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DHM664.  Rebel Advance by Chris Collingwood. <p> Depicting the 5th Virginia Infantrymen advancing across open ground. <b><p> Signed limited edition of 1150 prints. <p> Image size 24 inches x 16 inches (64cm x 41cm)
DHM679.  Grey Cover for Grey Rifles by Chris Collingwood. <p> Confederate skirmishers of the 19th Virginia Volunteers take over behind a farmhouse during the early stages of the war 1861. <b><p> Signed limited edition of 1150 prints.  <p>Image size 25 inches x 16 inches (64cm x 41cm)

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  Website Price: 135.00  

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Pack 652. Pack of two Civil War art prints by Chris Collingwood.

PCK0652. Pack of two American Civil War prints by Chris Collingwood.

Items in this pack :

Item #1 - Click to view individual item

DHM664. Rebel Advance by Chris Collingwood.

Depicting the 5th Virginia Infantrymen advancing across open ground.

Signed limited edition of 1150 prints.

Image size 24 inches x 16 inches (64cm x 41cm)


Item #2 - Click to view individual item

DHM679. Grey Cover for Grey Rifles by Chris Collingwood.

Confederate skirmishers of the 19th Virginia Volunteers take over behind a farmhouse during the early stages of the war 1861.

Signed limited edition of 1150 prints.

Image size 25 inches x 16 inches (64cm x 41cm)


Website Price: 135.00  

To purchase these prints individually at their normal retail price would cost 240.00 . By buying them together in this special pack, you save 105




All prices are displayed in British Pounds Sterling

 

Artist Details : Chris Collingwood
Click here for a full list of all artwork by Chris Collingwood


Chris Collingwood

Latest info : Chris has been busy with a number of private commissions but has completed the first in a second series of paintings of the Battle of Waterloo. This first painting depicts the charge of the Red Lancers on Mercers Troop of Royal Horse Artillery. This continues on from the series of Waterloo paintings which have been in print for the past few years and will be available as a signed limtied edition in approximately March 2010. The second painting showing the attack on British squares is expected in the summer.

Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.

More about Chris Collingwood

This Week's Half Price Art

 Hannibal had invaded Italy by taking his army including war elephants across the mountains and into northern Italy. He defeated the Romans in three major battles including Cannae, but he did not take Rome when he had the chance.  Once Rome had strengthened its forces, the Romans invaded Carthage. The second Punic War between Rome and Carthage was brought to a conclusion on the plains of Zama (modern Tunisia) with the Romans inflicting a crushing defeat on the army of Hannibal.

Battle of Zama by Brian Palmer. (Y)
Half Price! - 50.00


The Iron Brigade, 2nd Wisconsin Volunteer Infantry Regiment, Brawners Farm August 1862 by Chris Collingwood (Y)
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 The Battle of Ulundi took place at the Zulu capital of Ulundi on 4th July 1879. Ulundi became the last battle to be fought during the Zulu war and the British victory finally broke the military power of the Zulu Nation. The battle began at 6 a.m. when Buller led out an advance guard of mounted troops and South African irregulars. The British force comprised of five companies of the 80th regiment in square in four ranks, with two Gatling Guns in the centres, two 9-pounders on the left flank and two 7-pounders on the right. The 90th Light Infantry with four companies of the 94th regiment made up the left face with two more 7-pounders. On the right face were the 1st Battalion of the 13th Light Infantry, four companies of the 58th Regiment, two 7-pounders and two 9-pounders. The rear face was composed of two companies of the 94th Regiment and two companies of the 2nd Battalion of the 21st Regiment. In the middle of the square were headquarters staff, No. 5 company of the Royal Engineers whhich was led by Lt John Chard who had commanded the troops at Rorkes Drift, the 2nd Native Natal Contingent, fifty wagons and carts with reserve ammunition and hospital wagons. Bullers horsemen protected the front and both flanks of the square. A rearguard of two squadrons of the 17th Lancers and a troop of Natal Native Horse followed. In total the British force stood at just over 5300 against the Zulu warrior regiments in total over 15000. The Zulu warriors charged again and again at the square but with the strong British firepower of tifle and gatling gun, they could not get close. As the Zulu warriors strength weakened, Lord Chelmsford ordered the cavalry to mount, and the 17th Lancers and the 1st Kings Dragoon Guards along with colonial cavalry were ordered to charge the now fleeing Zulus. The Zulus fled towards the high ground with the cavalry in pursuit. The Lancers were checked at the Mbilane stream by the fire of a concealed party of Zulus, causing a number casualties before the 17th Lancers overcame the Zulu resistance. The pursuit continued until not one living Zulu remained on the Mahlabatini plain, with members of the Natal Native Horse, Natal Native Contingent and Woods Irregulars slaughtering the Zulu wounded, done in revenge for the massacre at Isandlwana.

The Death or Glory Boys by Bud Bradshaw. (Y)
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 The men of the US 501st Parachute Infantry Regiment ambushed the German 1st Battalion, 6th Fallschrimjager Regiment making their way to Carentan, the Battle of Hells Corner ensued.

Hells Corner, 7th June 1944 by David Pentland. (GL)
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The American Civil War saw not only the split between north and south but also even between family members.
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 The Grand army crossing the Danube on its advance to the battle of Wagram.
Napoleon before the Battle of Wagram by Swebach (B)
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 After suppressing the initial German defences, the Sherman Crab flail tank of Lance Sgt Johnson, 3 Troop C Squadron the 22nd Dragoons, 79th Armoured Division,  clears a path through a minefield to allow tanks of 27th Armoured Brigade, and men of 3rd Infantry Division to breakout  from the beaches. Fire support from surviving Sherman DD (amphibious) tanks of 13th /18th Hussars (QMO), proved invaluable in the initial push towards Caen

D-Day, Sword Beach, Normandy 1944 by David Pentland. (GS)
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DHM327.  Portrait of Napoleon by J David.

Portrait of Napoleon by Jacques Louis David.
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