Customer Helpline
(UK) : 01436 820269

Shipping Rates
Valuation of Your Collection

You currently have no items in your basket

Choose a FREE print if you spend over £220!
See Choice of Free Prints

Join us on Facebook!


Buy with confidence and security!
Publishing historical art since 1985

Follow us on Twitter!

Product Search        
SA2.  Escort to the Scharnhorst by Simon Atack. <p> When the German battleships Scharnhorst and Gneisenau entered Brest in March, 1941, between them they had sunk a total of 22 ships during their North Atlantic operations. Laying in port however, they became a target for constant air attack, Scharnhorst being damaged by bombs, and in February 1942 the decision was made to break out with the famous Channel Dash. Scharnhorst led the flotilla in a daring passage through the English Channel, heading for the sanctuary of Wilhelmshaven. They all got through but, striking two mines en-route, it was March 1943 before the Scharnhorst was able to resume battle operations when, under heavy escort, she sailed for Norway. Simon Atacks panoramic seascape depicts a scene from Operation Paderborn as Scharnhorst ploughs through a lively swell with Fw190s of I./JG5, based at Oslo Fornebu, providing fighter cover. Steaming in company with destroyers Z-28 and Erich Steinbrinck, the mighty German battleship has departed Gotenhafen and is heading towards Bogen Bay, near Narvik in Norway. But Scharnhorsts days were numbered. On 26 December 1943 the huge battleship attacked a convoy off North Cape, but in the heavy seas Scharnhorst became detached from her destroyer escort. With the British Home Fleet aware of her position, and intentions, she was intercepted, the Britishbattleship Duke of York landing a barrage of 14-inch shells on the mighty German warship. The blows were fatal, the coup-de-grace coming shortly after, when 11 torpedoes sent the magnificent but deadly battleship quickly to the bottom. There were just 36 survivors. <p><b>Last 8 copies available of this sold out edition.</b><b><p> Signed by <a href=profiles.php?SigID=492>Matrosen Obgefreiter Wilhelm Alsen.</a> <p> Signed limited edition of 500 prints. <p> Paper size 30 inches x 22.5 inches (76cm x 57cm)
DHM1004. Atlantic Comrades by Ivan Berryman. <p> The Scharnhorst is pictured in 1939 when she and her sister ship Gneisenau menacingly prowled the North Atlantic. She is shown at dawn as two type VII U-Boats glide towards her for a friendly rendezvous and to take on much needed supplies, as well as a few of the luxuries that the tiny u-boats were simply too small to carry. <b><p> Signed limited edition of 1150 prints.  <p>Image size 25 inches x 15 inches (64cm x 38cm)

Please note that our logo (below) only appears on the images on our website and is not on the actual art prints.


When you are ready to add this item to your basket, click the button below.

 

 

  Website Price: £ 160.00  

Quantity:
 

 

Pack 258. Pack of two German WW2 Naval art prints of the Scharnhorst by Simon Atack and Ivan Berryman.

PCK0258. Pack of two WW2 German Naval art prints by Simon Atack and Ivan Berryman depicting Scharnhorst.

Items in this pack :

Item #1 - Click to view individual item

SA2. Escort to the Scharnhorst by Simon Atack.

When the German battleships Scharnhorst and Gneisenau entered Brest in March, 1941, between them they had sunk a total of 22 ships during their North Atlantic operations. Laying in port however, they became a target for constant air attack, Scharnhorst being damaged by bombs, and in February 1942 the decision was made to break out with the famous Channel Dash. Scharnhorst led the flotilla in a daring passage through the English Channel, heading for the sanctuary of Wilhelmshaven. They all got through but, striking two mines en-route, it was March 1943 before the Scharnhorst was able to resume battle operations when, under heavy escort, she sailed for Norway. Simon Atacks panoramic seascape depicts a scene from Operation Paderborn as Scharnhorst ploughs through a lively swell with Fw190s of I./JG5, based at Oslo Fornebu, providing fighter cover. Steaming in company with destroyers Z-28 and Erich Steinbrinck, the mighty German battleship has departed Gotenhafen and is heading towards Bogen Bay, near Narvik in Norway. But Scharnhorsts days were numbered. On 26 December 1943 the huge battleship attacked a convoy off North Cape, but in the heavy seas Scharnhorst became detached from her destroyer escort. With the British Home Fleet aware of her position, and intentions, she was intercepted, the Britishbattleship Duke of York landing a barrage of 14-inch shells on the mighty German warship. The blows were fatal, the coup-de-grace coming shortly after, when 11 torpedoes sent the magnificent but deadly battleship quickly to the bottom. There were just 36 survivors.

