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The Defence of La Haye-Sainte, 18th June 1815 by Chris Collingwood.


The Defence of La Haye-Sainte, 18th June 1815 by Chris Collingwood.

The garrison under the command of Major G Baring consisted of the 2nd Light Battalion of the 2nd Brigade Kings German Legion and reinforced by two Nassau companies. Here Major Baring is seen leading his Legion against Quiots Brigade (54th and 55th of the line)
Item Code : DHM1253The Defence of La Haye-Sainte, 18th June 1815 by Chris Collingwood. - This Edition
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PRINT Signed limited edition of 1150 prints.

Image size 25 inches x 17 inches (64cm x 43cm)Artist : Chris Collingwood55 Off!
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(Size : 17 inches x 12 inches (43cm x 31cm))
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Tribute to the 95th Rifles by Chris Collingwood.
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Other editions of this item : The Defence of La Haye-Sainte, 18th June 1815 by Chris Collingwood. DHM1253
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
Limited edition of 50 artist proofs. Image size 25 inches x 17 inches (64cm x 43cm)Artist : Chris Collingwood30 Off!Now : 110.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of up to 50 large giclee canvas prints. Size 40 inches x 30 inches (102cm x 76cm)Artist : Chris Collingwood
on separate certificate
100 Off!Now : 590.00VIEW EDITION...
GICLEE
CANVAS
Limited edition of up to 50 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm)Artist : Chris Collingwood
on separate certificate
100 Off!Now : 490.00VIEW EDITION...
ORIGINAL
PAINTING
Original painting, oil on canvas.

SOLD.
Size 40 inches x 30 inches (102cm x 76cm)Artist : Chris CollingwoodSOLD
OUT
VIEW EDITION...
EX-DISPLAY
PRINT
**Signed limited edition of 1150 prints. (3 copies reduced to clear)

Slightly damaged border, does not affect the image.
Image size 25 inches x 17 inches (64cm x 43cm)Artist : Chris CollingwoodHalf Price!Now : 50.00VIEW EDITION...
General descriptions of types of editions :





Artist Details : Chris Collingwood
Click here for a full list of all artwork by Chris Collingwood


Chris Collingwood

Latest info : Chris has been busy with a number of private commissions but has completed the first in a second series of paintings of the Battle of Waterloo. This first painting depicts the charge of the Red Lancers on Mercers Troop of Royal Horse Artillery. This continues on from the series of Waterloo paintings which have been in print for the past few years and will be available as a signed limtied edition in approximately March 2010. The second painting showing the attack on British squares is expected in the summer.

Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.

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