Customer Helpline
(UK) : 01436 820269

Shipping Rates
Valuation of Your Collection

You currently have no items in your basket

Choose a FREE print if you spend over £220!
See Choice of Free Prints

Join us on Facebook!


Buy with confidence and security!
Publishing historical art since 1985

Follow us on Twitter!

Product Search        

The Vikings by Brian Wood.


The Vikings by Brian Wood.

This, my personal interpretation of the viking period attempts to highlight aspects of their rich and diverse culture. A superstitious and pagan society, their influence was felt far beyond their native Scandinavia. 1 . The upper background deals with their pagan worship and tales from their mythology. This is represented by Odin & Thor, their principal Gods along with the saga of Sigurd the Dragonslayer. 2. The dominant figure at the centre is Aegir, God of the Sea whose goodwill was all important to the seafaring Viking. The scene now comes into the real world of their ships and seamanship, expertise for which they had no peer. 3. The extension of their seafaring was to raid, trade and pillage foreign shores, resulting in colonisation and settlement, with scant respect for Christianity or the Church. They ventured still further, exploring the unknown world, this is suggested in the two lower corners. 4. In England, the only King to successfully rise up against these Norsemen was Alfred the Great, a Saxon, represented in the lower centre drawing his sword from a swamp. This symbolises the raising of his army from the marshes of Wessex. Their legacy remains with us today, in language and art.
Item Code : DHM0381The Vikings by Brian Wood. - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 1000 prints.

Image size 23 inches x 14 inches (58cm x 36cm)Artist : Brian Wood£10 Off!Now : £90.00

Quantity:
SAVE MONEY WITH OUR DISCOUNT DOUBLE PRINT PACKS!

Buy With :
Norse Marauders Wreak Mayhem by Tom Lovell.
for £125 -
Save £45

Buy With :
A Viking Raid by Brian Palmer.
for £145 -
Save £55
SAVE MONEY WITH OUR TRADE DISCOUNT MULTI-PRINT PACKS - AVAILABLE DIRECT TO OUR CUSTOMERS AT THESE PRICES!
Four Viking history prints.

Pack price : £285 - Save £85

        
Buy With :
3 other prints in this pack :
CLICK HERE TO VIEW OR PURCHASE

Pack price : £285 - Save £85

Titles in this pack :
Battle of Stamford Bridge by Brian Palmer.  (View This Item)
A Viking Raid by Brian Palmer.  (View This Item)
The Vikings by Brian Wood.  (View This Item)
Norse Marauders Wreak Mayhem by Tom Lovell.  (View This Item)

All prices on our website are displayed in British Pounds Sterling



Other editions of this item : The Vikings by Brian Wood DHM0381
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
Limited edition of 50 artist proofs. Image size 23 inches x 14 inches (58cm x 36cm)Artist : Brian Wood£15 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £125.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 50 giclee canvas prints. Image size 42 inches x 26 inches (107cm x 66cm)Artist : Brian Wood
on separate certificate
£100 Off!Now : £620.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 50 giclee canvas prints. Image size 36 inches x 20 inches (91cm x 51cm)Artist : Brian Wood
on separate certificate
Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£590.00VIEW EDITION...
EX-DISPLAY
PRINT
**Limited edition of 50 giclee canvas prints. (One reduced to clear)

Ex display canvas in near perfect condition.
Image size 42 inches x 26 inches (107cm x 66cm)Artist : Brian Wood
on separate certificate
Half Price!Now : £360.00VIEW EDITION...
General descriptions of types of editions :




Artist Details : Brian Wood
Click here for a full list of all artwork by Brian Wood


Brian Wood

He was born in London 19th August 1948, grew up in Tolworth, Surrey, eventually emigrating to Australia with his family. He left school aged 16 and served an apprenticeship in the printing industry as a machine minder. In that vocation he was a lost cause. He was aware of an ability to draw from an early age but only became interested in painting whilst recovering from a broken leg at the age of 20, never regarding it as any more than a hobby. On completion of his apprenticeship he joined the Australian Army, serving in Vietnam as an infantryman come photographer, working in less than ideal conditions. His duties called for him to photographically record his battalions tour for intelligence purposes as well as posterity. He was also prevailed upon to sketch for newsletters etc. After his discharge in 1972, he decided to travel on a working holiday which included working on an oil rig in the North Sea before travelling extensively in Europe, South America and Africa. He settled in South Africa for a period of time working in various jobs and experimenting more seriously with art. He returned to Australia where he accepted a position with the Port of Melbourne Authoritys Emergency Service, performing a number of duties but chiefly concerned with construction and salvage diving. During this period his recreation was his painting and he is completely self taught. Entries into specific exhibitions led to modest recognition by acceptance into the Australian Guild of Realist Artists and the securing of several private commissions. His interest in historical subjects, mainly maritime, has been with him since childhood. Due to developments beyond his control, his employment with the Port Authority ceased in mid 1991 and he embarked on painting full time. This resulted in his winning a First Prize Award in Sydneys Royal Easter Show for 1993 with Culloden - The Aftermath, which is now hanging in Aros - Isle of Skye Heritage Centre in Scotland. He now lives on the shores of Moreton Bay, Queensland and outside of his occupation of painting, sailing is his main recreation - a natural extension of his interesr in the sea.

