Customer Helpline
(UK) : 01436 820269

Shipping Rates
Valuation of Your Collection

You currently have no items in your basket

Choose a FREE print if you spend over 220!
See Choice of Free Prints

Join us on Facebook!


Buy with confidence and security!
Publishing historical art since 1985

Follow us on Twitter!

AMAZING VALUE SPECIAL OFFERS !

VIEW ALL OF OUR CURRENT SPECIAL OFFERS HERE!
 
Product Search        

The Empty Saddle by J P Beadle. (Y)


The Empty Saddle by J P Beadle. (Y)

Often called the Last Patrol, the painting depicts a scene from the Boer war, showing a party of Lancers bringing a riderless horse back from patrol. Art prints reproduced by kind permission of the 9th / 12th Lancers.
Item Code : DHM0117YThe Empty Saddle by J P Beadle. (Y) - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
EX-DISPLAY
PRINT
**Open edition print. (Three prints reduced to clear)

Ex display prints with some minor surface scratches which would not be noticeable once framed.
Image size 23 inches x 15 inches (58cm x 38cm)noneHalf
Price!
Now : 25.00

Quantity:
All prices on our website are displayed in British Pounds Sterling



Other editions of this item : The Empty Saddle by J P Beadle.DHM0117
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition print. Image size 23 inches x 15 inches (58cm x 38cm)none10 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : 40.00VIEW EDITION...
ORIGINAL
PAINTING
Original black and white engraving c.1902.

SOLD
Fair condition, signed by J P Beadle. Image size 27 inches x 17 inches (69cm x 43cm)noneSOLD
OUT
VIEW EDITION...
General descriptions of types of editions :



Artist Details : J P Beadle
Click here for a full list of all artwork by J P Beadle

J P Beadle

Beadle was an academic painter who, unlike many of his contemporaries did not make a living as an illustrator. The son of Major-General James Pattle Beadle, the artist spent his early years in India becoming immersed in things military. Upon his father's move back to England, James went to study at the Slade School for three years under Alphonse Legros before moving to Paris to study at the Ecole des Beaux Arts with Cabanal. His final schooling was in London with G.F. Watts. From his home in Victoria Road, Kensington, he submitted his first painting entitled The Painter at the age of 20 in 1884, at the distinguished Royal Academy of Arts in London, and in the following year he showed a portrait of his father in full uniform. Four years later he was awarded a bronze medal at the Paris Universal Exhibition for a painting of Les Gardes du Corps de la Reine. However, his first military painting exhibited at the Royal Academy did not appear until six years later. Drawn from life it depicted the Centenary Inspection of the Duke of York's Own Loyal Suffolk Hussars at Bury St. Edmund's in 1893. In the following year he had his own exhibition at the Fine Art Society in London. The show was entitled 'Military England of Today' and included pictures entitled Waiting for the Watering Order and Dragoons returning to camp. As one reviewer wrote, 'He does not go out of his way to flatter Tommy Atkins but he shows him to the public under many forms and in many becoming uniforms. He has studied him at home and abroad, at peace and at war, on horseback and on foot, an our verdict must be that the English soldier, of whatever branch of the service, is trim and business-like, and in many cases, a picturesque object'. His interest in the soldier at war led him to paint his first battle scene in 1897 representing Corporal Styles of the Royal Dragoons capturing the Standard of the French 105th Infantry Regiment at Waterloo. He followed this up with several military scenes such as The Comrade showing a military funeral in a village, and Paris - a torchlight procession of Cuirassiers, but the war in South Africa which broke out in 1899 provided him with material for numerous canvases. In 1901 he exhibited two paintings of the war: one showing the Grenadier Guards saving wounded soldiers from the burning veldt at Biddulphsberg (shown at the New Gallery), and a picture of the 62nd Field Battery arriving at the battlefield of Modder River, exhibited at the Royal Academy. He followed this up in 1902 with The Victors of Paardeberg showing British troops cheering beside a wall of mealie bags as surrendering Boers approach them. While he never forgot the war and returned to it for inspiration later on, he became increasingly more interested in depicting past military victories. In 1904 he exhibited a scene of the Battle of Dettingen and during the first decade of the twentieth century painted a number of canvases of the wars against Napoleon. These included The passage of the Bidassoa exhibited in 1908, 'the rear guard' of 1910 showing the retreat to Corunna, and 1806: an affair of outposts. A painting of the Franco-Prussian War was hung in 1906. The Boer War resurfaced with his scene representing artillery leaving for the front, exhibited at the Academy in 1907, his painting of 1911 entitled 'The empty saddle', and in 1915, his painting of the 2nd Battalion of the Rifle Brigade charging uphill at Bergendal. His continuing interest in the Peninsula War led him to take a holiday in Spain and Portugal in 1912 where he visited numerous battlefields to sketch the terrain. In the same year he exhibited a picture of the fighting at San Sebastian in August 1813, and in the following year, submitted his picture of Vittoria, June 21st, 1813. As late as 1924 he was still painting scenes from this war, but in the meantime the events in Europe were occupying the minds of everyone. Beadle, like his contemporaries Wollen and Woodville, began to paint scenes from the Great War, often from imagination and sometimes with the help from veterans. Among his many paintings are Neuve Chapelle, 10 March 1915, Dawn: Waiting to go over, Breaking the Hindenburg Line, and the Battle of Gheluveldt, 1914, painted in 1920. In the twenties, he turned more to landscapes possibly as a result of the horrors inflicted in the Great War. While his last painting at the Royal Academy was shown in 1929, he was to live for another 17 years finally dying in Kensington on 13 August 1946. (c) Peter Harrington.

