Customer Helpline
(UK) : 01436 820269

Shipping Rates
Valuation of Your Collection

You currently have no items in your basket

Choose a FREE print if you spend over £220!
See Choice of Free Prints

Join us on Facebook!

Buy with confidence and security!
Publishing historical art since 1985

Follow us on Twitter!


Product Search        

Severn Trail by Robert Taylor.

Severn Trail by Robert Taylor.

A magnificent study of a pair of C130 Hercules seen in tactical trail over the Severn Estuary, 25 miles west of R.A.F. Lyneham, headquarters base of RAF Support Command.
AMAZING VALUE! - The value of the signatures on this item is in excess of the price of the print itself!
Item Code : DHM2685Severn Trail by Robert Taylor. - This Edition
PRINT Signed Limited Edition of 850 prints.

Paper size 33 inches x 24 inches (84cm x 61cm)Artist : Robert TaylorSOLD

Buy With :
Low Level Para Drop by Tim Fisher.
for £210

Buy With :
Dawn Descent by David Pentland.
for £235
C130 Hercules Aircraft Print Pack.

Pack price : £330

Buy With :
3 other prints in this pack :

Pack price : £330

Titles in this pack :
Dawn Descent by David Pentland.  (View This Item)
Teamwork by Stuart Brown.  (View This Item)
Severn Trail by Robert Taylor.  (View This Item)
Low Level Para Drop by Tim Fisher.  (View This Item)

All prices on our website are displayed in British Pounds Sterling

The Aircraft :
HerculesThe C1 and C3 aircraft are used primarily to carry troops, passengers or freight and are capable of carrying up to 128 passengers, or 20 tonnes of palletised freight or vehicles, for up to 2000nmls. The freight bay can accommodate a range of wheeled or tracked vehicles. The maximum range without refuelling is 3500nmls, which can be extended to over 4000nmls by air-to-air refuelling. The other main role of the C-130 is Transport Support (TS), is the airborne delivery of personnel or stores by airdrop. The C130 Hercules supports airborne operations conducted by 16 Air Assault Brigade by the aerial delivery of paratroops, stores and equipment.
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor

Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

More about Robert Taylor

This Week's Half Price Art

 Spitfires of No.41 Sqn during the Battle of Britain.  The lead aircraft is EB-J, flown by Sqn Ldr Maurice Brown.

41 Squadron Spitfire by Ivan Berryman. (P)
Half Price! - £290.00
 In early 1941, many months before Pearl Harbor, an irrepressible bunch of American fighter pilots, together with 200 ground crew, came together and stood alone against the might of the Imperial Japanese Air Force. Under the indomitable command of General Claire Chennault, their task was to keep the vital road link open between the port of Rangoon and the city of Kunming in South West China. A treacherous unpaved track, hacked through mountain terrain and known as the infamous Burma Road, was the only lifeline for supplies into China from the outside world.  With the Japanese hell-bent on its destruction, the Flying Tigers were all that stood between defeat and survival.  With little support from home, and almost without replacement aircraft or spares, the P-40 Tomahawk pilots of the American Volunteer Group - the AVG - became the scourge of the Japanese Air Force and heroes to the people of China. In a six month period of combat, with no more than 50 or 60 serviceable aircraft at anyone time, and invariably heavily outnumbered in the air, they destroyed some 300 Japanese airplanes, damaging and destroying another 300, and causing incalculable damage to Japanese ground forces.  During its brief existence this remarkable group became one of the most successful and famous fighter units of all time. Their short but glorious private war came to an end when on July 4th, 1942 the AVG was absorbed into the USAAF and Chennaults Flying Tigers passed into aviation folklore.    Motivated by the legend of the Flying Tigers,  Nicolas Trudgian has painted one of his finest pictures.  Dominating the foreground is a stunning view of Chuck Olders P-40 - one of the 3rd Pursuit Squadrons, known as Hells Angels - in hot pursuit of a bunch of Zero fighters up ahead. Close by to his left another Flying Tiger finishes off a Zero, already on its way down.  Below the pastoral scene is caught unawares by the sudden approach of fighters, as the fast-moving dogfight hurtles across the landscape.

Tiger Fire by Nicolas Trudgian.
Half Price! - £240.00
 Released on the 65th Anniversary of the Battle of Britain a new limited edition to commemorate Churchills famous few. Stalwart of the Battle of Britain, the Hawker Hurricane equipped the majority of the RAF squadrons that defended Britain during that epic and decisive air battle in the summer of 1940. At the forefront of the air fighting over the southern counties of England, the young Hurricane pilots of 501 Squadron covered themselves in glory. Nicolas Trudgians painting sets the scene: a victim of yesterdays aerial conflicts, a crashlanded German Ju88 of KG30 lies on the edge of a Sussex field; the attention of two members of the local Home Guard is drawn to the Hurricanes of 501 Squadron as the fighters race back at low-level to Gravesend for fuel and ammunition. Within minutes they will scramble aloft again to rejoin the fray. <br><br><b>Published 2005.</b>

Hurricane Country by Nicolas Trudgian.
Half Price! - £150.00
 Squadron Leader J R Baldwin passes above a section of Mulberry Harbour near Arromanches, late in June 1944, his personalised Hawker Typhoon bearing the codes JBII.

JBII - Hawker Typhoon of Wing Commander J R Baldwin by Ivan Berryman.
Half Price! - £75.00

DHM925.  Harrier in a Hyde by Geoff Lea.

Harrier in a Hyde by Geoff Lea.
Half Price! - £23.00
 A Bristol Beaufort Mk I of No 22 Squadron attacks a railway marshalling yard during raids on the French coast in the Autumn of 1940.

Bristol Beaufort by Ivan Berryman. (P)
Half Price! - £600.00
 Spitfires of No. 132 Squadron rush towards the Front to give ground support to the advancing Allied forces following breakout from the Normandy beaches, June 1944. <br><br><b>Published 2003.<br><br>Signed by three highly decorated fighter pilots who flew combat missions on D-Day, 6 June 1944, and during the Battle for Normandy.</b>

Normandy Breakout by Nicolas Trudgian. (Y)
Half Price! - £220.00
 Routine, though essential, maintenance is carried out on a 501 Sqn Hurricane at the height of the Battle of Britain during the Summer of 1940.  Hurricane P3059 <i>SD-N</i> in the background is the aircraft of Group Captain Byron Duckenfield.

Ground Force by Ivan Berryman. (Y)
Half Price! - £42.50
          Home / View All Products                       View Your Basket