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Storming of Badajoz by Chris Collingwood. (Y)


Storming of Badajoz by Chris Collingwood. (Y)

The storming on the night of April 6th 1812 of Badajoz astle proved to be Wellingtons bloodiest siege. Depicted here are soldiers of the 88th Connaught Rangers (famously the Devils Own) and part of Pictons 3rd Division, successfully escalading the high walls of the fortress.
Item Code : DHM1340YStorming of Badajoz by Chris Collingwood. (Y) - This Edition
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PRINT **Signed limited edition of 1150 prints. (Three copies available)

Ex-diplay prints in near perfect condition.
Image size 25 inches x 16 inches (64cm x 38cm)Artist : Chris CollingwoodHalf
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Other editions of this item : Storming of Badajoz by Chris Collingwood.DHM1340
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PRINT Signed limited edition of 1150 prints. Image size 25 inches x 16 inches (64cm x 38cm)Artist : Chris Collingwood£40 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!
Supplied with one or more free art prints!
Now : £95.00VIEW EDITION...
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Limited edition of 50 artist proofs. Image size 25 inches x 15 inches (64cm x 18cm)Artist : Chris Collingwood£30 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!
Supplied with one or more free art prints!
Now : £135.00VIEW EDITION...
GICLEE
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Limited edition of 50 giclee canvas prints. Image size 40 inches x 30 inches (102cm x 76cm)Artist : Chris Collingwood
on separate certificate
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ORIGINAL
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Original painting by Chris Collingwood.

Original painting by Chris Collingwood.
Artist : Chris CollingwoodSOLD
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Artist Details : Chris Collingwood
Click here for a full list of all artwork by Chris Collingwood


Chris Collingwood

Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.

More about Chris Collingwood

This Week's Half Price Art

The Duke of Wellington overlooks the Dragoons and Artillery moving forward at the Battle of Vittoria during the Peninsula War, surrounded by his staff officers.

The Battle of Vittoria by Thomas Jones Barker (GSB)
Half Price! - £250.00
 Objective Brass, 26th February 1991.  At the forefront of the Fusiliers Battle Group throughout the land war was the Recce Platoon.  Once in the desert, it became part of the Reconnaissance Group which was formed to provide a force with an integral anti-tank capability.  Such a unit was able to act independently and defend itself, should the need arise.  The Recce Group was commanded by Major Corin Pearce.  4th Armoured Brigade attacked the enemy formations sequentially, and as the Battle Group paused on Objective COPPER SOUTH, the Reconnaissance Group moved forward to screen the formation and establish the Forming Up Position (FUP) for the forthcoming attack on Objective BRASS.  Corporal Derek McManus of The Queen's Own Highlanders in his CVR(T) Scimitar (callsign Two Three Alpha) encountered an Iraqi command bunker, and ordered an Iraqi to tell those inside to surrender.  The occupants refused, so McManus threw an L2A2 grenade into the doorway of the bunker.  With Corporal Dave Weaver, from his MCT(S) Spartan (callsign Four One Bravo), he moved forward on foot but came under fire from the Iraqi in a trench.  The Scimitar's 30mm Rarden cannon fired a sabot round and Corporal McManus fired his CLAW rifle grenade, but the fire from the trench continued so both he and Weaver rushed back to their vehicles.  With considerable presence of mind, Fusilier Anthony Cassar, the driver of callsign Four One Bravo, stood up in his hatch and fired his rifle, shooting the Iraqi soldier dead.  Captain Guy Briselden, the Milan Platoon Commander, led his men (almost all of whom were Queen's Own Highlanders) on foot to clear the enemy trench system, advancing by fire and movement.  He cleared several bunkers as he and the Highlanders moved through the extensive trench system, which the enemy had had many months to prepare, under the supporting fire of two Warriors.  Many Iraqis subsequently surrendered.  For his inspirational leadership in this exploit of arms Captain Briselden was awarded the Military Cross.

