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Into the Teeth of the Wind by Robert Taylor.


Into the Teeth of the Wind by Robert Taylor.

Bound for Tokyo, Lieutenant Colonel Jimmy Doolittle launches his B-25 Mitchell from the heaving deck of the carrier USS Hornet on the morning of 18 April, 1942. Leading a sixteen-bomber force on their long distance one - way mission, the Doolittle Raiders completed the first strike at the heart of Imperial Japan since the infamous attack on Pearl Harbour four months earlier. Together, they completed one of the most audacious air raids in aviation history.
Item Code : DHM2603Into the Teeth of the Wind by Robert Taylor. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 550 prints, with 5 signatures.

Print paper size 33 inches x 23.5 inches (84cm x 60cm) Griffin, Thomas C
Jones, David M
Thatcher, David J
Cole, Richard
Horton, Edwin W
+ Artist : Robert Taylor
£200.00

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USS Hornet. Doolittles Raiders by Ivan Berryman (AP)
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Doolittle Raider, Tokyo, April 18th 1942 by David Pentland. (AP)
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Other editions of this item : Into the Teeth of the Wind by Robert Taylor. DHM2603
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
Limited edition of 25 artist proofs, with 5 signatures. Paper size 16 inches x 26 inches (41cm x 66cm) Griffin, Thomas C
Jones, David M
Thatcher, David J
Cole, Richard
Horton, Edwin W
+ Artist : Robert Taylor
Free
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£325.00VIEW EDITION...
PRINT Limited edition of 300 commemorative proofs, with 13 signatures. Paper size 16 inches x 26 inches (41cm x 66cm) Kappelar, Frank
Nielson, Chase
Bower, William M
Saylor, Edward J
Ozuk, Charles J
Hite, Robert L
Birch, William L
Sheng-Liu, Tung
Griffin, Thomas C
Jones, David M
Thatcher, David J
Cole, Richard
Horton, Edwin W
+ Artist : Robert Taylor
Free
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£460.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of 25 giclee canvas proofs, with 13 signatures.

SOLD OUT.
Paper size 16 inches x 26 inches (41cm x 66cm) Kappelar, Frank
Nielson, Chase
Bower, William M
Saylor, Edward J
Ozuk, Charles J
Hite, Robert L
Birch, William L
Sheng-Liu, Tung
Griffin, Thomas C
Jones, David M
Thatcher, David J
Cole, Richard
Horton, Edwin W
SOLD
OUT
VIEW EDITION...
General descriptions of types of editions :



Signatures on this item
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


Lieutenant Colonel Richard E Cole
*Signature Value : £50

Richard E Cole was born in Dayton Ohio on 7th September 1915. Cole graduated from Steele High School, Dayton, Ohio and completed two years college at Ohio University. On 20th November 1940 Richard Cole enlisted with the USAF. Cole completed pilot training and commissioned as Second Lieutenant, July, 1941. Cole was co-pilot of General Jimmy Doolittles B-25 plane #1, their Mitchell attacked the city of Tokyo and they bailed out over China. Cole remained in China-Burma-India flying bombing and transport missions over the Hump untill June 1943, and served again in the China-Burma-India theater from October, 1943 until June, 1944. Relieved from active duty in January, 1947 but returned to active duty in August 1947. Was Operations Advisor to Venezuelan Air Force from 1959 to 1962. Peacetime service in Ohio, North Carolina, and California. Rated as command pilot. Decorations include Distinguished Flying Cross with 2 Oak Leaf Clusters, Air Medal with 1 Oak Leaf Cluster, Bronze Star Medal, Air Force Commendation Medal, and Chinese Army, Navy, Air Corps Medal, Class A, 1st Grade.
Major General David M Jones (deceased)
*Signature Value : £35

