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Battle of Isandhlwana by Charles Fripp. (B)


Battle of Isandhlwana by Charles Fripp. (B)

On the 11th January 1879, a British Force under the command of Lord Chelmsford crossed the Buffalo River into Zululand. A small garrison was left at Rorkes Drift. The force consisted of 1600 British troops, mainly from the 1st and 2nd Battalions 24th Regiment, and 2500 native soldiers. A tented camp was established at Isandhlwana Hill. At 4am on the morning of 22nd January, Lord Chelmsford took half his force to reconnoitre to southeast in search of main Zulu army. Just after 8am a force of 25000 Zulu warriors attacked the remainder of the force in the camp. Surprised, outnumbered by more than six to one, in a position offering little defence, the defenders were soon overpowered and a dreadful slaughter ensued. A few men escaped and re-crossed the Buffalo River to safety. Victoria Crosses were awarded to Lieutenants Melvill and Coghill, who saved the Queens Colour of the 1st/24th and to Private Wassell, 90th Foot, who saved a comrade while escaping across the Buffalo River.
Item Code : DHM0084BBattle of Isandhlwana by Charles Fripp. (B) - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition print. Printed with 150 text and images of the VC and DCM

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FREE PRINT : Defence of Rorkes Drift by Alphonse De Neuville. (B).

This complimentary art print worth £20
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Last Sleep of the Brave by Alphonse De Neuville
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The Defense of Rorkes Drift by Alphonse De Neuville. (B)
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Titles in this pack :
Battle of Isandhlwana by Charles Fripp. (B)  (View This Item)
The Defense of Rorkes Drift by Alphonse De Neuville. (B)  (View This Item)
Defence of Rorkes Drift by Lady Elizabeth Butler.  (View This Item)
Saving the Queens Colours at the Battle of Isandhlwana by Alphonse de Neuville  (View This Item)
Last Sleep of the Brave by Alphonse De Neuville  (View This Item)
Battle of Ulundi by Fayel  (View This Item)
Isandhlwana 22nd January 1879 by Stuart Liptrot.  (View This Item)
Cranston Fine Arts Military Art Catalogue (Volume 1)  (View This Item)
Cranston Fine Arts Military Art Catalogue (Volume 2)  (View This Item)
Cranston Fine Arts Military Art Catalogue (Volume 3)  (View This Item)
St. Andrews View From the 17th by Fraser Shaw  (View This Item)
Turnberry Golf Course by Fraser Shaw  (View This Item)
The Postage Stamp Royal Troon by Fraser Shaw  (View This Item)

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Scotland Forever by Lady Elizabeth Butler.  (View This Item)
Quatre Bras by Lady Elizabeth Butler.  (View This Item)
Battle of Isandhlwana by Charles Fripp. (B)  (View This Item)
The Defense of Rorkes Drift by Alphonse De Neuville. (B)  (View This Item)
Defence of Rorkes Drift by Lady Elizabeth Butler.  (View This Item)
The Charge of the Light Brigade by Richard Caton Woodville.  (View This Item)
Cranston Fine Arts Military Art Catalogue (Volume 1)  (View This Item)
Cranston Fine Arts Military Art Catalogue (Volume 2)  (View This Item)
Cranston Fine Arts Military Art Catalogue (Volume 3)  (View This Item)
St. Andrews View From the 17th by Fraser Shaw  (View This Item)
Kings Course Gleneagles by Fraser Shaw  (View This Item)
Turnberry Golf Course by Fraser Shaw  (View This Item)
The Postage Stamp Royal Troon by Fraser Shaw  (View This Item)

Battle of Isandhlwana Prints.

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Titles in this pack :
Last Stand of the 24th Regiment at the Battle of Isandhlwana by Simon Smith  (View This Item)
Saving the Queens Colours at the Battle of Isandhlwana by Alphonse de Neuville  (View This Item)
Battle of Isandhlwana by Charles Fripp. (B)  (View This Item)
Last Sleep of the Brave by Alphonse De Neuville  (View This Item)

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Other editions of this item : Battle of Isandhlwana by Charles Fripp.DHM0084
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Open edition print. Image size 32 inches x 20 inches (81cm x 51cm)none£5 Off!Now : £56.00VIEW EDITION...
PRINTSpecial Collectors Edition with printed remarques and medals in the border. Image size 32 inches x 20 inches (81cm x 51cm)noneHalf Price!
Supplied with one or more free art prints!
Now : £45.00VIEW EDITION...
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Small number of giclee canvas prints available. Size 40 inches x 30 inches (102cm x 76cm)noneHalf Price!Now : £300.00VIEW EDITION...
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Small number of giclee canvas prints available. Size 36 inches x 26 inches (91cm x 66cm)noneHalf Price!Now : £280.00VIEW EDITION...
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General descriptions of types of editions :



Artist Details : Charles Fripp
Click here for a full list of all artwork by Charles Fripp

Charles Fripp

He was influenced by his father, the landscape artist George A Fripp, and he studied art in Nuremberg and at the Royal Academy of Munich. He is primarily known as an illustrator, in which capacity he worked for The Graphic from 1875 onwards, and the Daily Graphic from 1890 until 1900. Fripp spent many years in southern Africa covering the Ninth Kaffir, Zulu, Boer (1881 and 1899) and Matabele Wars; he was also 'special artist' in the 1885 campaign in Sudan, and covered a number of foreign wars including the Sino-Japanese conflict of 1894-95 and the Philippine insurrection of 1899. He also held a commission in the Artist's Rifles for 13 years. A number of his original sketches and water-colours survive but he is chiefly remembered for his painting 'The Last Stand at Isandhlula (Isandhlwana)'. (National Army Museum) which was exhibited at the Royal Academy in 1885. His only other Academy picture was his 1886 canvas, 'The attack on General Sir John McNeil's force near Suakim' (Duke of Edinburgh's Royal Regiment). The former picture resulted from his activities in the Zulu War which he recounted in an article published in 1900. He arrived at Durban on March 20th, 1879 and joined Lord Chelmsford's column for the relief of Etshowe. Fripp witnessed an attack on the British camp on April 2nd, and Chelmsford's successful relief of Pearson's force at Etshowe. Later he was in the column that discovered the body of the Prince Imperial which he vividly described, and his final account was of the battle at Ulundi which he sketched as he lay on the leather roof of an ammunition cart. He wrote: Now and again a bullet sighed overhead as I watched the beautiful advance of the enemy rapidly spreading over the undulations, disappearing and reappearing as the inequalities were traversed. The landscape in the Isandhlwana picture was drawn, no doubt, on the spot. Similarly the Suakim picture was a result of his participation with General Graham's second expedition from which he submitted many sketches which appeared in the Graphic.

More about Charles Fripp

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