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DHM2095.  Ramrod by Robert Taylor. <p> During operation Ramrod 792 on April 25, 1944, leading his Spitfire wing, Johnnie Johnson had a long-running combat with an FW190. Robert Taylor shows the last moments of the duel which ended in victory for the Allied Air Forces leading fighter Ace. <p><b>Sold out at the publisher - last few copies available.</b><b><p>Signed by <a href=profiles.php?SigID=14>Air Vice Marshal Johnnie Johnson CB, CBE, DSO**, DFC* (deceased)</a>. <p> Signed limited edition of 1500 prints.  <p>Paper size 24 inches x 20 inches (61cm x 51cm)
DHM1709APB. Spitfire Alley by Ivan Berryman. <p> A pair of Spitfire Mk.IXs of 402 Squadron Royal Canadian Air Force, based at Kenley, practise combat manoeuvres in the skies above Kent in May, 1943. <b><p>Signed by <a href=profiles.php?SigID=46>Wing Commander Bob Foster DFC (deceased)</a><br><a href=profiles.php?SigID=91>Flight Lieutenant Richard L Jones (deceased)</a><br>and<br><a href=profiles.php?SigID=1037>Flying Officer Kurt Taussig</a>. <p>Fighter Pilots edition of 100 artist proofs. <p> Image size 19 inches x 14 inches (48cm x 36cm)

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  Website Price: £ 180.00  

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WW2 Canadian Spitfire Aviation Prints by Ivan Berryman and Robert Taylor.

PCK1473. WW2 Canadian Spitfire Aviation Prints by Ivan Berryman and Robert Taylor.

Aviation Print Pack.

Items in this pack :

Item #1 - Click to view individual item

DHM2095. Ramrod by Robert Taylor.

During operation Ramrod 792 on April 25, 1944, leading his Spitfire wing, Johnnie Johnson had a long-running combat with an FW190. Robert Taylor shows the last moments of the duel which ended in victory for the Allied Air Forces leading fighter Ace.

Sold out at the publisher - last few copies available.

Signed by Air Vice Marshal Johnnie Johnson CB, CBE, DSO**, DFC* (deceased).

Signed limited edition of 1500 prints.

Paper size 24 inches x 20 inches (61cm x 51cm)


Item #2 - Click to view individual item

DHM1709APB. Spitfire Alley by Ivan Berryman.

A pair of Spitfire Mk.IXs of 402 Squadron Royal Canadian Air Force, based at Kenley, practise combat manoeuvres in the skies above Kent in May, 1943.

Signed by Wing Commander Bob Foster DFC (deceased)
Flight Lieutenant Richard L Jones (deceased)
and
Flying Officer Kurt Taussig.

Fighter Pilots edition of 100 artist proofs.

Image size 19 inches x 14 inches (48cm x 36cm)


Website Price: £ 180.00  

To purchase these prints individually at their normal retail price would cost £310.00 . By buying them together in this special pack, you save £130




All prices are displayed in British Pounds Sterling

 

Signatures on this item
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


The signature of Air Vice Marshal Johnnie Johnson CB, CBE, DSO**, DFC* (deceased)

Air Vice Marshal Johnnie Johnson CB, CBE, DSO**, DFC* (deceased)
*Signature Value : £60 (matted)

