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The Race That Never Was by Susan Crawford.


The Race That Never Was by Susan Crawford.

Susan Crawfords latest limited edition depicts the famous race that never was between two of the greatest flat horses of our time. In August 2000, Sheikh Mohammed, the owner of Dubai Millennium, challenged Michael Tabor, the owner of Montjeu. to an old-fashioned head-to-head match over ten furlongs between the two superstar colts, with a purse of $6 million to the winner. However, just twenty-four hours later, Dubai Millennium broke his right hind leg in training at Newmarket and effectively ended his career. The eagerly anticipated match had to be abandoned. Owned and bred by Sheikh Mohammeds Godolphin Racing, Dubai Millennium won nine out of ten career starts, including triumphant victories in the Prince of Waless Stakes at Ascot in June 2000 and the $6 million Dubai World Cup in March 2000, failing to win only the Epsom Derby. Montjeu, bred by Sir James Goldsmith and trained by John Hanmond, has already been victrious in a number of big races, including the Prix de lArc de Triomphe at Longchamps in October 1999 and the King,George VI & Queen Elizabeth Diamond Stakes at Ascot in July 2000. In her depiction of the Race That Never Was. Susan Crawford has painted Dubai Millennium, ridden by Frankie Dettori, and Montjeu, ridden by Mick Kinane, neck and neck a furlong from home. Who won? We will never know.
Item Code : LIM0497The Race That Never Was by Susan Crawford. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 495 prints.

Image size 12 inches x 18 inches (31cm x 46cm)Artist : Susan Crawford£94.00

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Artist Details : Susan Crawford
Click here for a full list of all artwork by Susan Crawford


Susan Crawford

Susan Crawford is one of Britains finest contemporary equestrian artists. Born in the Scottish district of East Lothian in 1941, she grew up on the family farm on which her parents trained racehorses. She learned to ride in her infancy and soon began to express her passion for horses on canvas. Apart from her two year training at the Florentine drawing school of Signorini Nera Suni, Susan Crawlord is entirely self-taught. She has exhibited at a number of distinguished galleries throughout the world, including The National Portrait Gallery, The Royal Academy of Arts. The Tryon Gallery, London, and The National Gallery of Pahang Pinang, Malaysia. Amongst her many fine works, Susan Crawford has painted twenty-one Epsom Derby winners and great steeple-chasers including Red Rum, Arkle and Desert Orchid. However, despite her high profile as an equestrian artist, she is also well-established as a painter of portraits. Sue has painted five members of the British Royal family, including HM Queen Elizabeth The Queen Mother, HM The Queen and HRH The Prince of Wales, as well as HH The Sultan of Brunei and HM The Sultan of Oman.

More about Susan Crawford

This Week's Half Price Art

 M3 Lee tanks and troops from General Slims 14th Army clear Japanese resistance form the village of Ywathitgyi in their drive to Mandalay.

Road to Mandalay, Burma, February 1945 by David Pentland. (Y)
Half Price! - £50.00
 This, my personal interpretation of the viking period attempts to highlight aspects of their rich and diverse culture. A superstitious and pagan society, their influence was felt far beyond their native Scandinavia. 1 . The upper background deals with their pagan worship and tales from their mythology. This is represented by Odin & Thor, their principal Gods along with the saga of Sigurd the Dragonslayer. 2. The dominant figure at the centre is Aegir, God of the Sea whose goodwill was all important to the seafaring Viking. The scene now comes into the real world of their ships and seamanship, expertise for which they had no peer. 3. The extension of their seafaring was to raid, trade and pillage foreign shores, resulting in colonisation and settlement, with scant respect for Christianity or the Church. They ventured still further, exploring the unknown world, this is suggested in the two lower corners. 4. In England, the only King to successfully rise up against these Norsemen was Alfred the Great, a Saxon, represented in the lower centre drawing his sword from a swamp. This symbolises the raising of his army from the marshes of Wessex. Their legacy remains with us today, in language and art.

The Vikings by Brian Wood. (Y)
Half Price! - £360.00
In August 1808 the 2nd battalion of the 95th Rifles were part of the expedition commanded by Sir Arthur Wellesley to Portugal and covered the landings at Mondego Bay.  On 15th August during a skirmish at Obidos, they had the distinction of firing the first shots of the Peninsular War against the French.  The Rifles were trained to think quickly and by themselves in dangerous situations, they were also taught to work and fight together in pairs while firing harassing and well aimed shots at the enemy.  The Baker rifle which the 95th used was an accurate weapon for its day, with reported kills being taken up to 270 metres away.  During the Peninsular War, Rifleman Thomas Plunkett of the 1st Battalion, 95th Rifles, shot the French General Auguste-Marie-Francois Colbert at a range that may have been even greater.  Rifleman Thomas Plunkett then shot a second French officer who rode to the general's aid.

Tribute to the 95th Rifles by Chris Collingwood. (P)
Half Price! - £7500.00
 Confederate skirmishers of the 19th Virginia Volunteers take over behind a farmhouse during the early stages of the war 1861.

Grey Cover for Grey Rifles by Chris Collingwood. (Y)
Half Price! - £50.00

DHM938P.  Apsaroke Crow by Alan Herriot.

Apsaroke Crow by Alan Herriot  (P)
Half Price! - £1100.00
First China War.

The Madras Foot Artillery at the Assault on Chin-Kiang-Foo, 21st July 1842 by David Rowlands. (B)
Half Price! - £20.00
DHM642. The Battle of Wagram 6th July 1809 by Emil Adam.
The Battle of Wagram 6th July 1809 by Emil Adam
Half Price! - £30.00
DHM594P.  17th Light Dragoons, 1780 by Jim Lancia.
17th Light Dragoons, 1780 by Jim Lancia. (P)
Half Price! - £1000.00
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