Reconnaissance Group Action, 3rd Fusiliers Battle Group by David Rowlands. (GS)
Half Price! - £250.00
Cruiser Tanks of 1st Royal Tank Regiment at the Battle of Beda Fomm.  6th February 1941: My friend Lt Col G Vesey Holt RTR has always considered that the deeds of 1 RTR at Beda Fomm have been neglected. To put this right he commissioned me to do a painting which he then presented to his Regiment. He obtained copies of the Regiment's War Diary. I was also greatly assisted by the staff of the Tank Museum, Bovington, which has examples of these tanks on display. On 6th February 1941, a column of Italian tanks and transport vehicles was proceeding southwards along the Benghasi-Tripoli road. In the late afternoon, B squadron engaged the enemy at about 500 yards from a hull down position behind a ridge, while five or six Cruisers of A Squadron crossed the road and proceeded south amongst the Italian column, firing on the transport and guns. It was raining heavily and visibility was poor.  The scene was littered with burning wreckage of Italian M13 tank and lorries. At about 1720 hours visibility became so bad that it was almost impossible to distinguish between friend and foe, and the tanks withdrew to re-group. No British tank was destroyed, though one was left damaged.  A Squadron is indicated by the triangle on the turrets, (red for the senior regiment in the brigade). An A9 is closest, with an A10 beyond. Commanders were almost invariably visible with their hatches open. The pennants on the antenna were a recognition sign, worn at different heights which changed daily. The white circle on a red square was the sign of 7th Armoured Division. The regiment's unit code sign was a white 24 on a red square. At this period British tanks had the multi-coloured diagonally striped pattern of camouflage.  The Cruiser A9 (Mark 1) had one 2-pounder gun and one .303-in. Vickers machine-gun mounted co-axially in the main turret, and one .303-in. Vickers mg in each of the two auxiliary turrets.  The Cruiser A10 (Mark 1A) had one 2-pounder gun and two 7.92-mm Besa machine-guns.

The Battle of Beda Fomm by David Rowlands (GS)
Half Price! - £250.00
 The Battle of Ulundi took place at the Zulu capital of Ulundi on 4th July 1879. Ulundi became the last battle to be fought during the Zulu war and the British victory finally broke the military power of the Zulu Nation. The battle began at 6 a.m. when Buller led out an advance guard of mounted troops and South African irregulars. The British force comprised of five companies of the 80th regiment in square in four ranks, with two Gatling Guns in the centres, two 9-pounders on the left flank and two 7-pounders on the right. The 90th Light Infantry with four companies of the 94th regiment made up the left face with two more 7-pounders. On the right face were the 1st Battalion of the 13th Light Infantry, four companies of the 58th Regiment, two 7-pounders and two 9-pounders. The rear face was composed of two companies of the 94th Regiment and two companies of the 2nd Battalion of the 21st Regiment. In the middle of the square were headquarters staff, No. 5 company of the Royal Engineers whhich was led by Lt John Chard who had commanded the troops at Rorkes Drift, the 2nd Native Natal Contingent, fifty wagons and carts with reserve ammunition and hospital wagons. Bullers horsemen protected the front and both flanks of the square. A rearguard of two squadrons of the 17th Lancers and a troop of Natal Native Horse followed. In total the British force stood at just over 5300 against the Zulu warrior regiments in total over 15000. The Zulu warriors charged again and again at the square but with the strong British firepower of tifle and gatling gun, they could not get close. As the Zulu warriors strength weakened, Lord Chelmsford ordered the cavalry to mount, and the 17th Lancers and the 1st Kings Dragoon Guards along with colonial cavalry were ordered to charge the now fleeing Zulus. The Zulus fled towards the high ground with the cavalry in pursuit. The Lancers were checked at the Mbilane stream by the fire of a concealed party of Zulus, causing a number casualties before the 17th Lancers overcame the Zulu resistance. The pursuit continued until not one living Zulu remained on the Mahlabatini plain, with members of the Natal Native Horse, Natal Native Contingent and Woods Irregulars slaughtering the Zulu wounded, done in revenge for the massacre at Isandlwana.

The Death or Glory Boys by Bud Bradshaw. (Y)
Half Price! - £100.00

 Sturmtigers of Sturmmorser Company 1002, commanded by Lieutenant Zippel, take on ammunition in preparation for the battle to come. These fearsome monsters 38cm rocket projectors could penetrate up to 2.5m of reinforced concrete. Luckily for the Allies only 18 were completed by the wars end.

Preparing for the Day, the Reichswald, February 1945 by David Pentland. (GL)
Half Price! - £300.00
 A Viking raiding party comes ashore from their Viking longboat on the western coast of England, 890 A.D.

Sons of Odin by Chris Collingwood. (Y)
Half Price! - £50.00
 On 27th November 1950, thousands of Chinese troops swarmed over the frozen Yalu river on the North Korean /Chinese border, cutting off US Marines in the Chosin Reservoir area. Over the next ten days the marines with air support from both the Navy and Marine Air Wings fought their way out of the trap to Hungnam and safety.

Frozen Chosin, Korea, December 1950 by David Pentland.
Half Price! - £60.00
Military art print of the Franco-Prussian war showing French Infantry defenders at the fortifications of Champigny.
The Defence of Champigny, November 30th 1870 by Edouard Detaille.
Half Price! - £20.00
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