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|Artist Details : Lady Elizabeth Butler|
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Lady Elizabeth Butler
Elizabeth Thompson, later Lady Butler, was perhaps the leading painter of this genre of the late nineteenth century. Her famous quartet of paintings exhibited between 1874 and 1877 (Calling the Roll after and Engagement in the Crimea - Her Majesty the Queen; Quatre Bras - National Gallery of Victoria, Melbourne; Balaclava - City of Manchester Art Gallery; and The Return from Inkerman - Ferens Art Gallery, Kingston upon Hull) established her reputation but her subsequent works never quite achieved the fame of these earlier pictures, in spite of such dramatic scenes as Scotland for Ever! (Leeds City Art Gallery) and The Defence of Rorkes Drift (Her Majesty the Queen) She continued to exhibit at the Royal Academy until 1920 but with few exceptions, all her pictures had military themes particularly soldiers in battle. While she never witnessed actual warfare, although she was in Egypt for some years in the 1880s with her husband, Lieut. Gen. Sir William Butler, many of her pictures were drawn accurately using models in some cases, or observing soldiers on maneuvers or practicing charges at Aldershot. For instance, when Queen Victoria commissioned the artist to depict the defense of Rorkes Drift, Elizabeth Butler went down to Gosport where the 24th Regiment was billeted upon its return from Natal, and made sketches from life. The soldiers even re-enacted the battle in their original uniforms worn throughout the campaign.
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This Week's Half Price Art
Tireur D Elite by Mark Churms. (P)
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The 9th Regiment, at the Battle of Freemans Farm, September 19th 1777 by Brian Palmer (P)
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The Charge of the 1st Battalion Queens Own Cameron Highlanders by David Rowlands (AP)
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William F Cody (Buffalo Bill) by Brian Palmer.
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The Ludendorff Offensive, Spring 1918 by Jason Askew. (P)
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The Tragedy of Ulster 1976 by Terence Cuneo. (B)
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Vercingetorix Surrendering to Caesar by Henri-Paul Motte. (Y)
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