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New Print Packs
Iraq and Afghanistan RAF Chinook Helicopter Prints by Stuart Brown and Graeme Lothian.
Mobility
Mobility Troop Re-Supply by Stuart Brown.
Operation

Operation Moshtarak by Graeme Lothian.
Save £40!
Flying Fortress Aviation Art Prints by Anthony Saunders and Mark Postlethwaite.
Safe
Safe Pastures by Mark Postlethwaite.
A

A Welcome Return by Anthony Saunders.
Save £30!
Douglas Dakota Aviation Prints by Robert Taylor and Ivan Berryman.
Day
Day Drop - Stick 21 by Robert Taylor. (AP)
Into

Into the Unknown by Ivan Berryman. (AP)
Save £40!
RAF at Dieppe Aviation Art Prints by Graeme Lothian and Ivan Berryman.
The

The Battle for the Skies Over Dieppe, 19th August 1942 by Graeme Lothian.
A

A Welcome Shore by Ivan Berryman.
Save £55!
Focke Wulf Fw190 Night Fighter Aviation Art by Keith Aspinall and Ivan Berryman.
Predator
Predator by Keith Aspinall.
Focke-Wulf

Focke-Wulf Fw190A-5/U8 by Ivan Berryman.
Save £13!

 

 

This Week's Half Price Aviation Art

Depicting two B17s from 92nd bomb group having joined a lone B24 from 93rd. In the background, the distinctive triangles on the tails of the two aircraft denote membership to the 303rd BG.

Motley Crew by Tim Fisher.
Half Price! - £35.00
 A BAE Viscount on final approach to Birmingham Airport, c.1962.

Elmdon Evening by Mark Postlethwaite. (AP)
Half Price! - £55.00
 Pushing the concept of the Spitfire almost to the limit, the sleek F Mk212 represented the ultimate in fighter design at the end of the Second World War. Powered by the mighty Griffon 61 engine driving a five blade propeller, its armament consisted of four 20mm British Hispano Cannon, two in each wing. This example is LA200 (DL-E) of 91 Sqn in 1945.

Spitfire F Mk21 by Ivan Berryman. (E)
Half Price! - £70.00
 A pair of P51D Mustangs of the 361st Fighter Group, 8th Air Force, escort a damaged B17G Flying Fortress of the 381st Bomb Group back to its home base of Ridgewell, England, during the Autumn of 1944.

Last One Home by Ivan Berryman.
Half Price! - £40.00

 Lockheed Vega PV-1 VB32 Squadron in the Santaren Channel. From this point on the U-boat was hunted and harassed only to be sunk in the Bay of Biscay.

The Hunt for U-Boat 134 by David Pentland.
Half Price! - £35.00
The Vulcan B2  of 50 Squadron heads to Ascension Island from its base at Waddington, where it had been completely overhauled, including the fitting of a refuelling probe, which had to be found from various stores at Catterick, Goosebay in Labrador, Canada, and Wright-Patterson Airfield in Ohio, USA. The Vulcan would take part in the seven planned bombing missions during the Falklands campaign codenamed Operation Black Buck. Each mission would require a solo Vulcan Bomber (plus an airborne reserve Vulcan in case of problems with the first) to fly and bomb the Argentinean airfield at Port Stanley, requiring the support of 12 Handley Page Victor K2 tankers of 55 and 57 squadron on the outward journey and 2 Victors and a Nimrod on the return journey.

Vulcan B.2, 50 Sqn, Waddington by Ivan Berryman. (P)
Half Price! - £1800.00
 Portsmouth August 26th 1940, the lone spitfire of Squadron Leader Sandy Johnstone breaks the ranks and picks off one of the menacing Heinkels only to encounter an equally determined attack from a BF109. <br><br>We were brought to readiness in the middle of lunch and scrambled to intercept mixed bag of 100+ Heinkel IIIs and DO 17s approaching Portsmouth from the South.  The controller did a first class job and positioned us one thousand feet above the target. with the sun  behind us, allowing us to spot the raiders from a long way off. No escorting Messchersmitts were in sight at the time, although a sizable force was to turn up soon after. then something strange happened.  I was about to give a ticking off to our chaps for misusing the R/T when I realised I was listening to German voices. It appeared we were both using the same frequency and, although having no knowledge of the language it sounded from the monotonous flow of the conversation that they were unaware of our presence. as soon  as we dived towards the leading formation, however we were assailed immediately to loud shouts of  Achtung Spitfuern Spitfuern! as our bullets began to take their toll.  In spite of having taken jerry by surprise our bag was only six, with others claimed as damaged, before the remainder dived for cloud cover and turned for home. In the meantime the escorting fighters were amongst us when two of our fellows were badly shot up. Hector Maclean stopped a cannon shell on his cockpit, blowing his foot off above the ankle although, in spite of his grave injuries, he managed to fly his spitfire back to Tangmere to land with wheels retracted. Cyril Babbages aircraft was also badly damaged in the action. forcing him to abandon it and take to his parachute. He was ultimately picked up by a rescue launch and put ashore at Bognor, having suffered only minor injuries.  I personally accounted for one Heinkel III in the action (Sandy Johnson) . <br><br>No. 602 City of Glasgow auxiliary squadron was a household name long before WWII began. It had been the first auxiliary squadron to get into the air in 1925, two of its members, Lord Clydeside and David McIntyre  were the first to conquer Mount Everest in 1933, the squadron sweeped the board in gunnery and bombing in 1935, beating the regular squadrons at their own game. It was the first auxiliary Squadron to be equipped with Spitfire Fighters as far back as March 1939 and it was the first squadron to shoot down the first enemy aircraft on British soil.  The squadron moved south from Drem airfield in East Lothian on August 14th 1940 to relieve the already battered no. 145 squadron at Westhampnett, Tangmeres satelitte station in Sussex. The squadron suffered 5 casualties during the battle. The squadron remained at Westhampnett until December 1940 to be replaced by no. 610 auxiliary airforce squadron. No 602 squadron itself remained active up until 1957 when it was put into mothballs.