More about Brian Wood

This Week's Half Price Art

 With Edward I absent from Scotland the land soon slips once more into open insurrection. Though not of noble birth, William Wallace, by brutally slaying the Sheriff of Lanark in vengeance for the murder of Wallaces new bride and her servants, soon comes to embody the Scottish Nationalist cause. Through his popularity and military skill, he is able to rapidly unify the rebellious bands into a single, cohesive fighting force. An English army is sent north to defeat the Scots and capture Wallace and the only noble to come to Wallaces assistance, is his friend Andrew Murray. Other Scottish landowners are too timid and fear the consequences.  The armies meet at Stirling and the English begin to deploy across the narrow wooden bridge which spans the River Forth. Whilst the English commanders bicker about their battle plan, Wallace seizes the moment and blows his horn. Upon this signal, the massed ranks of Scottish spearmen charge forward across the open boggy ground towards the bridge!

William Wallace Before the Battle of Stirling Bridge by Mark Churms. (P)
Half Price! - £3000.00
Captain W Macleods Company, 1st Battalion Royal Artillery. Battle of Quebec 13th September 1759 was Wolfs final attempt to take the city. His army scaled the cliffs from Wolfes cove and fought the French army which was larger than Wolfes on the Plains of Abraham. During this battle General Wolfe was hit twice  and eventually mortally wounded when a bullet passed through his lungs. As he lay dying he heard someone shout They run - see how they run. Wolfe gave his last order to cut of the enemies retreat and his last words being Now God be praised. I will die in peace.

The Battle of Quebec, 13th September 1759 by David Rowlands (B)
Half Price! - £20.00
 The 2nd Battalion Worcester Regiment and South Wales Borderers arriving in the grounds of the Chateau at Gheluvelt after their historic counter attack on 31st October 1914.

Battle of Gheluvelt, 31st October 1914 by J P Beadle. (Y)
Half Price! - £25.00
 28th Gloucester Regiment shown in square repelling the French cavalry.

Quatre Bras by Lady Elizabeth Butler. (Y)
Half Price! - £31.00

DHM341GL. The Battle of Beda Fomm  by David Rowlands.

The Battle of Beda Fomm by David Rowlands (GL)
Half Price! - £280.00
 North Africa, 18th November 1941.  Italian Autoblinda armoured cars of Gen. Gambara's XX Mobile Corps trade shots with forward reconnaissance elements of the British 22nd Armoured Brigade, during the initial hours of Operation Crusader.  Their quick withdrawal to report their contact would give the Italian main force a timely warning of the unexpected attack.

Enemy Ahead by David Pentland. (P)
Half Price! - £700.00
 Men of the US 381st Infantry Regiment, 96th Division supported by the tanks of 763rd and 713th Flamethrower Tank Battalions, during the assault on Yaeju Dake. This escarpment, known as Big Apple was the last in a series of tough Japanese defence lines on the south of the Island.

Taking of Big Apple, Okinawa, 10th - 14th June 1945 by David Pentland. (GL)
Half Price! - £300.00
 Depicting Private Hook and Private Williams, B Company, 2nd Battalion, 24th Foot inside the burning hospital at Rorkes Drift, 7pm January 1879. At about 6 pm the Zulus first forced their way into the hospital building where some thirty patients were defended by a handful of able-bodied men. A running fight ensued as the patients were evacuated from room to room, a desperate struggle made all the more terrible when the Zulus set fire to the thatched roof. Here Private Alfred Henry Hook holds Zulus of the uThulwana regiment at bay whilst Private John Williams helps a patient escape, Hook received a head wound when a spear struck off his helmet.

Pinned Like Rats in a Hole by Mark Churms. (P)
Half Price! - £4200.00
          Home / View All Products                       View Your Basket