James Edgar Johnson was born in Barrow on Soar near Loughborough on 9th March 1915. He lived in Melton, the first house on the left of Welby Lane as you leave Nottingham Road, with his parents - his father being a local Police Inspector. Johnnie qualified as a Civil Engineer at Nottingham University in 1937. He joined the RAFVR and did his flying training at 21 E&RFTS, Stapleford before enlisting for full-time service in the RAF at the beginning of WWII. He first went to ITW at Jesus College, Cambridge, completed his ab initio flying at 22 EFTS, Cambridge and his intermediate and advanced flying at 5 FTS, Sealand. Johnnie Johnson joined 92 Spitfire squadron in August 1940, but it was with 616 squadron that he scored his first victory on June 26th 1941 while flying with Douglas Baders Tangmere Wing. He was squadron leader of 610 squadron in July 1942, but it was as Wing Commander of the Kenley Wing in 1943 that his scores really started to mount. He was W/C of 144 wing during D-Day and led 127 and 125 wings until the end of the war when we has the topscoring allied fighter pilot with 38 air victories. Inspired by the great British WW 1 aces like Bishop and Ball, Johnnie Johnson dreamed often as a child of becoming an R.A.F. pilot. The young Johnson enthusiastically joined the Volunteer Reserve at the first opportunity. After completing his initial flight training Johnson was posted to 616 Squadron at Kenley. However, this Squadron had been hit hard with the loss of six pilots and five wounded, and the unit was withdrawn to Coltishall prior to Johnson encountering combat. With only 12 hours of flight time in a Spitfire this was no doubt advantageous. In February 1941 Billy Burton moved the Squadron to Tangmere. Douglas Bader then arrived to take over the Tangmere Wing, and fly with the 616 Squadron. Johnnie, Alan Smith and Cocky Dundas were chosen to fly with Bader. During the summer of 1940 the Battle of Britain was at its peak. Bader took the time to instruct Johnson carefully in both the art of flying and the skills necessary to attain success in aerial combat. Baders idea of an afternoon off duty, according to Johnson, was to take his section over the Channel in hopes of running into Adolph Galland and his Abbeyville Boys. On August 19, 1941 Bader failed to return from a mission when 616 Squadron was hit hard by a group of Messerschmitt 109s. Johnson flew on in Baders absence, and in the summer of 1942 he was promoted to command of the 610 Squadron. In 1943 he was promoted again to Wing Commander of the Canadian Spitfire Wing in Kenley. By that time Johnson had attained eight confirmed victories. During the spring and summer of 1943 Johnnie led the Canadian unit on more than 140 missions over Northwest Europe. Johnsons squadron attained more than 100 victories during this period, and Johnnies own personal score rose to 25. After a short leave, Johnson was posted to lead the 144 Canadian Spitfire Wing. On D-Day Johnson led his Wing on four missions in support of the Allied invasion. On June 8, Johnsons Wing was the first Spitfire group to land in newly liberated France. Johnson continued fighting in France through September 1944 when he achieved his 38th and final victory. Patrolling the Rhine Johnsons unit jumped nine 109s which were flying beneath them in the opposite direction. Five of the 109s were downed. Early in 1945 Johnson was promoted to Group Captain and put in command of the 125 Wing, which was equipped with the Spitfire XIV. Flying from former Luftwaffe airfields the 125 Wing assisted in the final Allied push to Berlin. Johnson attributed much of his aerial combat success to his ability to make tight turning maneuvers. Johnsons tightest call came on August 19, 1942 when he was unable to dislodge an Me-109 from his tail during the raid on Diepppe. Johnson raced his Spitfire flat out at a group of Royal Navy ships. The usual barrage of flak and tracer fire came right at him, and fortunately for the ace, missed his Spitfire but effectively eliminated the brave pilot on his tail. During the Korean War Johnson flew fighter-bombers with the USAF. Following his retirement from the R.A.F. in 1966 Johnson founded the Johnnie Johnson Housing Trust that has provided homes for more than 4000 disabled and elderly persons, and his sixth book Winged Victory was published in 1995. Johnson flew many of the Spitfire models. His favorite was the beautiful Mark IX, the best of them all. Johnnie passed away in 2001 at the age of 85, in Derbyshire, England.
Signatures on item 2
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


The signature of Flight Lieutenant Richard L Jones (deceased)

Flight Lieutenant Richard L Jones (deceased)
*Signature Value : £40 (matted)

Richard Jones was born in 1918 and in July 1940 Richard Jones was posted to 64 Squadron at Kenley, flying Spitfires. He was involved in heavy fighting over the Channel during the Battle of Britain, with the squadron suffering many losses during July and August. Towards the end of the Battle of Britain, in October, he moved to 19 Squadron flying Spitfires from Fowlmere, and was heavily involved in the fighter sweeps taking place at that time. Near the end of the Battle of Britain, Pilot Officer Richard Jones was shot down during a dogfight over Kent with Me 109s. Jones crash landed his Spitfire in a field, colliding with a flock of sheep - he would go on to write in his log book "Crashed into a load of sheep. What a bloody mess!"After the Battle of Britain, Richard Jones became a test pilot for De Havilland at Witney in Oxfordshire, and test flew thousands of Hawker Hurricanes and other types, including civil types. After the war Richard Jones joined the RAFVR and started a long career in the motor industry. Sadly Richard Jones passed away on 7th March 2012.
The signature of Flying Officer Kurt Taussig

Flying Officer Kurt Taussig
*Signature Value : £35 (matted)

Czech Kurt was sent, age 15, by his parents on the Kindertrnsport to England from Czechoslovakia in June 1939 to escape the Nazi persecution of the Jews. Determined to fight the Germans he joined the RAF at eighteen in late 1942, and after training was posted to the Middle East to join 225 Squadron flying Spitfires on photo-reconnaissance duties in Tunisia, the Sicily landings, and in Italy.


The signature of Wing Commander Bob Foster DFC (deceased)

Wing Commander Bob Foster DFC (deceased)
*Signature Value : £30 (matted)