David M. Jones was born December 18th, 1913, at Marshfield, Oregon, attended high school in Tucson and graduated from the University of Arizona in 1932. He was commissioned a second lieutenant in the U.S. Cavalry arm of the Arizona Army National Guard and transferred to the Army Air Corps for pilot training which he completed in June 1938. In February 1942, he volunteered as a pilot for the secret project organized by Lt. Col. James H. "Jimmy" Doolittle which became the attack by 16 Army Air Force bombers launched from the Navy Carrier USS Hornet on April 18, 1942. Jones was Captain and pilot of B-25 plane #5, attacked the waterfront of Tokyo. The bombers attacked Tokyo and four other Japanese cities in retaliation for the infamous surprise attack on Pearl Harbor on December 7, 1941 by Japanese naval forces. Jones had to bail out over China after the mission. After the raid he flew Martin B-26s in North Africa before being shot down over Bizerte on his fifth mission and taken prisoner. David Jones spent the next one and a half years in a German prison in Stalag Luft III. He was selected as a member of the "escape committee" by his fellow prisoners to review escape plans and participated in digging one of three tunnels labeled Tom, Dick and Harry. He was liberated in April 1945. In the years following, Jones attended three major Armed Forces schools followed by assignments in research and development. He was director of the B-58 Test Force and at one time had more super-sonic flying time in that aircraft than any other USAF pilot. In 1961, he was named vice commander of the Aeronautical Systems Division at Wright-Patterson AFB and deputy commander for the GAM-87 air launched ballistic missile. After this project was cancelled, he was named deputy chief of staff for systems at the Air Force Systems Command and in 1964 he became deputy associate for Manned Space Flight with NASA. In 1967, he was appointed commander of the Air Force Eastern Test Range at Cape Kennedy, Florida for Manned Space Flight. He retired as a major general on May 31, 1973. Sadly Major General David M. Jones passed away on November 25th, 2008, at his home in Tucson, Arizona


Major Thomas C Griffin
*Signature Value : £35

Thomas C Griffin was Born July 10, 1917, Green Bay, Wisconsin and graduated from university of Alabama with BA in Political Science in 1939. Entered service on July 5, 1939 as Second Lieutenant, Coast Artillery, but requested relief from active duty in 1940 to enlist as a Flying Cadet. Was rated as a navigator and re-commissioned on July 1, 1940. Griffin became the navigator on Doc Watsons plane #9, attacked a factory on Tokyo Bay in Kawasaki. Arrived back in US in June, 1942. Flew combat in North Africa, shot down and captured in July 1943. POW. Major Thomas C Griffin's awards include the Distinguished Flying Cross, Air Medal with 3 Oak Leaf Clusters and the Chinese Army, Navy, Air Corps Medal, Class A, 1st Grade.


Staff Sergeant David J Thatcher
*Signature Value : £50

Graduated from Steele high School, Dayton, Ohio and completed two years college at Ohio University. Enlisted November 22, 1940. Completed pilot training and commissioned as Second Lieutenant, July, 1941. became Co-pilot of General Jimmy Doolittles B-25 plane #1, attacked the city of Tokyo and bailed out over China. Remained in China flying bombing and transport missions over the Hump. Relieved from active duty in January, 1947 but returned to active duty in August 1947. Between 1959 to 1962 Cole was Operations Advisor to Venezuelan Air Force . Peacetime service in Ohio, North Carolina, and California. Rated as command pilot. Cole's decorations include Distinguished Flying Cross with 2 Oak Leaf Clusters, Air Medal with 1 Oak Leaf Cluster, Bronze Star Medal, Air Force Commendation Medal, and Chinese Army, Navy, Air Corps Medal, Class A, 1st Grade.


