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Northern Dancer by Susan Crawford.


Northern Dancer by Susan Crawford.

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Item Code : LIM0529Northern Dancer by Susan Crawford. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTLimited edition of 500 prints.

Image size 14 inches x 20 inches (36cm x 51cm)Artist : Susan CrawfordSOLD
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Artist Details : Susan Crawford
Click here for a full list of all artwork by Susan Crawford


Susan Crawford

Susan Crawford is one of Britains finest contemporary equestrian artists. Born in the Scottish district of East Lothian in 1941, she grew up on the family farm on which her parents trained racehorses. She learned to ride in her infancy and soon began to express her passion for horses on canvas. Apart from her two year training at the Florentine drawing school of Signorini Nera Suni, Susan Crawlord is entirely self-taught. She has exhibited at a number of distinguished galleries throughout the world, including The National Portrait Gallery, The Royal Academy of Arts. The Tryon Gallery, London, and The National Gallery of Pahang Pinang, Malaysia. Amongst her many fine works, Susan Crawford has painted twenty-one Epsom Derby winners and great steeple-chasers including Red Rum, Arkle and Desert Orchid. However, despite her high profile as an equestrian artist, she is also well-established as a painter of portraits. Sue has painted five members of the British Royal family, including HM Queen Elizabeth The Queen Mother, HM The Queen and HRH The Prince of Wales, as well as HH The Sultan of Brunei and HM The Sultan of Oman.

More about Susan Crawford

This Week's Half Price Art

 Sutherland Highlander Officers, are shown in camp, reading letters from home, during the Crimean war.

Letters from Home by Robert Gibb. (Y)
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 Sgt Ewart is shown taking the French standard from the 45th French Infantry Regiment. Ewart cut down two French soldiers and the standard Bearer to keep hold of the Eagle and standard, he was ordered to take it to the rear. By being ordered to the rear, this probably saved his life and also the standard for the regiment, as the rest of the regiment continued charging forward to French artillery positions, much further than they should have gone, now with very tired horses and unable to rally, the Scots Greys were attacked by Farines Brigade of Cavalry (6th and 9th Cuirassiers.) and later by the 4th Lancers, very few managed to return to the British Lines.

Capture of the French Eagle by Sgt Ewart by Sulliven. (Y)
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 Syrian commandos and Republican Guard T72M tanks in the Bekkaa valley during the Israeli Peace for Galilee operation. It should be noted that although belonging to an elite unit, these tanks usually appeared minus a number of standard items, including side skirts, snorkel and even headlights, giving them a generally dilapidated appearance. They also employed the old Duska 12.7mm HMG rather than the new NSVT UTES anti-aircraft machine gun system.

40 Kilometres to Damascus by David Pentland. (Y)
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 After suppressing the initial German defences, the Sherman Crab flail tank of Lance Sgt Johnson, 3 Troop C Squadron the 22nd Dragoons, 79th Armoured Division, clears a path through a minefield to allow tanks of 27th Armoured Brigade, and men of 3rd Infantry Division to breakout from the beaches. Fire support from surviving Sherman DD (amphibious) tanks of 13th /18th Hussars (QMO), proved invaluable in the initial push towards Caen.

D-Day, Sword Beach, Normandy 1944 by David Pentland. (Y)
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 Two days into Operation Desert Storm (G+2), and the allied VII Corps had wheeled through southern Iraq towards the Kuwait border. In the centre of the advance were the men and tanks of the US 3rd Armored Division and 2nd Cavalry Regiment supported by the 1st Infantry Division. The greatest glory though, went to the 2nd Cavalry Regiment, who after an initial encounter with 10 Iraqi T72 tanks all of which were destroyed near longitudinal line 60 (Easting 60), moved on until the bulk of the battle occurred at 73 Easting. Despite having to fight in almost zero visibility due to dust storms and nightfall, the regiments M2A2, M3A2 Bradleys, and M1A1 Abrams decimated the opposing elements of the Iraqi crack Tawakalna Republican Guard Division and 12th Armoured Division. Their success was followed up by the 1st Infantry Division who carried on the attack to take Objective Norfolk the following morning, and by the 3rd Armored Division to the north who engaged and destroyed other brigades of the Tawakalna and 12 Armoured Divisions.

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This is my personal interpretation of the events immediately following the Battle of Culloden. There is no intention to depict either the shores of LochNam-Uarnh, the Highlands, glens or castles with geographic accuracy. Instead I have tried to portray the scenes following the first 3 days of the battle, the escape of Bonnie Prince Charlie, the destruction and brutality wreaked upon the Highlands and the real sufferers, women and the innocent. 1 . The battlefield scene represents the time from plundering and butchering the wounded to when the ordinary people were allowed on to collect their dead. In the main central figure I have tried to impart a feeling of stoic dignity in the face of an uncertain future 2. The top section represents the form of Prince Charles. Despite the flames and carnage of Culloden, he is firmly supported in the hand of his Jacobite faithful to his safe exile aboard a French warship. Being mindfull that Clan tartans were not in common usage as uniforms of war at the time, only one tartan has been represented as such, that of the Royal Stewart, and that only to signify Charles claim to the thrones of England and Scotland. With his leaving, the sett fades as does he and his ambition. The burning, smouldering tartans signify the proscription of tartans, kilts, plaids etc by Westminster to discourage further rebellion. 3. With the Clans and their regiments broken, neither the natural barrier of the Highlands nor the great chiefs castles would prevent the poison of Culloden seeping into every glen or the fury of Cumberlands dragoons plundering at will. This is represented in the lower section. Armed with sword, manacles and the noose, these, Cumberlands most pitiless embarked on an orgy of murder, rape and pillage. The abyss of prison or exile awaited those suspected of Jacobite sympathies, the gallows for more serious resistance. Battles are fought and won, or lost, as all battles are, but Cullodens aftermath changed Scottish Highland society forever, ushering in a long period of suffering. This painting is my humble attempt to interpret that tragic period.

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 French dragoons attack a Spanish farmhouse where they believe Spanish guerillas are hiding.

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An Incident During the Peninsula War by Robert Hillingford.
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