Wing Commander Bob Foster, who has died aged 94, flew Hurricane fighters during the Battle of Britain, when he was credited with destroying and damaging a number of enemy aircraft; later in the war he destroyed at least five Japanese aircraft while flying from airfields in northern Australia. For much of the Battle of Britain, Foster was serving with No 605 Squadron in Scotland; but in September, 605 moved to Croydon to join the main action over the south-east of England. It was soon heavily engaged, but it was not until September 27 that Foster achieved his first success, when he damaged a Messerschmitt Bf 110 fighter over Surrey. During this encounter his Hurricane was hit by return fire, and he was forced to make an emergency landing on Gatwick airfield. On October 7 he shot down a Messerschmitt Bf 109 near Lingfield racecourse, and on the following day he shared in the destruction of a Junkers 88 bomber. By the end of the month he is thought to have destroyed another Bf 109 and damaged a third. In 1941 No 605 moved to Suffolk, from where on one occasion Foster chased a lone German Heinkel bomber well out to sea. His gunfire knocked pieces off the enemy aircraft, but it escaped into cloud before Foster could follow up with a second attack. In September 1941 he was transferred to a fighter training unit as an instructor. Robert William Foster was born on May 14 1920 at Battersea, south-west London. After leaving school he worked for the joint petroleum marketing venture Shell-Mex and BP, and in March 1939 six months before the outbreak of war he joined the RAF Volunteer Reserve to train as a pilot. He was called up in August to complete his training before joining No 605. Foster's spell as an instructor lasted six months, and in April 1942 he was posted as a flight commander to No 54 Squadron. Within weeks of his joining, it was sent to Australia to join two other Spitfire squadrons to form No 1 Fighter Wing of the Royal Australian Air Force. The Wing was ready for action by the beginning of 1943, and moved to airfields in the Darwin area to counter Japanese bombing raids mounted from captured airfields in the Dutch East Indies and Timor. On February 26 Foster intercepted a Mitsubishi Dinah reconnaissance aircraft (all Japanese wartime aircraft types were given British names) and shot it down. It was the squadron's first success in Australia, and the first time a Spitfire had shot down a Japanese aircraft. Enemy bombing raids against Darwin continued, and on March 15 Foster was engaged in a fierce fight during which he downed a Mitsubishi Betty bomber and damaged a second. The three squadrons of No 1 Wing were in constant action throughout the spring of 1943, but Foster had to wait until June 20 for his next success. This came when he was leading No 54 Squadron as his formation intercepted a raid by 18 Betty bombers which were accompanied by a fighter escort. Foster attacked the leading bomber and sent it crashing into the sea. A Japanese Zero fighter broke towards him, and in the ensuing encounter Foster damaged the enemy aircraft. In June, the raids on Darwin became even more intense, and on June 30 Foster claimed another Betty destroyed as well as a probable. A week later he achieved his final successes when 30 bombers were reported to be heading for the city from the west. Foster led his formation to intercept the force, and he shot down a Betty and damaged a second near Peron Island, west of Darwin. He was the third pilot to claim five successes over Australia (earning him the title of ace) and a few weeks later he was awarded a DFC. After returning to Britain in early 1944, Foster joined the Air Information Unit with the role of escorting war correspondents. He arrived in Normandy soon after the Allied landings, and was one of the first RAF officers to enter Paris, joining General de Gaulle's triumphant procession down the Champs-Elyses. Foster spent the final months of the war at HQ Fighter Command and as the adjutant of a fighter base in Suffolk. In 1946 he left the RAF, but joined the Auxiliary Air Force on its re-formation in late 1947. He served with No 3613 Fighter Control Unit until its disbandment in March 1957, by which time he was a wing commander commanding the unit. He received the Air Efficiency Award. After the war Foster had rejoined Shell-Mex and BP, where he worked as a marketing executive until his retirement in 1975. In 2004 he was reunited with the Hurricane he had flown during the Battle of Britain. The aircraft, R 4118, had been rescued as a wreck in India by the printer and publisher of academic journals Peter Vacher, who brought it back to Britain in 2002 and had it restored to full flying condition. The aircraft now flies regularly as the only surviving Battle of Britain Hurricane and is the subject of a book by Vacher, Hurricane R 4118. Foster was a keen supporter of the Battle of Britain Fighter Association, becoming its chairman in 2009. He was a life vice-president of the Battle of Britain Memorial Trust, and a dedicated supporter of its initiative to erect The Wing, a new building at the National Memorial to The Few at Capel-le-Ferne, on the Kent coast. Designed in the shape of a Spitfire wing, the museum and educational facility will tell the story of what the Battle of Britain pilots achieved in the summer of 1940. Foster took the controls of the mechanical digger to turn the first turf and start the work. In recent years he had accompanied some of the tours, organised by the Trust, of Battle of Britain sites in east Kent. Wing Commander Bob Foster, born May 14 1920, died July 30 2014.
Artist Details : Ivan Berryman
Click here for a full list of all artwork by Ivan Berryman


Ivan Berryman

Over the last 30 years, Ivan Berryman has become a leading aviation, motor racing and naval artist. In this time, the subjects of his paintings have been wide and varied as he has deliberately strived to include some of the lesser know aircraft, ships and events in his portfolio, which includes aircraft like the Defiant, TSR2, Beaufort, ships including MTBs and corvettes, and around 100 different aircraft of the first world war. In addition to this he has taken new approaches to the classic subjects of his field, including the Dambuster Lancasters, Battle of Britain Spitfires, Bf109s and Hurricanes, HMS Hood, Bismarck and the best known naval ships, as well as some iconic sporting moments. In his own words : Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception...





Ivan with some of his original paintings in the originals gallery at Cranston Fine Arts and in his studio.

More about Ivan Berryman

Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

More about Robert Taylor

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