Customer Helpline
(UK) : 01436 820269

Shipping Rates
Valuation of Your Collection

You currently have no items in your basket

Choose a FREE print if you spend over 220!
See Choice of Free Prints

Last Christmas Post Dates (more)
UK : 22 Dec, US/CAN/EUR : 19 Dec

Join us on Facebook!


Buy with confidence and security!
Publishing historical art since 1985

Follow us on Twitter!

 
Featured Artists
Military and aviation arist David Pentland.  His entire range of German armour and other military forces are available at great discounted prices direct from The Military Art Company Ivan Berryman is recognised as one of the leading aviation and naval artists, his entire range of prints published by Cranston Fine Arts are available direct from us, including many original aviation paintings.
David Pentland
Ivan Berryman


One of the greatest aviation artists of all time, Robert Taylor, his entire back catalogue aviaton art prints are available direct from military art.com Nicolas Trudgian. His last remaining aviation art prints from his back catalogue published by Military Gallery and bought over in 2007 by Cranston Fine Arts are available only direct from our websites. See Nicolas Trudgian's full range here.
Robert Taylor
Nicolas Trudgian

 
Product Search        

Les Adieux de Fontainebleau by Horace Vernet (Y)


Les Adieux de Fontainebleau by Horace Vernet (Y)

Napoleon is shown taking leave of the Imperial Guard outside the Palace of Fontainbleau. With a dramatic final gesture, I cannot embrace you all but I shall embrace your General, and after General Petit, he kissed the eagle of the 1st Grenadiers whose bearer, Lieut Fortin covers his face. The officers at the right are representative of the Allied armies and are considerably less affected by the scene than the Frenchman.
Item Code : DHM0129YLes Adieux de Fontainebleau by Horace Vernet (Y) - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
EX-DISPLAY
PRINT
**Open edition print. (2 copies reduced to clear)

Ex-display print with some border damage, light handling dents and some light dust mark on image - not very noticeable once framed.
Image size 25 inches x 15 inches (64cm x 38cm)none40 Off!Now : 30.00

Quantity:
All prices on our website are displayed in British Pounds Sterling



Other editions of this item : Les Adieux de Fontainebleau by Horace Vernet.DHM0129
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTLimited edition of 1000 prints. Image size 30 inches x 21 inches (76cm x 53cm)none35 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!
Supplied with one or more free art prints!
Now : 50.00VIEW EDITION...
PRINTOpen edition print. Image size 25 inches x 15 inches (64cm x 38cm)noneHalf Price!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : 30.00VIEW EDITION...
PRINTOpen edition print. Image size 12 inches x 9 inches (31cm x 23cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!14.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm)none100 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : 490.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cmnone100 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : 300.00VIEW EDITION...
General descriptions of types of editions :



Artist Details : Horace Vernet
Click here for a full list of all artwork by Horace Vernet

Horace Vernet

Emile Jean Horace Vernet The artist was born in Paris, in the galleries of the Louvre on 30th June, 1789 where his parents were lodging during the occupation of the palace in the revolution. He attained early distinction and quickly developed a disdain for the classical school of David. He set about therefore to develop his own style and his taste led him to military subjects. Taking nature as his guide, Vernet depicted the French soldier as he really was rather than in an idealised fashion. His pictures Dog of the Regiment, Trumpeter's Horse and Death of Poniatowski along with similar compositions gave him universal popularity. In 1819 he began to paint large battle scenes but though he worked on an immense scale and with the utmost speed, his figures and groupings were thoroughly artistic. In the past, artists had represented episodes in warfare but Vernet brought whole battlefields before his audience as in his famous Battle of Italy and Capture of Rome. Several of his well-known paintings represented battles of the French Revolution such as Valmy and Jemapes. One of his most famous pictures painted in 1826 entitled the Battle of the Bridge of Arcole showed the young Napoleon seizing a tattered flag and leading his men across the bridge on 17th November, 1796. He represented many of the victories of Napoleon including scenes of the emperor at the Battle of Jena, Friedland, and Wagram. During the Crimean War, he accompanied the French army and produced several important paintings including the Battle of the Alma exhibited in 1856. His Algerian battle pieces such as the Occupation by the French Army of the Pass of Mouzia, and the Capture of Smalah were well received as he had drawn the soldiers and the events from nature. Once when asked by Louis Napoleon to alter a picture of a military review leaving out a certain general who was obnoxious to the French emperor, Vernet refused to do it stating I am a painter of history, sire and I will not violate the truth. Vernet died in Paris on 17th January, 1863.

