Customer Helpline
(UK) : 01436 820269

Shipping Rates
Valuation of Your Collection

You currently have no items in your basket

Choose a FREE print if you spend over £220!
See Choice of Free Prints

Join us on Facebook!


Buy with confidence and security!
Publishing historical art since 1985

Follow us on Twitter!

Product Search        

After the Battle of Naseby by Sir John Gilbert. (Y)


After the Battle of Naseby by Sir John Gilbert. (Y)

Royalist cavalry at the Battle of Naseby. Cavalier trumpeters are shown advancing with King Charles 1sts cavalry during the Battle of Naseby.
Item Code : DHM0495YAfter the Battle of Naseby by Sir John Gilbert. (Y) - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
EX-DISPLAY
PRINT
**Open edition print. (One copy reduced to clear)

Ex-display prints with scratch on the image - hardly noticeable once framed.
Image size 24 inches x 16 inches (61cm x 41cm)none£45 Off!Now : £20.00

Quantity:
All prices on our website are displayed in British Pounds Sterling



Other editions of this item : After the Battle of Naseby by Sir John Gilbert.DHM0495
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition print. Image size 24 inches x 16 inches (61cm x 41cm)none£30 Off!
Supplied with one or more free art prints!
Now : £35.00VIEW EDITION...
PRINT Open edition print. Image size 12 inches x 8 inches (31cm x 20cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£14.00VIEW EDITION...
General descriptions of types of editions :


Artist Details : Sir John Gilbert
Click here for a full list of all artwork by Sir John Gilbert

Sir John Gilbert

His father was a captain in the Royal East London Militia, but after this regiment was disbanded, became an estate-agent. John Gilbert started in this business but showed a talent for sketching, and submitted his first picture for exhibition at the age of nineteen. He was soon exhibiting at the Royal Academy and became a full academician in 1876. Five years earlier, he had been knighted. Gilbert was also a major illustrator of the nineteenth century and frequently contributed pictures to the Illustrated London News one of which depicted the Charge of the Scots Greys at Waterloo. His interest in history led to numerous paintings, particularly water-colours of historic battles. The Civil War was a common theme in his output, and several important canvases exist: Waiting for the Ring: Marston Moor (Southgate Gallery of Wolverhampton), A Regiment of Royalist Cavalry, and Naseby (Towneley Hall Art Gallery, Burnley), which was exhibited at Royal Academy in 1873. Similarly, the Crusades and the Middle Ages provided material for military pictures, e.g. The Morning of the Battle of Agincourt and Queen Margaret of Anjou taken prisoners after the Battle of Tewkesbury (both Guildhall Art Gallery), Crusaders an the March (water-colour in Victorian and Albert Museum), and The Battle of the Standard, Northallerton (water-colour in Guildhall Art Gallery; another version at Oldham Art Gallery). His canvas Edward 111 at the Siege of Calais was destroyed by enemy bombing when the Guildhall Art Gallery was hit. Reference: DNB; Spielman 1897; Oldcastle 1878

More about Sir John Gilbert

This Week's Half Price Art

 Study for the original painting Charge and Pursue.
Sowar of Probyns Horse Engages Mutineers at Lucknow, 1857 by Mark Churms. (P)
Half Price! - £175.00
 Sous-Lieutenant Ferdinand de la Riloisiere of 1st Regiment of Carabiniers, moments before he received a mortal wound, in the charge of the 2nd reserve cavalry Corps, against the reavski Redoubt. Despite his injury he survived for several days after the battle and was presented with the cross of the Legion of Honour only hours before his death.

La Moscowa, The Battle of Borodino, 7th September 1812 by Mark Churms. (B)
Half Price! - £40.00
 At about 2.00pm the Union Brigade crashes through the ranks on Napoleons Ist Infantry Corps. The 2nd Royal North British Dragoons (later known as The Scots Greys) on the far left of the line, plow through Marcognets division, only Duruttes division will escape intact. With Brigade General Ponsortby at their head, elements of the now disordered Cavalry charge on to the French artillery.  Even though, at close quarters, the Gunners and attached Infantry are no match for the wild Scots, they desperately try to save their 12 pounder field pieces. However the British heavy Cavalry is now out of control and Napoleons retribution will be swift.  From the undulating ground before Paillotte comes the thunder of hooves and the deadly lances of 4th Regiment and the 3th Chasseurs a Cheval. In the confusion many of the British soldiers are completely unaware of the onslaught as the fresh French Cavalry sweeps through their flank.  Ponsonbys mount leaps through the mud as the exhausted Brigade is herded together for the final kill.  Even against all odds the brave men continue to fight. The Brigade General himself will shortly be sabred by Sergeant Urban as he attempts to capture the eagle of the 4th Lancers.

Charge of the Union Brigade by Mark Churms. (P)
Half Price! - £6000.00
 Renault FT 17 baby tanks of the recently formed US 304th tank brigade commanded by the young Lt. Col George S. Patton Jnr. are employed for the first time during the allied assault on the St Mihiel Salient. Leading the 344th battalion in person Patton and his tanks help the infantry divisions push the enemy back to the Hindenberg line in only 4 days.

Baptism of Fire - St Mihiel Salient, 12th – 15th September 1918 by David Pentland. (P)
Half Price! - £1700.00

Following Napoleons deposition of Ferdinand IV, King of Naples in favour of his brother Joseph Bonaparte, the British government ordered General Sir John Stuart to land a force in Calabria, Southern Italy. On the 6th of July the French force of 4,000 infantry and 1,000 cavalry met the British force of 5,000 infantry. The battle was a British victory with losses of 330, compared to the French losses of 700 killed and 1,000 wounded with another 1,000 prisoners.

The Battle of Maida by De Louthembourg.
Half Price! - £25.00
DHM598.  Ensign of the 17th regiment of Foot, American War of Independence 1779. by Jim Lancia.

Ensign of the 17th regiment of Foot, American War of Independence 1779. by Jim Lancia.
Half Price! - £20.00
 Having made contact the previous evening with troops of 4th Infantry Division pushing inland from Utah Beach, paratroopers of the 101st Airborne division The Screaming Eagles help mop up the pockets of German resistance in their general advance towards Carentan.

Screaming Eagles in Normandy, 7th June 1944 by David Pentland.
Half Price! - £75.00
Between 18th and 23rd February, 1991, immediately preceding the ground assault, Iraqi defensive positions were bombarded by British and American artillery.  The Artillery Raids took place just inside the Saudi border all along the front line, from the east coast to west of the Wadi al Batin.  The 1st Armoured Division's contribution to the raids was the largest concentration of British artillery since the Second World War.  Further behind the M109 and M110 guns and the locating batteries were the armoured vehicle-mounted rocket launchers of the Multi-Launch Rocket System (MLRS).  39 Heavy Regiment, the only British regiment equipped with MLRS, fired five 'fireplans', one of them at night.  MLRS can ripple-fire 12 rockets in less than one minute.  The Artillery Raids were a major factor in the success of Operation Desert Sword because they contributed to the deception plan by concealing the main point of effort.  The ammunition itself was terrifyingly destructive.  Furthermore, Iraqi morale, already damaged by the air assaults, was crushed by the artillery bombardment.  At the right of the scene a DROPS vehicle of the Royal Corps of Transport is delivering Rocket Pod Containers, and gunners are preparing to re-arm the MLRS.
The Artillery Raids, 18th / 23rd February 1991 by David Rowlands. (GL)
Half Price! - £300.00
          Home / View All Products                       View Your Basket