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Unhooked, Kings Troop R.H.A Number 2, by Mark Churms.


Unhooked, Kings Troop R.H.A Number 2, by Mark Churms.

The Kings Troop are shown in Hyde Park practicing for a gun salute.
Item Code : DHM0270Unhooked, Kings Troop R.H.A Number 2, by Mark Churms. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 1000 prints.

Image size 16 inches x 12 inches (41cm x 31cm)Artist : Mark Churms£20 Off!Now : £40.00

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Roller Coaster, Kings Troop R.H.A Number 1 dress. by Mark Churms.
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Other editions of this item : Unhooked, Kings Troop R.H.A Number 2, by Mark Churms. DHM0270
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
Limited edition of 50 artist proofs. Image size 16 inches x 12 inches (41cm x 31cm)Artist : Mark Churms£25 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £55.00VIEW EDITION...
ORIGINAL
PAINTING
Original painting by Mark Churms. Size 36 inches x 24 inches (91cm x 61cm)Artist : Mark ChurmsHalf Price!Now : £2500.00VIEW EDITION...
EX-DISPLAY
PRINT
**Limited edition of 50 artist proofs. (One copy reduced to clear)

This print has a yellowed left border area.
Image size 16 inches x 12 inches (41cm x 31cm)Artist : Mark ChurmsHalf Price!Now : £30.00VIEW EDITION...
General descriptions of types of editions :




Artist Details : Mark Churms
Click here for a full list of all artwork by Mark Churms


Mark Churms

Mark was born in Wales in 1967. He gained his degree in Architectural Studies at Oxford Polytechnic in 1989, but soon his interest in drawing buildings was surpassed by his love of painting horses and in 1991 he began work as a freelance artist. His first commissions were for sporting subjects, Polo, Racing and Hunting. However his consuming passion for military history, particularly of the Napoleonic era, quickly became his dominant theme, with the invaluable counsel of French military experts (accuracy in uniform and terrain of the various battles takes a great deal of time and consultation with many experts across Europe). Mark Churms joined Cranston Fine Arts in 1991 and for a period of 8 years, was commissioned for several series and special commissions. His series of the Zulu War, and of the Battle of Waterloo were the highlights during this period. Mark Churms' deep understanding and detailed knowledge of the period made Mark at that time one of the most prolific and successfull artists for Cranston Fine Arts. Cranston Fine Arts are proud with their series of superb art prints and original paintings painted by Mark Churms in this period. We now offer Mark Churms art prints in special 2 and 4 print packs with great discounts as well as a number of selected original paintings at upto half price.

More about Mark Churms

This Week's Half Price Art

 After the 2nd Royal North British Dragoons had charged the French artillery, they themselves were charged by the 3rd French Chasseur Chevals and the deadly 4th Regiment of Lancers.  The scene depicted shows the French cavalry engaging the Scots Greys.

Charge of the 2nd Royal North British Dragoons (Scots Greys) at Waterloo by Brian Palmer. (P)
Half Price! - £1700.00
 Ernst Barkmann  of the Das Reich 2nd SS panzer Division holds his position near St lo, Normandy 26th July 1944. against an American Armoured breakthrough.

Barkmanns Stand by David Pentland. (GS)
Half Price! - £250.00
The battle was fought during the 1st Sikh War (1845-1846) between a force of 10,000 British and Indian troops under the command of General Sir Harry Smith and a 15,000 strong Sikh army led by Ranjur Singh.  The Sikh forces occupied an entrenched position between the villages of Aliwal and Bhundri, close to the River Sutlej.  Smith drove the Sikhs out of Aliwal with his infantry and then rolled up their line with cavalry and artillery support.  The 16th Lancers charged several times during the action, breaking a number of Sikh infantry squares and overrunning a battery of Sikh artillery.
The Charge of the 16th Lancers, at the Battle of Aliwal, by Orlando Norie.
Half Price! - £20.00
DHM499P.  2nd Maryland Regiment at the Guildford Courthouse 1781 by Brian Palmer.

2nd Maryland Regiment at the Guildford Courthouse 1781 by Brian Palmer (P)
Half Price! - £1700.00

Action at Nery, 1st September 1914.  During the fighting retreat from Mons, battery L of the Royal horse artillery bivouacked by a small town of Nery. Their temporary halt was interrupted during the early morning cavalry patrol warning of the imminent arrival of a large German force of cavalry, infantry and artillery. almost immediately German shells began bursting amongst the battery, accompanied by a rifle and machine gun fire. 3 guns were knocked out before they could be brought into action and two more were disabled soon afterwards, while the British gunners sustained heavy casualties. the remaining no. 6 gun with a scratch crew managed to maintain a steady fire for some two hours inflicting heavy casualties on the Germans until reinforcements arrived, driving off the surviving German unties. Three Victoria crosses (one posthumously) and two French medaille militaire were awarded and two NCOs were commissioned after the action.

Nery by Brian Palmer (GS)
Half Price! - £250.00
This all time classic and great image shows the demoralised Napoleon sitting in the Palace of Fontainbleu, reflecting on the end of the imperial dream.

Napoleon After his Abdication 1814 by H Delaroche (GL)
Half Price! - £300.00
18 June 1815: At Waterloo the 33rd took up a position with Major-General Sir Colin Halkett's 5th Brigade in the right centre of the British line. During the day they withstood the French artillery bombardment, but as that fire slackened, the order +Prepare to receive cavalry+ was heard as wave after wave of French cuirassiers, dragoons and lancers advanced towards them up the slope. The redcoats formed squares; the front rank knelt, the butt end of their muskets resting on the ground, their bayonets fixed. The second rank crouched, while the third and fourth ranks stood ready to fire. When the densely packed horsemen were within thirty yards, they opened fire and their musket balls crashed into Ney's cavalry. Riders and their mounts tumbled into heaps just beyond bayonet-reach of the kneeling front ranks. French horsemen who rode around the squares of British infantry suffered a similar fate on each side.  The 33rd fought off four successive cavalry charges, each one resulting in heaps of dead and dying men and horses littered in front of the squares. In the intervals between these attacks, the French artillery took its toll on the British infantry. Within the squares it was impossible for a man to move a yard without stepping on a wounded comrade, or upon the bodies of the dead. The Duke of Wellington rode up to Halkett, who said, +My Lord, we are dreadfully cut up; can you not relieve us for a little while?+  +Impossible!+  +Very well my Lord, we'll stand until the last man falls.+  By 6 pm the French cavalry had been destroyed as a fighting force. The 33rd and the 2nd Battalion 69th, united to form a single battalion due to their losses, then had to face the final attack by the infantry of Napoleon's Imperial Guard.  The painting shows the 33rd in square, with the burning farm of La Haye Sainte beyond. Inside the single square formed with the remnants of the 2/69th, the Colours of both regiments can be seen. (The King's Colour of the 2/69th had been captured by the enemy at Quatre Bras two days earlier).

The 33rd (1st Yorkshire, West Riding ) Regiment at the Battle of Waterloo, 18th June 1815 by David Rowlands (GL)
Half Price! - £250.00
Gold Beach, Normandy, D-Day, 6th June 1944.  A PIAT team and riflemen of the 6th Green Howards part of  British 50th (Tyne Tees) Division, push inland in the direction of Caen.

Off the Beach by David Pentland.
Half Price! - £55.00
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