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Rock of Gibraltar by Stephen Smith.


Rock of Gibraltar by Stephen Smith.

Item Code : SFA0006Rock of Gibraltar by Stephen Smith. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTLimited edition of 125 prints. Image size 21 inches x 16 inches (53cm x 41cm)Artist : Stephen Smith£60 Off!
Supplied with one or more free art prints!
Now : £100.00

Quantity:
EXCLUSIVE website offer from Cranston Fine Arts - FREE art print(s) supplied with the above item!


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FREE PRINT : The Finish by Mark Churms.

This complimentary art print worth £40
(Size : 11 inches x 8 inches (28cm x 20cm))
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.

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Extra Details : Rock of Gibraltar by Stephen Smith.
About all editions :

A photo of an edition of the print :

Artist Details : Stephen Smith
Click here for a full list of all artwork by Stephen Smith

Stephen Smith

His definitive and deliberate style is very popular with clients wanting a portrait or action oil painting of a particular horse. Not only is Stephen's style sought after in the UK and Ireland but commissions have arrived from U.S.A. and Japan. He has three originals hanging in the reception at Coolmore (IRE) and other clients include Mick Kinane (2), Derek Thompson (2), Kieren Fallon, Jamie Spencer, Richard Hills, Timmy Hyde and Aidan O'Brien.

More about Stephen Smith

This Week's Half Price Art

On the 6th November 1792 Dumouriez defeated the Austrians under the Duke of Saxe Teshen and Clerfayt at Jemappes, near Mons. This led to the French Occupation of Belgium.
The Battle of Jemappes by Horace Vernet.
Half Price! - £33.00
 Helmand Province, Afghanistan, April, 2011. Men of <i>The Highlanders</i> 4th Royal Regiment of Scotland, patrol through a flowering poppy field near Lashkar Gah.

Poppy Fields by David Pentland. (AP)
Half Price! - £85.00
Battle of Vittoria, June 21st 1813. Duke of Wellingtons victory over the French with an army of 79,000 British, Portuguese and rebel Spanish troops. The battle of Vittoria ended Napoleons domination of Spain.

Ride Like the Devil - the Charge of the 13th Light Dragoons at the Battle of Vittoria by Chris Collingwood. (GS)
Half Price! - £250.00
 Recovering a vehicle in Helmand.  A support dumper truck has edged over to the side of the track which has given way under the weight.  Two REME soldiers are pulling out the tow-rope (which is made of metal cables) and will attach this to the stranded vehicle.  every vehicle will have a top-gunner, heavily armed with an array of weapons - usually the GPMG.  When the convoy is stationary for any period of time they are at their most vulnerable to attack, so speed is of the essence to get the convoy on its way again.

REME Recovery by Graeme Lothian. (GL)
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 El Alamein, October 28th 1943, Field Marshal Erwin Rommel discusses the critical battle situation with the Commanding Officer of the 21st Panzer Division, in front of his Kampfstaffel.  This personal mobile headquarters comprised a variety of vehicles including a radio Panzer III, SDKfz 232 radio armoured car, Rommels famous SDKfz 250/3 communications half-track GREIF and captured British Honey light tanks.

The Desert Fox by David Pentland. (GL)
Half Price! - £300.00
VAR151.  French 9th Regiment of Cuirassiers by Jim Lancia.
French 9th Regiment of Cuirassiers by Jim Lancia.
Half Price! - £30.00
Background battle detail shows 15th Hussars in summer campaign dress.

Lt General Lord Wellington at Salamanca, 22nd July 1812 by Chris Collingwood (GL)
Half Price! - £350.00
45 Commando Royal Marines performed the role of the Belfast Roulement Battalion from 2nd July to 10th November 1986.  This painting depicts a foot patrol setting out from Springfield Road RUC Station.  The RUC Station at Springfield Road was 45 Commando's Tactical HQ.  With its fortress-like protective fencing it stood cheek-by-jowl among little terraced houses.  Marines escorted the constables of the Royal Ulster Constabulary (RUC) on their beat, both on foot and in Land Rovers.  A sign warned: Do Not Stand Around In This Yard.  Holes made by bullets and shrapnel from bombs tossed over the fence explained the reason why.  In the painting I have tried to make the gate a symbolic focal point, as the men's thoughts are focussed upon what lies outside for this patrol.
Belfast Patrol by David Rowlands. (GS)
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