More about Horace Vernet

This Week's Half Price Art

DHM230.  The Dispatch by H Bellange.
The Dispatch by H Bellange.
Half Price! - 30.00
DHM1393P. Sun in Splendour by Chris Collingwood. Soldiers of the Yorkist cause c.1461.  Crossbowman, Man at arms and knight with the standard of the Sun in Splendour.

Sun in Splendour by Chris Collingwood. (P)
Half Price! - 7000.00
DHM1079GL.  The 1st Battalion Duke of Wellingtons Regiment at the Battle of Sittang Bridge, Burma, February 1942 by David Rowlands.

The 1st Battalion Duke of Wellingtons Regiment at the Battle of Sittang Bridge, Burma, February 1942 by David Rowlands (GL)
Half Price! - 280.00
 To commemorate the first use of Factor VIIa by British Forces.
Dawn Casevac, 16 Close Support Medical Regiment - Iraq 2003 by Ivan Berryman. (GL)
Half Price! - 300.00

The 11th (North Devon) Regiment at the Battle of Salamanca, 22nd July 1812.

The Bloody Eleventh by David Rowlands (GL)
Half Price! - 300.00
 The Battle of Ulundi took place at the Zulu capital of Ulundi on 4th July 1879. Ulundi became the last battle to be fought during the Zulu war and the British victory finally broke the military power of the Zulu Nation. The battle began at 6 a.m. when Buller led out an advance guard of mounted troops and South African irregulars. The British force comprised of five companies of the 80th regiment in square in four ranks, with two Gatling Guns in the centres, two 9-pounders on the left flank and two 7-pounders on the right. The 90th Light Infantry with four companies of the 94th regiment made up the left face with two more 7-pounders. On the right face were the 1st Battalion of the 13th Light Infantry, four companies of the 58th Regiment, two 7-pounders and two 9-pounders. The rear face was composed of two companies of the 94th Regiment and two companies of the 2nd Battalion of the 21st Regiment. In the middle of the square were headquarters staff, No. 5 company of the Royal Engineers whhich was led by Lt John Chard who had commanded the troops at Rorkes Drift, the 2nd Native Natal Contingent, fifty wagons and carts with reserve ammunition and hospital wagons. Bullers horsemen protected the front and both flanks of the square. A rearguard of two squadrons of the 17th Lancers and a troop of Natal Native Horse followed. In total the British force stood at just over 5300 against the Zulu warrior regiments in total over 15000. The Zulu warriors charged again and again at the square but with the strong British firepower of tifle and gatling gun, they could not get close. As the Zulu warriors strength weakened, Lord Chelmsford ordered the cavalry to mount, and the 17th Lancers and the 1st Kings Dragoon Guards along with colonial cavalry were ordered to charge the now fleeing Zulus. The Zulus fled towards the high ground with the cavalry in pursuit. The Lancers were checked at the Mbilane stream by the fire of a concealed party of Zulus, causing a number casualties before the 17th Lancers overcame the Zulu resistance. The pursuit continued until not one living Zulu remained on the Mahlabatini plain, with members of the Natal Native Horse, Natal Native Contingent and Woods Irregulars slaughtering the Zulu wounded, done in revenge for the massacre at Isandlwana.

The Death or Glory Boys by Bud Bradshaw. (Y)
Half Price! - 100.00
 OT34 Flamethrower tank and men of Col. Krickmans 6th Guards Tank Brigade take part in the Soviet counter attacks of 13th-27th September in defence of the southern factory district of Stalingrad before the final offensive in October.

Motherland, The Battle of Stalingrad, September 1942 by David Pentland.
Half Price! - 95.00
 A lone Jacobite piper plays a last farewell to fallen comrades.

The Lone Piper by David Rowlands. (Y)
Half Price! - 50.00
          Home / View All Products                       View Your Basket