Customer Helpline
(UK) : 01436 820269

Shipping Rates
Valuation of Your Collection

You currently have no items in your basket

Choose a FREE print if you spend over 220!
See Choice of Free Prints

Join us on Facebook!


Buy with confidence and security!
Publishing historical art since 1985

Follow us on Twitter!

 
Featured Artists
Military and aviation arist David Pentland.  His entire range of German armour and other military forces are available at great discounted prices direct from The Military Art Company Ivan Berryman is recognised as one of the leading aviation and naval artists, his entire range of prints published by Cranston Fine Arts are available direct from us, including many original aviation paintings.
David Pentland
Ivan Berryman


One of the greatest aviation artists of all time, Robert Taylor, his entire back catalogue aviaton art prints are available direct from military art.com Nicolas Trudgian. His last remaining aviation art prints from his back catalogue published by Military Gallery and bought over in 2007 by Cranston Fine Arts are available only direct from our websites. See Nicolas Trudgian's full range here.
Robert Taylor
Nicolas Trudgian

 
Product Search        

Morning of Agincourt by Sir John Gilbert. (Y)


Morning of Agincourt by Sir John Gilbert. (Y)

Battle of Agincourt, October 25th 1415. Fought during the Hundred years war at the end of the English Invasion of 1415. King Henry the V of England, after his conquest of Harfleur marched his army of 1,000 Knights and 5,000 Archers (many of which were Welsh) towards Calais. He marched to Amiens as flooding had affected the river at the Somme which was the direct route. This delay helped the French army of 20,000 strong under the command of the Constable Charles dAlbret and Marshal Jean Bouciquaut II. The French army blocked Henry V route to Calais, giving the English no choice but to fight. Henry V positioned his army at Agincourt, between to wooded areas giving a frontage of 1100 metres. Henry deployed his force into three divisions; each group had archers at each flank. He had chosen his position well, in front of his army was ploughed fields and due to the heavy raid was very muddy. Due to the narrow battlefield area the French army lost their advantage of superior numbers. At 11 oclock the English started to advance their archers within 2509 yards of the French, getting them into range of the French lines. The French line of Cavalry advanced at a slow pass due to the heavy mud, They took heavy losses from the arrows from the English Long Bowman. They were eventually repulsed by the Archers who as the French cavalry approached changed from using longbows for axes and swords. The French second Cavalry line advanced only to be finally repulsed after hand to hand fighting. The commander Duc dAlencon was killed in the attack. The second charge had failed and many of the French knights were taken prisoner. Believing he had been attacked in the rear Henry V ordered that the prisoners were to be put to death. In fact There was no real rear attack it was French Camp followers plundering the English Camp. The French camp followers were quickly dealt with and the English again prepared itself for the next attack. The third attack never materialized as the sight of so much blood shed and piles of corpses turned the charge into a retreat. The English had won the day with losses less than 1600 compared to the French losses of over 7,000, including the capture of Bouciquaut. Henry V, his way now cleared reached Calais on the 16th November 1415. Agincourt is one of the great battles of military history, and this victory enabled Henry V to return to France in 1417 and conquer all of Normandy.
Item Code : DHM0477YMorning of Agincourt by Sir John Gilbert. (Y) - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
EX-DISPLAY
PRINT
**Open edition print. (Two copies reduced to clear)

Ex-display prints in near perfect condition.
Image size 24 inches x 17 inches (61cm x 43cm)noneHalf
Price!
Now : 30.00

Quantity:
All prices on our website are displayed in British Pounds Sterling



Other editions of this item : Morning of Agincourt by Sir John Gilbert.DHM0477
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTOpen edition print. Image size 24 inches x 17 inches (61cm x 43cm)none25 Off!
Supplied with one or more free art prints!
Now : 40.00VIEW EDITION...
PRINTOpen edition print. Image size 12 inches x 8 inches (31cm x 20cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!14.00VIEW EDITION...
General descriptions of types of editions :


Artist Details : Sir John Gilbert
Click here for a full list of all artwork by Sir John Gilbert

