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Chennaults Flying Tigers by Robert Taylor. P40 Tomahawks of the American Volunteer Group fought against the Japanese air force in the skies over Indo-China during World War 2 and became one of the most successful and famous fighter units of all time. Strangled by the Japanese blockade of its sea ports, and with supplies from Russia diverted to combat Hitler's invasion, China was left with one lifeline for vital supplies from the outside world: a treacherous unpaved track hacked through mountain terrain linking the port of Rangoon with the city of Kumming, in South West China - it was the infamous Burma Road. With the Impirial Japanese air force hell-bent on destroying Chinas last supply link, opposition had almost evaporated but for a tiny air force of American volunteers led by the indomitable figure of Claire Chennault. Formed in early 1941, months before Pearl Harbor, a rag-tag bunch of 100 recruited flyers supported by 200 ground personnel, known as the American Volunteer Group came together to stand alone against the might of Japanese air force in Indo-china. Blazing a trail in the skies over Burma and China they created a legend that will remain in the folklore of aviation history. They were Chennault's Flying Tigers. With little official support from home, the P-40 Tomahawk pilots of the A.V.G. became the scourge of the Japanese air force. In a six month period of combat, with no more than 50 or 60 serviceable aircraft, they destroyed some 300 Japanese aircraft, while probably destroying another 300. Their brief, glorious existance came to and end when on 4th July 1942 the A.V.G. was absorbed into the U.S Army Air Corps. Chennault's Flying Tigers passed into history. Moved by the legend of the Flying tigers, Robert Taylor has created a masterpiece. Capturing the spirit of the Flying Tigers he portrays a scene typical of the distant war fought by this tiny band of warriors. In the foreground of Robert's dramatic combat scene are two P-40s of the 2nd Pursuit Squadron, the Panda Bears, as they pull out of a driving attack just above the tree-tops of the Burmese jungle. One bomber hits the water, as two more P-40s bear down on another Nakajima bomber. In the distance the air is busy with low-level combat. AMAZING VALUE! - The value of the signatures on this item is in excess of the price of the print itself! Item Code : AX0001 Chennaults Flying Tigers by Robert Taylor. - This Edition TYPE EDITION DETAILS SIZE SIGNATURES OFFERS YOUR PRICE PURCHASING PRINT Signed limited edition of 1250 prints. Signed by 7 pilots. Paper size 33 inches x 25 inches (84cm x 64cm) Neale, Bob Smith, Robert T Hill, Tex Older, Charles Rector, Ed Rossi, Dick Shilling, Erik + Artist : Robert Taylor Signature(s) value alone : £425 SOLD OUT NOT AVAILABLE All prices on our website are displayed in British Pounds Sterling

Artist Details : Robert Taylor

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Robert Taylor The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. More about Robert Taylor

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