modified version (mark II) operated as a night fighter with 157 and 23 squadron's. In April 1943 the first De Haviland Mosquito saw service in the Far east and in 1944 The Mosquito was used at Coastal Command in its strike wings. Bomber Commands offensive against Germany saw many Mosquitos, used as photo Reconnaissance aircraft, Fighter Escorts, and Path Finders. The Mosquito stayed in service with the Royal Air Force until 1955. and a total of 7781 mosquito's were built.|
|Artist Details : Nicolas Trudgian|
|Click here for a full list of all artwork by Nicolas Trudgian|
Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition.
Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!
This Week's Half Price Art
Brief Encounter by Gerald Coulson.
Half Price! - £150.00
Combat over the Pas de Calais by Simon Smith.
Half Price! - £90.00
Messerschmitt Me262B-1a/U1 by Ivan Berryman.
Half Price! - £30.00
Testing Times by Michael Rondot. (Y)
Half Price! - £40.00
Salute to the Stump by Graham Bosworth. (Y)
Half Price! - £30.00
Timber Wolf by Nicolas Trudgian.
Half Price! - £110.00
Safe Pastures by Mark Postlethwaite.
Half Price! - £70.00
501 Squadron Hurricanes by Ivan Berryman. (P)
Half Price! - £280.00
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