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Royal Ascot Jubilee 2002 by Peter Curling.

Royal Ascot Jubilee 2002 by Peter Curling.

Item Code : GL0022Royal Ascot Jubilee 2002 by Peter Curling. - This Edition
PRINTLimited edition of 950 gouttelette prints. Image size 11.5 inches x 24 inches (30cm x 61cm)none171.00

All prices on our website are displayed in British Pounds Sterling

Artist Details : Peter Curling
Click here for a full list of all artwork by Peter Curling

Peter Curling

Born in Waterford in Ireland in 1955, Peter Curlings family moved to England in 1963, where he received his education. He then travelled to Florence to study drawing with the eminent tutor Signorini Nera Simi and, during his time in Italy, he also met, studied with and was heavily influenced by John Skeaping R.A. Peter Curling has been fascinated by horses since his earliest childhood and he was allowed to visit the local stable, and sketch and paint there whilst he was at school in England. He lived for a time, in Newmarket. riding out with the eminent trainer Michael Stoute. before returning permanently to Ireland in 1975. In Ireland. he devoted equal attention to horses and to art, riding out for Eddie OGrady and eben riding his own horse, Caddy, to victory an Limerick Junction in 1985. He therefore paints in the equestrian world very much front the inside. His eloquent and flowing portrayals of the racing world have a unique clarity and naturalness and since his victory in the 1991 Seagram Grand National Equestrian Artists Competition and his first one man show in Dublin in 1982, his work has been exhibited at a number of prestigious venues all over the world. Peter Curlings limited edition print of Istabraq winning the 1998 Cheltenham Champion Hurdle has already raised 100,000 for The John Durkan Leukaemia Trust Fund. The Fund was established to raise funds for cancer research in honour of John Durkat, who died of leukaemia before he was able to see the horse which he had selected ride to victory in the biggest race in the National Hunt calendar.

More about Peter Curling

This Week's Half Price Art

 1st Battalion in action at Escaut Canal, Belgium, May 1940. The last Highland Regiment to wear a kilt in battle, attacking the Germans at the River Escaut.  From the Diary of Captain R. Leah, 1st Battalion, Queen's Own Cameron Highlanders : Tuesday 21st May : Bn left Ere about 2 a.m. to march back. Fortunately Coy Cmdr. were required for some sort of recce and we went in C.O.s car.  Arrived Taintignies 3 a.m. and self went out again with Wilkie in C.O.s car to look for for C Coy which had gone astray, and to see Q.M. about Bn rations in Wez-Velvain.  Could not find either.  Met the Battalion arriving from Ere when I left the village at 3 a.m.  Got back myself at 4 a.m. found empty house which I entered by window and slept well for 5 hours. Officers mess going in house beside M.T. park, and had good breakfast.  Fairly quiet morning and orders to move this afternoon to Bn assembly position S of Wez-Velvain.  Thence we were directed to Merlin and prepared for counter-attack to drive enemy off Western side of Escaut.

The Charge of the 1st Battalion Queens Own Cameron Highlanders by David Rowlands (AP)
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Military art print of the Franco-Prussian war showing French Infantry defenders at the fortifications of Champigny.
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DHM1330GL.  The Liberation of Basra by the 7th Armoured Brigade, 6th April 2003 by David Rowlands.
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 Sturmgeschutz IIIF of Stug Battalion Grossdeutschland, and supporting infantry from GD Regiment 1 battle against Soviet forces defending the strategically important city of Voronezh on the Don. Combined arms operations such as this proved the value of the assault gun, which took a terrible toll on enemy armour and men alike.

Assault on Voronezh, Russia, 2nd - 7th July 1942 by David Pentland. (F)
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  Objective Steel, 26th February 1991.  Just before the start of the ground offensive, the artist was invited by 3rd Battalion The Royal Regiment of Fusiliers to join them in the desert, and jumped at the opportunity.  After various adventures with other units in trying to reach their location in the flat, featureless terrain, I was attached to the crew of a Warrior Armoured Fighting Vehicle of C Company, Callsign Zero Charlie, commanded by Captain Bob Keating.  The Battlegroup made a wide sweep around the enemy and attacked them unexpectedly from the west.  The area codenamed Objective STEEL consisted of dugouts, trenches and artillery pieces.  In this painting, soldiers are dismounting from Warriors with fixed bayonets to capture Iraqi artillery, which was uselessly pointing to the South.  The green pennant flying from an antenna denotes C Company.  The black desert rat painted on the rear stowage bin was the badge of 4th Armoured Brigade.  The battlegroup halted around the final Iraqi gun positions on STEEL at 1445 hours, and about 800 prisoners in all were taken.  I was able to take some photographs of the enemy's 155 mm guns here.  The ground was littered with MLRS bomblets.  At 1502 hours, nine British soldiers were killed and 12 seriously injured as a result of a tragic mistake by US Air Force pilots, who engaged and destroyed two of the Warriors of C Company.  David Rowlands was asked to depict these two vehicles, call signs Two Two and Two Three, in this painting.

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Apsaroke Crow by Alan Herriot.
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 Sturmgeschutz IIIg and Paratroops of the 4th Fallschirmjager Division, driving to the front line, pass one of the two giant 28cm K5 (Eisenbaum) railway guns responsible for the shelling the Allied beacheads at Anzio and Nettuno.

Anzio Annie, Italy, 29th January 1944 by David Pentland. (GS)
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