Winter of 41 by Nicolas Trudgian.
With the Battle of Britain won, and the first chinks in Goerings armour exposed, RAF Fighter Command is at last able to carry the war to the enemy. It is the bittersweet winter of 41. Mk Vb Spitfires, having taken off as the first streaks of dawn spread across the morning sky, return to a snow-covered airfield after a dawn patrol over the Channel. Inhabitants of the sleepy English village begin to stir with the familiar sound of Merlin engines, counting each and every one of their fighter boys home.
|AMAZING VALUE! - The value of the signatures on this item is in excess of the price of the print itself!|
|Item Code : DHM1880||Winter of 41 by Nicolas Trudgian. - This Edition|| Buy 1 Get 1 Half Price!|
|TYPE||EDITION DETAILS||SIZE||SIGNATURES||OFFERS||YOUR PRICE||PURCHASING|
|PRINT||Signed limited edition of 400 prints. |
Last 20 copies of this sold out edition.
Great value : Value of signatures exceeds price of item!
| Paper size 27 inches x 26 inches (69cm x 66cm)|| Duke, Neville |
+ Artist : Nicolas Trudgian
Signature(s) value alone : £195
|Now : £170.00|
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FREE PRINT : Where Thoroughbreds Play by Ivan Berryman.
This complimentary art print worth £45
(Size : 12 inches x 9 inches (31cm x 23cm))
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.
This item can be viewed or purchased separately in our shop, HERE
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|RAF Fighter Command Spitfire Prints.|
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2 other prints in this pack :
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Pack price : £250 - Save £324
Titles in this pack :
Battle of Britain Manston 12th August 1940 by Gerald Coulson. (View This Item)
Winter of 41 by Nicolas Trudgian. (View This Item)
Where Thoroughbreds Play by Ivan Berryman. (View This Item)
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|General descriptions of types of editions : |
|Signatures on this item|
|*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.|
Lt Col Ervin Miller
*Signature Value : £45
|A native of Oakland, California, Miller had previously been a member of No. 133 'Eagle' Squadron prior to the unit becoming the 336th Fighter Squadron. Joined RAFVR 1940, 133 Eagle Sqn RAF 1941 - 28-9-42. 336FS, 4th Service: 28 September 1942 — 17 August 1943. Promoted to 1st Lieutenant 25-11-42. Promoted to Captain 1-5-43. Post 4th FG : C/O 2906th Fighter Training Group. Retired from the USAF as a Lieutenant Colonel 1952. Rejoined the RAF, retired as a Wing Commander 1962-71. Personnel Officer, M.G. Car Company Abington-on-Thames, England.|
Raymond Baxter (deceased)
*Signature Value : £40
|Spitfire pilot, and the voice of British aviation broadcasting. Raymond Baxter was born on January 25, 1922 in Ilford, Essex. In 1940 at the age of 18, Baxter joined the Royal Air Force and became a Spitfire pilot with the celebrated 602 (City of Glasgow) Squadron, rising to the rank of Flight Lieutenant and being mentioned in despatches for his part in Operation Big Ben, when six of 602s Spitfires, converted to carry small bombs, attacked the Bataafsche petrol company in Holland to try to wipe out the headquarters of the German V2 rocket forces, which were the plague of London at the time. Baxter was also twice mentioned in despatches. In 1945 Baxter joined Forces Broadcasting in Cairo. After the war he was deputy director of the British Forces Network in Hamburg and went on to the BBC. Raymond Baxter is probabaly best known for being in the Tomorrows World TV series which he was involved with since the beginning in 1965. Raymond Baxter stayed with Tomorrows World for 12 years. A regular participant in the Monte Carlo Rally — he competed in no fewer than 14 of them — he showed his professionalism in the 1954 event when the car in which he was travelling skidded into a ditch in central France. Although shaken by the incident and sustaining a cut over his eye, Baxter immediately recorded a description of what had happened. On three occasions he was a member of a winning rally team. He was also an accomplished Formula 1 commentator. Baxter would also commentate at many major historical moments, the funerals of Sir Winston Churchill and Lord Mountbatten of Burma, the 1953 Coronation and the the annual Festival of Remembrance. He also commentated at many aviation events and also is know for his commentary for Concorde's first flight. A favourite recreation was boating. He served on the management committee of the Royal National Lifeboat Institution and was vice-president from 1987 to 1997. As honorary admiral of the Association of Dunkirk Little Ships he took a prominent part in events to mark the 60th anniversary of the Dunkirk evacuation in June 2000. Baxter was appointed OBE in 2003. Sadly Raymond Baxter died on September 15, 2006, aged 84.|
Squadron Leader Neville Duke, DSO, OBE, DFC*, AFC, CzMC (deceased)
*Signature Value : £75