Staff Sergeant Edwin W Horton (deceased)
*Signature Value : £40

Born March 28, 1916, North Eastham, Massachusetts, Horton served as the engineer and gunner for crew number ten on the Doolittle Raid. Master Sergeant Edwin W. Horton Jr. entered the Army in 1935. He served overseas with Field Artillery at Schofield Barracks, Hawaii from 1935 to 1938 before re-enlisting and serving with the 95th Bomb Squadron at March Field, California. He then completed Gun Turret-Maintenance School, Aircraft Armament and Aircraft Mechanics Schools. He volunteered, and was an engineer/gunner for the secret mission that would later be known as the Doolittle Raid. Horton's crew successfully struck the Japanese Special Steel Company and the heavy industrial section in the Shiba Ward. His quick response and expertise with the turret gun thwarted multiple attacks by Japanese Zeros, patrol aircraft and Nakajima 97 attack aircraft. The Japanese attacks left an eight inch hole in the B-25's fuselage and multiple bullet holes in the left wing. Fortunately the damage was minor and Horton's B-25 was the only aircraft in the raid to receive damage over Japan. Despite the damage, the crew continued on to China where the crew safely bailed out as the plane ran out of fuel. Sergeant Horton remained in the China-Burma-India Theater after the Tokyo Raid as the 11th Bomb Squadron B-25 Armament Chief until June 1943. He held other various assignments and was among the first Air Force personnel assigned to the newly constructed Climatic Laboratory at Eglin AFB, Florida in 1947. Horton's decorations include the Distinguished Flying Cross and numerous Chinese, Army, Navy, Air Corps, and Air Force Medals. Master Sergeant Horton retired from the United States Air Force in 1960 after 25 years of distinguished military service. He passed away on November 26th, 2008, Ft. Walton Beach, Florida.
The Aircraft :
NameInfo
MitchellOn April 18, 1942, Lt. Col. James H. Doolittle led a group of 16 B-25 bombers on a carrier-launched raid on industrial and military targets in Japan. The raid was one of the most daring missions of WW II. Planning for this secret mission began several months earlier, and Jimmy Doolittle, one of the most outstanding pilots and leaders in the United States Army Air Corps was chosen to plan, organize and lead the raid. The plan was to get within 300 or 400 miles of Japan, attack military and industrial targets in Tokyo, Osaka, and Kobe shortly after nightfall, and then fly on to a dawn landing at secret airfields on the coast of China. The twin engine B-25 Mitchell bomber was selected by Doolittle for the mission and practice indicated that it should be possible to launch these aircraft from a carrier deck with less than 500 feet of runway. On April 2, 1942 the USS Hornet and a number of escorts set sail from Alameda, California with the 16 B-25s strapped to its deck. This task force rendezvoused with another including the USS Enterprise, and proceeded for the Japanese mainland. An element of surprise was important for this mission to succeed. When the task force was spotted by a Japanese picket boat, Admiral Halsey made the decision to launch the attack earlier than was planned. This meant that the raiders would have to fly more than 600 miles to Japan, and would arrive over their targets in daylight. It also meant that it would be unlikely that each aircraft would have sufficient fuel to reach useable airfields in China. Doolittle had 50 gallons of additional fuel stowed on each aircraft as well as a dinghy and survival supplies for the likely ditchings at sea which would now take place. At approximately 8:00 AM the Hornets loudspeaker blared, Now hear this: Army pilots, man your planes! Doolittle and his co-pilot R.E. Cole piloted the first B-25 off the Hornets deck at about 8:20 AM. With full flaps, and full throttle the Mitchell roared towards the Hornets bow, just barely missing the ships island superstructure. The B-25 lifted off, Doolittle leveled out, and made a single low altitude pass down the painted center line on the Hornets deck to align his compass. The remaining aircraft lifted off at approximately five minute intervals. The mission was planned to include five three-plane sections directed at various targets. However, Doolittle had made it clear that each aircraft was on its own. He insisted, however, that civilian targets be avoided, and under no circumstances was the Imperial Palace in Tokyo to be bombed. About 30 minutes after taking off Doolittles B-25 was joined by another piloted by Lt. Travis Hoover. These two aircraft approached Tokyo from the north. They encountered a number of Japanese fighter or trainer aircraft, but they remained generally undetected at their low altitude. At 1:30 PM the Japanese homeland came under attack for the first time in the War. From low altitudes the raiders put their cargoes of four 500 pounders into a number of key targets. Despite antiaircraft fire, all the attacking aircraft were unscathed. The mission had been a surprise, but the most hazardous portion of the mission lay ahead. The Chinese were not prepared for the raiders arrival. Many of the aircraft were ditched along the coast, and the crews of other aircraft, including Doolittles were forced to bail out in darkness. There were a number of casualties, and several of the raiders were caught by Japanese troops in China, and some were eventually executed. This painting is dedicated to the memories of those airmen who made the ultimate sacrifice for their country and the thousands of innocent Chinese citizens which were brutally slaughtered as a reprisal for their assistance in rescuing the downed crews.
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

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