Last 8 copies available of this sold out edition.

Signed by Matrosen Obgefreiter Wilhelm Alsen.

Signed limited edition of 500 prints.

Paper size 30 inches x 22.5 inches (76cm x 57cm)


Item #2 - Click to view individual item

DHM1004. Atlantic Comrades by Ivan Berryman.

The Scharnhorst is pictured in 1939 when she and her sister ship Gneisenau menacingly prowled the North Atlantic. She is shown at dawn as two type VII U-Boats glide towards her for a friendly rendezvous and to take on much needed supplies, as well as a few of the luxuries that the tiny u-boats were simply too small to carry.

Signed limited edition of 1150 prints.

Image size 25 inches x 15 inches (64cm x 38cm)


Website Price: £ 160.00  

To purchase these prints individually at their normal retail price would cost £235.00 . By buying them together in this special pack, you save £75




All prices are displayed in British Pounds Sterling

 

Artist Details : Ivan Berryman
Click here for a full list of all artwork by Ivan Berryman


Ivan Berryman

Latest info : At the beginning of 2010, Ivan is working on the partner painting to the fantastic large World War One aviation combat painting which was painted in 2009. The World War Two partner painting will be the same massive size of 78 inches by 36 inches. The scene will show the battle above Convoy CW8 in the English Channel on 25th July 1940. Ivan chose this scene because it features several aircraft types and some quite well-known fighter pilots. In the picture are Spitfires, Hurricanes, Bf.109s and Stukas. The Stukas were bombing the convoy and British aircraft of 64 Sqn, 54 Sqn and 111 Sqn were scrambled to defend the ships, but were outnumbered by five to one. Because of the view, Dover itself is not visible in the scene, but the action is taking place above a sunlit sea where the convoy is clearly visible under attack. Over the next few months progress photos of this fantatstic painting will be shown.

Over the last 30 years, Ivan Berryman has become a leading aviation, motor racing and naval artist. In this time, the subjects of his paintings have been wide and varied as he has deliberately strived to include some of the lesser know aircraft, ships and events in his portfolio, which includes aircraft like the Defiant, TSR2, Beaufort, ships including MTBs and corvettes, and around 100 different aircraft of the first world war. In addition to this he has taken new approaches to the classic subjects of his field, including the Dambuster Lancasters, Battle of Britain Spitfires, Bf109s and Hurricanes, HMS Hood, Bismarck and the best known naval ships, as well as some iconic sporting moments. In his own words : Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception...





Ivan with some of his original paintings in the originals gallery at Cranston Fine Arts and in his studio.

More about Ivan Berryman

Artist Details : Simon Atack
Click here for a full list of all artwork by Simon Atack


Simon Atack

Although Simon became a full-time artist after leaving the RAF in 1985, he first began painting when his mother bought him a box of oil paints and an easel when he was just six years of age! He cannot recall a time when he was not painting in the intervening years, all the time honing his drawing and painting skills whilst accepting commissions from various Commanding Officers! Simon learned to fly, soloing in a Piper Tomahawk, experience which, he believes, gives him an empathy and feel for aircraft and aircrew you could not get in any other way. Unlike just about any other professional military artist, Simon is almost as much at home on the sea as in the air. His maritime-based paintings reflect his personal knowledge of the sea, ships and the often-unpredictable marine environment. Researching new aircraft and concepts for his next painting, and then getting stuck into the actual painting of a new picture he has first to see in his head, is what really excites and motivates Simon and he wouldn’t have it any other way. Now firmly established as one of the top aviation artists in the world, collectors are always eagerly awaiting Simon’s original paintings and Limited Edition Prints. Simon works from his studio in the beautiful county of Buckinghamshire, England.

More about Simon Atack

This Week's Half Price Art

 Sgt. Ian John McKay VC calls for covering fire as he leads forward elements of 4 and 5 platoon of B Company 3 Para, to assault Argentinean positions held by 7th Infantry regiment, Falklands War 11th -12th June 1982.