More about J P Beadle

This Week's Half Price Art

 Wearing patched white trousers and gaiters made of mattress ticking. In the mid distance, officers of the Polish Lancers and the Guard. Napoleon stands on the distant cliff. To the right a ship flies a tricolour. The Elba battalion was Napoleons bodyguard in exile, comprising six companies of Guardsmen, 100 artillery men and a crew of 21 seamen, They formed the nucleus of the Imperial Guard in 1815.

A Grenadier of the Guard at Elba by Horace Vernet. (Y)
Half Price! - 25.00
 One of Napoleons last successes in France when he defeated the Russian General Sacken on 11th February 1814 at Montmirail near Paris.

Battle of Montmirail by Horace Vernet. (Y)
Half Price! - 30.00
 Second in the series of British Army units in Northern Ireland.

Deployment from Palace Barracks by David Pentland.
Half Price! - 35.00
 Central Russia, 4th-12th July 1943. For Operation Citadel the Heavy tank battalion 503 was split into separate companies and attached to various panzer divisions. Rubbels 1st company went to 6th Panzer Division, and as such take part in the epic breakthrough on the 10th and 11th which came close to the collapse of the soviet southern front!

Alfred Rubbel at Kursk by David Pentland.
Half Price! - 80.00

 M3 Lee tanks and troops from General Slims 14th Army clear Japanese resistance form the village of Ywathitgyi in their drive to Mandalay.

Road to Mandalay, Burma, February 1945 by David Pentland. (GL)
Half Price! - 300.00


Charge of the 6th Inniskilling Dragoons at Waterloo by Lady Elizabeth Butler. (Y)
Half Price! - 25.00
So Tell The Spartans, Stranger passing by that here, Obedient to their laws, we lie.   In 480 BC the Spartans tried to defend the pass at Thermopylae against the Persians led by Xerxes.  The Persian fleet had sailed along the coastline from northern Greece into the Gulf of Malia on the eastern Aegean Sea towards the mountains at Thermopylae. The Greek General and King Leonidas led the Greeks  and tried to defend the pass of Thermopylae.  All the defending Spartans were killed during the Battle of Thermopylae. Their defence and courage provided inspiration to the Greeks, and the following year the Greeks won battles against their old enemy the Persians.

Thermopylae 480BC, Spartan and Thespaian Hoplites. By Chris Collingwood.
Half Price! - 85.00
 Having made contact the previous evening with troops of 4th Infantry Division pushing inland from Utah Beach, paratroopers of the 101st Airborne division The Screaming Eagles help mop up the pockets of German resistance in their general advance towards Carentan.

Screaming Eagles in Normandy, 7th June 1944 by David Pentland. (GL)
Half Price! - 300.00
          Home / View All Products                       View Your Basket