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Sandown Park by Paul Hart.


Sandown Park by Paul Hart.

Item Code : B0452Sandown Park by Paul Hart. - This Edition
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PRINTSigned open edition print includes a course layout and an historical resume. Paper size 26.5 inches x 20 inches (67cm x 51cm)Artist : Paul HartHalf
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FREE PRINT : The Finish by Mark Churms.

This complimentary art print worth £40
(Size : 11 inches x 8 inches (28cm x 20cm))
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.

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Extra Details : Sandown Park by Paul Hart.
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 Icy rain adds its misery to the bitter conflict on Drumossie Moor. In the shadow of the Black Isle, two English ships on the waters of the Moray Firth, await the outcome of the decisive battle. Pounded by Cumberlands gunners and raked by steady musketry, the Princes brave men can make no headway. Although the Irish and French regulars refuse to give ground, the Jacobite lines gradually disintegrate. Tired, cold and hungry men flea past Culloden House for the relative safety of Inverness. On the Scottish right the Argyll Militia, supported by Hawleys Dragoons, tear down the walls of the Culwiniac and Culchunaig enclosures in an outflanking attack. Avochies men offer some resistance but Major Gillies McBean stands alone on the breach. He cuts down more than a dozen Argylls, including Lord Robert Kerr, who lies mortally wounded, but his foes are too many. The hero eventually falls to a vicious cut to the forehead, his thigh bone is also broken. Despite the cries of a mounted officer to save that brave man, the major is ruthlessly bayonetted, his back against the wall. The victory is complete and nothing more can be done. In the distance, the Young Pretender is forced to abandon the field and Scotlands hope of claiming the British Throne.

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18 June 1815: At Waterloo the 33rd took up a position with Major-General Sir Colin Halkett's 5th Brigade in the right centre of the British line. During the day they withstood the French artillery bombardment, but as that fire slackened, the order +Prepare to receive cavalry+ was heard as wave after wave of French cuirassiers, dragoons and lancers advanced towards them up the slope. The redcoats formed squares; the front rank knelt, the butt end of their muskets resting on the ground, their bayonets fixed. The second rank crouched, while the third and fourth ranks stood ready to fire. When the densely packed horsemen were within thirty yards, they opened fire and their musket balls crashed into Ney's cavalry. Riders and their mounts tumbled into heaps just beyond bayonet-reach of the kneeling front ranks. French horsemen who rode around the squares of British infantry suffered a similar fate on each side.  The 33rd fought off four successive cavalry charges, each one resulting in heaps of dead and dying men and horses littered in front of the squares. In the intervals between these attacks, the French artillery took its toll on the British infantry. Within the squares it was impossible for a man to move a yard without stepping on a wounded comrade, or upon the bodies of the dead. The Duke of Wellington rode up to Halkett, who said, +My Lord, we are dreadfully cut up; can you not relieve us for a little while?+  +Impossible!+  +Very well my Lord, we'll stand until the last man falls.+  By 6 pm the French cavalry had been destroyed as a fighting force. The 33rd and the 2nd Battalion 69th, united to form a single battalion due to their losses, then had to face the final attack by the infantry of Napoleon's Imperial Guard.  The painting shows the 33rd in square, with the burning farm of La Haye Sainte beyond. Inside the single square formed with the remnants of the 2/69th, the Colours of both regiments can be seen. (The King's Colour of the 2/69th had been captured by the enemy at Quatre Bras two days earlier).

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