Battle for Mount Longdon by Mark Churms. (P)
Half Price! - £3800.00
 The storming on the night of April 6th 1812 of Badajoz astle proved to be Wellingtons bloodiest siege. Depicted here are soldiers of the 88th Connaught Rangers (famously the Devils Own) and part of Pictons 3rd Division, successfully escalading the high walls of the fortress.

Storming of Badajoz by Chris Collingwood.
Half Price! - £50.00
 In an attempt to expand into Europe, Ottoman Turks under the command of Grand Vizier Kara Mustafa laid siege to Vienna for two months.  A coalition of Polish, German and Austrians led by John III Sobieski, the King of Poland, arrived before Vienna to raise the siege.  Sobieski led a charge of 20,000 cavalry, including the fearsome Winged Hussars into the Ottoman camp and completely routed their army. The battle was over in three hours, the Turks fled the field leaving behind tents, weapons, battle standards and provisions.  The threat to Europe had been reversed, and this battle signaled the beginning of the end for the Ottoman Empire.

Polish Winged Lancers - Battle of Vienna, September 12th 1683 by Brian Palmer.
Half Price! - £40.00
To the cheers of Vive L'Empereur 17,000 men of d'Erlon's Corps advanced on the allied left centre in an attempt to break Wellington's line that was already shaken by a massive artillery bombardment.  To counter this threat, Wellington launched his heavy cavalry.  Forming the centre of the Union Brigade, so called from the composition of English, Irish and Scottish regiments, the Inniskillings charged through the allied infantry and artillery straight to d'Erlon's advancing coloumns inflicting serious casualties and taking many prisoners.  Despite appalling losses, the heavy cavalry had gained a welcome respite for Wellington's hard pressed infantry.

Waterloo, 18th June 1815 - Charge of the 6th (Inniskilling) Dragoons by Brian Palmer.
Half Price! - £50.00

 William F Cody (Buffalo Bill) is shown as an Army Scout during a skirmish with Indians on the Frontier. 

Buffalo Bill by Brian Palmer.  (P)
Half Price! - £1400.00
 This, my personal interpretation of the viking period attempts to highlight aspects of their rich and diverse culture. A superstitious and pagan society, their influence was felt far beyond their native Scandinavia. 1 . The upper background deals with their pagan worship and tales from their mythology. This is represented by Odin & Thor, their principal Gods along with the saga of Sigurd the Dragonslayer. 2. The dominant figure at the centre is Aegir, God of the Sea whose goodwill was all important to the seafaring Viking. The scene now comes into the real world of their ships and seamanship, expertise for which they had no peer. 3. The extension of their seafaring was to raid, trade and pillage foreign shores, resulting in colonisation and settlement, with scant respect for Christianity or the Church. They ventured still further, exploring the unknown world, this is suggested in the two lower corners. 4. In England, the only King to successfully rise up against these Norsemen was Alfred the Great, a Saxon, represented in the lower centre drawing his sword from a swamp. This symbolises the raising of his army from the marshes of Wessex. Their legacy remains with us today, in language and art.

The Vikings by Brian Wood. (Y)
Half Price! - £360.00
 The Queens Bays engage enemy foot and horse outside Luknow, led by Major Percy Smith. The regiment was given the order to charge and pursue. The Bays thundered into action accompanied by the second Punjab cavalry. In the action Major Percy Smith was killed along with two corporals.

Charge and Pursue by Mark Churms. (Y)
Half Price! - £55.00
The Hindenburg Line known also as the Siegfried Line was a vast system of German defences in northeastern France between Lens and past Verdun.  Built over the winter of 1916 and 1917, the high command in Germany believed the Hindenburg line was was impregnable.  But in 1917 during the Battle of Cambrai it was temporarily broken by the British and Newfoundland troops.  Included in these forces were tank units, and the line was successfully breached a number of times during the hundred day offensive by the Allied forces in September 1918. Shown in this painting are the wounded being taken back behind lines by medical personnel as the reinforcements and supplies move forward.

Breaking the Hindenburg Line by J P Beadle. (Y)
Half Price! - £30.00
          Home / View All Products                       View Your Basket