|Neville Duke flew Spitfires as wingman to Sailor Malan in 92 Squadron. In November 1941 he was posted to 112 Squadron in the Middle East. After a second tour in the Desert, he flew a third tour, with 145 Squadron in Italy. He was the top scoring Allied Ace in the Mediterranean with 28 victories. After the war, in 1953, he captured the World Air Speed record. He died 7th April 2007.|
Warrant Officer Norman Samuels
*Signature Value : £35
|Initially flying Typhoons with 193 Sqn, Norman then transferred to 610 Sqn flying Spitfires on fighter sweeps over France, heavy-bomber missions, and operations against VIs. Returning to ground attack Typhoons over Europe with 193 Sqn, he was shot down in March 1945 and taken prisoner of war. Mr Samuels was born in Newbury in 1921 and grew up in the West Berkshire market town. In 1940, aged 19, he joined the Royal Air Force Oxford University Air Squadron. At that time the UK had no place for trainee pilots. So, after six weeks of basic training he was sent to America to learn to fly under the Arnold Scheme, a training programme run by United States Army Air Corps General 'Hap' Arnold. In 1941, at ease in the cockpit of almost any flying machine, he says, he was sent back to the UK. He said: I joined 193 Squadron in Devon, and that was where I met my future wife, Barbara Lean, on Christmas Day 1942. A Spitfire squadron had lost six of its 12 pilots in one day, so they moved us across to 610 Squadron. They were marvellous planes to fly, and I enjoyed every moment. We had Spitfire MkVs then - they weren't fast enough for war really at that time. We cleaned them with car polish, and that gave us an extra 5mph, then they clipped the wings and that gave us another 5mph. Of course we were still 100mph short of the Germans' speeds, but what could you do?|
He helped defend London, and fought over Beachy Head, but with losses elsewhere he was drafted back to 193 Squadron, which was by now in Antwerp, Belgium, in 1944. After surviving the ill-fated Battle of Arnhem in Holland in September, 1944, his luck ran out in a Typhoon near the same town in 1945, just weeks before the end of the war. He said: It was the last push by the Germans and on March 18 I was shot down. I'd already fought in the Battle of Arnhem, when we suffered heavy losses. Going back, I wasn’t so lucky.
He continued: I didn't have time to think if I was going to die. I must have been knocked out clean by my gun sight. I'd put rubber on it because I was always hitting it with my hand. I'd seen men die in crashes; they hit their head and it killed them. The rubber must have saved my life. To be honest looking back I should have died many times over. I ended up walking through Germany, got on a train, and that was bombed by the Allies. I walked and walked, right up to the Baltic Rhine, I scavenged for food and did what I could to survive. It was a long time between being shot down and being captured. Every day was 'live or die'.
The Germans eventually caught up with him and sent him to Stalag Luft I, a camp filled with about 9,000 PoWs. He said: I had lost weight by the time I arrived, and we didn't have a lot of food. I remember a battle with a Welshman who kept stealing my bread. Luckily I was only there a few weeks before we were liberated, by the Americans, on my wife's birthday, April 30, 1945. I started the war with the Americans, and finished it with the Americans.
After the war he worked as an engineer for the Southern Electricity Board.
|The Aircraft :|
|Spitfire||Royal Air Force fighter aircraft, maximum speed for mark I Supermarine Spitfire, 362mph up to The Seafire 47 with a top speed of 452mph. maximum ceiling for Mk I 34,000feet up to 44,500 for the mark XIV. Maximum range for MK I 575 miles . up to 1475 miles for the Seafire 47. Armament for the various Marks of Spitfire. for MK I, and II . eight fixed .303 browning Machine guns, for MKs V-IX and XVI two 20mm Hispano cannons and four .303 browning machine guns. and on later Marks, six to eight Rockets under the wings or a maximum bomb load of 1,000 lbs. Designed by R J Mitchell, The proto type Spitfire first flew on the 5th March 1936. and entered service with the Royal Air Force in August 1938, with 19 squadron based and RAF Duxford. by the outbreak of World war two, there were twelve squadrons with a total of 187 spitfires, with another 83 in store. Between 1939 and 1945, a large variety of modifications and developments produced a variety of MK,s from I to XVI. The mark II came into service in late 1940, and in March 1941, the Mk,V came into service. To counter the Improvements in fighters of the Luftwaffe especially the FW190, the MK,XII was introduced with its Griffin engine. The Fleet Air Arm used the Mk,I and II and were named Seafires. By the end of production in 1948 a total of 20,351 spitfires had been made and 2408 Seafires. The most produced variant was the Spitfire Mark V, with a total of 6479 spitfires produced. The Royal Air Force kept Spitfires in front line use until April 1954. |
|Artist Details : Nicolas Trudgian|
|Click here for a full list of all artwork by Nicolas Trudgian|
Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition.
Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!
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