Sir John Gilbert

His father was a captain in the Royal East London Militia, but after this regiment was disbanded, became an estate-agent. John Gilbert started in this business but showed a talent for sketching, and submitted his first picture for exhibition at the age of nineteen. He was soon exhibiting at the Royal Academy and became a full academician in 1876. Five years earlier, he had been knighted. Gilbert was also a major illustrator of the nineteenth century and frequently contributed pictures to the Illustrated London News one of which depicted the Charge of the Scots Greys at Waterloo. His interest in history led to numerous paintings, particularly water-colours of historic battles. The Civil War was a common theme in his output, and several important canvases exist: Waiting for the Ring: Marston Moor (Southgate Gallery of Wolverhampton), A Regiment of Royalist Cavalry, and Naseby (Towneley Hall Art Gallery, Burnley), which was exhibited at Royal Academy in 1873. Similarly, the Crusades and the Middle Ages provided material for military pictures, e.g. The Morning of the Battle of Agincourt and Queen Margaret of Anjou taken prisoners after the Battle of Tewkesbury (both Guildhall Art Gallery), Crusaders an the March (water-colour in Victorian and Albert Museum), and The Battle of the Standard, Northallerton (water-colour in Guildhall Art Gallery; another version at Oldham Art Gallery). His canvas Edward 111 at the Siege of Calais was destroyed by enemy bombing when the Guildhall Art Gallery was hit. Reference: DNB; Spielman 1897; Oldcastle 1878

More about Sir John Gilbert

This Week's Half Price Art



The Inniskillings at Waterloo by Jason Askew. (P)
Half Price! - 3000.00
 Sgt. Ian John McKay VC calls for covering fire as he leads forward elements of 4 and 5 platoon of B Company 3 Para, to assault Argentinean positions held by 7th Infantry regiment, Falklands War 11th -12th June 1982.

Battle for Mount Longdon by Mark Churms. (P)
Half Price! - 3800.00
Between 18th and 23rd February, 1991, immediately preceding the ground assault, Iraqi defensive positions were bombarded by British and American artillery.  The Artillery Raids took place just inside the Saudi border all along the front line, from the east coast to west of the Wadi al Batin.  The 1st Armoured Division's contribution to the raids was the largest concentration of British artillery since the Second World War.  Further behind the M109 and M110 guns and the locating batteries were the armoured vehicle-mounted rocket launchers of the Multi-Launch Rocket System (MLRS).  39 Heavy Regiment, the only British regiment equipped with MLRS, fired five 'fireplans', one of them at night.  MLRS can ripple-fire 12 rockets in less than one minute.  The Artillery Raids were a major factor in the success of Operation Desert Sword because they contributed to the deception plan by concealing the main point of effort.  The ammunition itself was terrifyingly destructive.  Furthermore, Iraqi morale, already damaged by the air assaults, was crushed by the artillery bombardment.  At the right of the scene a DROPS vehicle of the Royal Corps of Transport is delivering Rocket Pod Containers, and gunners are preparing to re-arm the MLRS.
The Artillery Raids, 18th / 23rd February 1991 by David Rowlands. (GL)
Half Price! - 300.00
Depicting Bonnie Prince Charlie leaving after his defeat in the Rebellion.

Lochaber No More by J.B. Macdonald.
Half Price! - 45.00

 Taking over command of the British Northern Army in 1777, Lt Gen Burgoyne began a march to Albany to join forces with Lt Gen Sir William Howe.  After taking Fort Ticonderoga on route he learned that Howe was leaving for Pennsylvania.  Becoming desperately short on supplies he decided to press on the Albany regardless but found the road blocked by a Continental army under Maj Gen Horatio Gates.  Burgoyne decided not to engage the enemys position frontally but to turn their left at Freemans Farm.  After a day of fierce fighting the British held the field but at a heavy price in casualties.  On the 7th October the Colonial army, after receiving continual reinforcements attacked Howes position (the battle became known as Bemis Heights) and he was forced to retire to Saratoga.

The 9th Regiment, at the Battle of Freemans Farm, September 19th 1777 by Brian Palmer (P)
Half Price! - 2100.00
DHM927P.  William F Cody (Buffalo Bill) by Brian Palmer.

William F Cody (Buffalo Bill) by Brian Palmer. (P)
Half Price! - 1800.00
VAR461.  Royal Artillery 10in Howitzers by Campion.

Royal Artillery 10in Howitzers by Campion.
Half Price! - 20.00
 Vielsalm, Belgium, 22nd December 1944.  Men of the 508th PIR, along with the rest of the 82nd Airborne Division were rushed to the Ardennes and deployed in an attempt to halt the onslaught of 6th SS Panzer Army, specifically Kampfgruppe Peiper.

Holding the Line by David Pentland. (AP)
Half Price! - 95.00
          Home / View All Products                       View Your Basket