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Charge of the 9th Lancers by Richard Caton Woodville,

Charge of the 9th Lancers by Richard Caton Woodville,

Depicts the charge of a squadron of the 9th Lancers against the Prussian Dragoons of the Guard at Moncel on the 7th September 1914. This was Cavalry action in the First World War when cavalry charged with both sides at full gallop. The 9th Lancers casualties were 3 killed and 7 wounded compared to heavy losses suffered by the Prussian Dragoons.
Item Code : DHM0061Charge of the 9th Lancers by Richard Caton Woodville, - This Edition
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FREE PRINT : 9th Lancers by Richard Simkin.

This complimentary art print worth £14
(Size : 8 inches x 12 inches (20cm x 31cm),)
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.

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Buy With :
Retreat From Mons by Lady Elizabeth Butler.
for £78 -
Save £72

Buy With :
The First of the European War by Richard Caton Woodville.
for £65 -
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Richard Caton Woodville World War One Print Pack.

Pack price : £120 - Save £95

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3 other prints in this pack :

Pack price : £120 - Save £95

Titles in this pack :
Capture of a German Battery by Richard Caton Woodville.  (View This Item)
The First of the European War by Richard Caton Woodville.  (View This Item)
Charge of the 9th Lancers by Richard Caton Woodville  (View This Item)
Cranston Fine Arts Military Art Catalogue (Volume 3)  (View This Item)

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Other editions of this item : Charge of the 9th Lancers by Richard Caton Woodville DHM0061
PRINTOpen Edition prints Image size 21 inches x 14 inches (53cm x 36cm)none£30 Off!
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**Open edition prints. (One print reduced to clear)

Image size 30 inches x 19 inches (76cm x 48cm)noneSOLD
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Artist Details : Richard Caton Woodville
Click here for a full list of all artwork by Richard Caton Woodville

Richard Caton Woodville

WOODVILLE, Richard Caton Born London 1856; died there 1927. Woodville was the most prolific battle artist of the nineteenth and early twentieth century in Britain, producing countless oil paintings and drawings, many for the Illustrated London News. As was the case with several history painters of the Victorian period, he studied at Dusseldorf sometime with Wilhelm Camphausen, the great German military painter, and later in Paris. He experienced was first-hand in Albania and Montenegro towards the end of the Russo-Turkish War in 1877, and later in Egypt during the war of 1882. During the latter conflict, he made numerous sketches and obtained photographs of the trenches at Tel-e-Kebir for his friend, the French military artist, Alphonse de Neuville (q.v.) who had been commissioned to paint a scene of the battle. The fruits of both their labours were shown at the Fine Art Society in 1883, Woodville, exhibiting The Moonlight Charge at Kassassin. In 1884, Woodville exhibited by Royal Command, another picture relating to the Egyptian War. The Guards at Tel-e-Kebir (Royal Collection). His first Royal Academy picture exhibited in 1879, was entitled Before Leuthen, Dec. 3rd, 1757. Thereafter, he was a frequent exhibitor at Burlington House, showing no less than 21 battle pictures, many dealing with contemporary events such as the Second Afghan War, Candahar (Private collection) and Maiwand; saving the Guns (Walker Art Gallery, Liverpool), the Zulu War - Prince Louis Napoleon in Zululand, and the Boer War - Lindley; Whitsunday 1900 (Oxfordshire Light Infantry Association), and Dawn of Majuba (Canadian Military Institute). He painted many historical recreations both in oil and water-colour including a series on famous British battles for the Illustrated London News. He depicted The Charge of the Light Brigade (Royal Collection, Madrid) and The Charge of the 21st Lancers at Omdurman (Walker Art Gallery, Liverpool), Blenheim, Badajos and several Waterloo pictures. During the Great War, he turned his talents to depicting the current events, three of which were exhibited at the Royal Academy. The 2nd Batt. Manchester Regiment taking six guns at dawn near St. Quentin (The Rings Regiment), Entry of the 5th Lancers into Mons (16th/5th Royal Lancers), and Halloween, 1914: Stand of the London Scottish on Messines Ridge (London Scottish Museum Trust) exhibited in the year of his death. During his life, he was the most popular artist of the genre and he was the subject of several articles in magazines and journals. He himself wrote some memoirs in 1914 entitled Random Recollections. He was deeply interested in the army and joined the Royal Berkshire Yeomanry Cavalry in 1879, staying with them until 1914 when he joined the National Reserve as a Captain.

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