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Victory at Beda Fomm by David Pentland. (P)


Victory at Beda Fomm by David Pentland. (P)

British Vickers MKV1B Light tanks of the 3rd Hussars, 7th Armoured Division celebrate their part in the momentous victory over Italian forces in North Africa, February 1941.
AMAZING VALUE! - The value of the signatures on this item is in excess of the price of the print itself!
Item Code : DHM0783PVictory at Beda Fomm by David Pentland. (P) - This Edition
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ORIGINAL
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Original painting by David Pentland.

SOLD.
Image size 30 inches x 20 inches (76cm x 51cm)Artist : David PentlandSOLD
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Other editions of this item : Victory at Beda Fomm by David Pentland.DHM0783
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 1150 prints. Image size 17 inches x 12 inches (43cm x 30cm)Artist : David PentlandHalf Price!Now : £40.00VIEW EDITION...
ARTIST
PROOF
Limited edition of 50 artist proofs. Image size 17 inches x 12 inches (43cm x 30cm)Artist : David Pentland£10 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £90.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 50 giclee canvas prints. Image size 30 inches x 24 inches (76cm x 61cm)Artist : David Pentland
on separate certificate
Half Price!Now : £300.00VIEW EDITION...
POSTCARDPostcard Postcard size 6 inches x 4 inches (15cm x 10cm)noneAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£2.00VIEW EDITION...
EX-DISPLAY
PRINT
** (Ex Display) Signed limited edition of 1150 prints. (Two copies reduced to clear)

Ex display prints in near perfect condition.
Image size 17 inches x 12 inches (43cm x 30cm)Artist : David Pentland£50 Off!Now : £30.00VIEW EDITION...
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Extra Details : Victory at Beda Fomm by David Pentland. (P)
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Artist Details : David Pentland
Click here for a full list of all artwork by David Pentland


David Pentland

One of Europe's Leading Military and Aviation Artists, David Pentland has produced a wealth of Paintings for Cranston Fine arts, who are proud to have David as one of their leading Artists. As you browse down his wonderful work you may be interested to know that many of the Paintings are still available, and to a collector his work would certainly be a valuable addition. David's Paintings have gone up in value over the past 2 years, and have seen a growth in value of nearly 100%.



David with one of his original paintings in the originals gallery at Cranston Fine Arts, and at a print signing session with a print of one of his pencil drawings.

More about David Pentland

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DHM500P.  Brunswick Hussar, Quatre Bras 16th June 1815 by Brian Palmer.

Brunswick Hussar, Quatre Bras 16th June 1815 by Brian Palmer (P)
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 Scots Guards at a police check-point at Pan Kalay in Helmand Province.  The Scots Guards were operating from PB OUELLETTE during their Herrick 17 tour 2012-13.

Scots Guards at Pan Kalay, Afghanistan by Graeme Lothian. (GS)
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Royal Engineers Clearing one of the Convoy Routes (Route TRIANGLE) in the mountains of Central Bosnia, for a convoy of Royal Logistics Corps (RLC) vehicles.  David Rowlands travelled this muddy route in early 1993, bouncing and rocking in a Land Rover on my way to Gornji Vakuf with members of 8 Squadron RLC.  I made sketches at various points, including Camp Redoubt and the lake near Prozor.  Two days earlier on 5th April 1993, at Omis Camp, he watched a small ceremonial parade when members of the Royal Corps of Transport re-badged as part of the newly-formed Royal Logistic Corps.

Royal Engineer Regiment by David Rowlands. (GL)
Half Price! - £300.00
 The Battle of Aliwal was fought on 28th January 1846 between the British and the Sikhs.  The British were led by Sir Harry Smith, while the Sikhs were led by Ranjodh Singh Majithia.  The British won a victory which is sometimes regarded as the turning point of the First Anglo-Sikh War.  The Sikhs had occupied a position 4 miles (6.4 km) long, which ran along a ridge between the villages of Aliwal, on the Sutlej, and Bhundri.  The Sutlej ran close to their rear for the entire length of their line, making it difficult for them to manoeuvre and also potentially disastrous if they were forced to retreat.  After the initial artillery salvoes, Smith determined that Aliwal was the Sikh weak point.  He sent two of his four infantry brigades to capture the village, from where they could enfilade the Sikh centre.  They seized the village, and began pressing forwards to threaten the fords across the Sutlej.  As the Sikhs tried to swing back their left, pivoting on Bhundri, some of their cavalry tried to threaten the open British left flank.  A British and Indian cavalry brigade, led by the 16th Lancers, charged and dispersed them.  The 16th Lancers then attacked a large body of Sikh infantry.  These were battalions organised and trained in contemporary European fashion by Neapolitan mercenary, Paolo Di Avitabile.  They formed square to receive cavalry, as most European armies did.  Nevertheless, the 16th Lancers broke them, with heavy casualties.  The infantry in the Sikh centre tried to defend a nullah (dry stream bed), but were enfiladed and forced into the open by a Bengal infantry regiment, and then cut down by fire from Smith's batteries of Bengal Horse Artillery.  Unlike most of the battles of both Anglo-Sikh Wars, when the Sikhs at Aliwal began to retreat, the retreat quickly turned into a disorderly rout across the fords.  Most of the Sikh guns were abandoned, either on the river bank or in the fords, along with all baggage, tents and supplies.  They lost 2,000 men and 67 guns. <i><br><br>Comment from the artist, Jason Askew.</i><br><br>This painting shows the extremely violent and brutal clash between British cavalry (16th Lancers) and Sikh infantry at the battle of Aliwal.  The Sikh infantry formed 2 triangles, a version of the famous Allied/British squares used at Waterloo, but the Sikhs, after firing a ragged volley at the attacking horsemen, dropped their muskets and assaulted the cavalry with their traditional Tulwars (sabres) and dhal shields.  These shields are also used offensively, to punch, and to slice with the edge.  Although the British horsemen claimed a victory as they felt they successfully dispersed the Sikh triangles, and forced the Sikh infantry to retreat to the nullah (dry stream bed) in the Sikh rear, this opinion is open to debate.  The Sikhs traditionally fought in loose formations, with tulwar and shield-taking full advantage of their abilities as swordsmen, blades being weapons with which the Sikhs are particularly skilled in the use of.  The Sikhs actually inflicted more casualties on the 16th Lancers than the lancers inflicted on the Sikh infantry.  British eye witnesses spoke of the sight of the grotesquely swollen and distorted dead bodies of men and horses of the Her Majesty's 16th Lancers, stinking in the sun and littering the ground at Aliwal - testimony to the progress of their charge.  The regiment lost 27% of effectives out of a total strength of over 400 effectives.  The lancers were dreadfully hacked about, many being cruelly maimed for life, losing hands and limbs to the slashing strokes of the Sikh blades.  The Sikhs had no compassion for the cavalry horses either - many of the poor animals (over 100 by some accounts) had to be shot, due to having their legs hacked clean off, or being literally disemboweled by Sikh Tulwars.  In the painting, the central figure with the wizard-shaped Turban, is in fact an Akali - a sect of extremely religious Sikhs, who disdained the use of armour, and often fought to the death with a fanatical and suicidal devotion.

The Battle of Aliwal by Jason Askew. (GS)
Half Price! - £250.00

 Australian VC winner-Private Albert Jacka, 14th battalion.  He killed nine Turks who had bombed and infiltrated an Australian trench at Courtneys post during the great Turkish assault on 19th May.

Gallipoli - Courtneys Trench by Jason Askew. (GM)
Half Price! - £300.00
Depicting the Inniskilling Dragoons and the Scots Greys during the classic Cavalry Charge.

The Glorious Charge of the Heavy Brigade by Henry Courtney Selous. (GS)
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DHM509P.  Chasseur a Cheval by Brian Palmer.

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 OT34 Flamethrower tank and men of Col. Krickmans 6th Guards Tank Brigade take part in the Soviet counter attacks of 13th-27th September in defence of the southern factory district of Stalingrad before the final offensive in October.

Motherland, The Battle of Stalingrad, September 1942 by David Pentland. (GL)
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