Gauntlet by Anthony Saunders (P)
Half Price! - £2750.00
Shortly after 2.00pm on Friday 24th October 2003, supersonic commercial aviation was brought to a close as three British Airways Concordes touched down within minutes of each other at Londons Heathrow Airport for the last time.  Here, BA Captain Mike Bannister bring G-BOAG  home for the final touchdown.

Concorde - The Final Touchdown by Ivan Berryman.
Half Price! - £50.00

 

Robert Taylor

Robert Taylor - Aviation Artist

Cranston Fine Arts are one of the largest distributors of Robert Taylor prints.  We offer free worldwide shipping on most of his prints available from this site.

CLICK HERE TO SEE ALL HIS PRINTS

Regarded internationally as the world's pre-eminent aviation artist, Robert Taylor has enjoyed unparalleled success, attaining a level of popularity rare among living artists.  His original paintings are among the most sought after of contemporary artists, and his limited edition prints are avidly collected in Europe, America, Australasia and the Far East - many now prized with valuable collector status.  Robert's paintings have featured in major one-man exhibitions in London; the Imperial War Museum, Duxford; at the National Air and Space Museum in Washington DC; the US Air Force Museum, Dayton, Ohio; in Melbourne, Australia; and many other established art galleries on both sides of the Atlantic.  His paintings have been the subject of numerous TV programmes and no fewer than seven full colour books have been published devoted to his work - a record in the world of "coffee table" publishing.  Robert Taylor is unquestionably an artist at the very top of his profession.

Latest Aviation Art Releases

 The formation of six New Zealand squadrons within the RAF in the early part of WW2 acknowledged the contribution and commitment of the Commonwealth to the campaign against the Nazi invasion of Europe.  Among these was 489 Sqn, based at Dallachy in Scotland, whose Beaufighter Mk Xs flew missions against Axis shipping in the North Sea as well as other missions along the Scandinavian coast.  Here, two 489 Sqn Beaufighters run up their engines prior to a sortie in the Winter of 1943/44.

Kiwis at Dallachy - Tribute to No.489 Squadron by Ivan Berryman.
 The Winter of 1943-44 saw Hawker Typhoons operating from Tangmere, equipped with 500lb or 1000lb bombs against radar installations and V1 sites in northern France.  Wing Commander J R Baldwin is depicted getting airborne with others of his squadron for just such a mission early in 1944, before the squadron moved to Needs Oar Point in readiness for the D-Day landings.

Winter Warriors by Ivan Berryman.
 Having been initially intercepted by just three aging Gloster Gladiators, who gallantly gave both the Germans and Italians the impression of a much bigger resistance in the skies above Malta, the Italian Air Force was suddenly confronted by the more capable Hawker Hurricanes of 261 (F) Sqn, commanded by Sqn Ldr D W Balden.  The previously unescorted bombers of the Regia Aeronautica suddenly required the presence of fighters to protect the marauding bombers, as depicted here, where Macchi  200s of 6° Gruppo 1° Stormo, reel around the sky to chase off the Hurricanes from the attacking Savoia Marchetti SM.79s above Grand Harbour in the Summer of 1940.

The Struggle for Malta by Ivan Berryman.
 Savoia-Marchetti SM.79s, of the 281a Suadriglia based in Libya in 1940, begin their journey home after another successful mission against Allied shipping in the Mediterranean.  Nearest aircraft is 281-5, that of Capitano Carlo Emanuele Buscaglia.

Hunters Homeward Bound by Ivan Berryman.

 Among the most celebrated of Italian bomber pilots was Capitano Carlo Emanuele Buscaglia, seen here claiming another victim in his Savoia-Marchetti SM.79, 281-5, of the 281a Suadriglia based in Libya in 1940.  Their daring daylight attacks on Allied shipping in the Mediterranean caused havoc with the convoys that plied between Malta and Allied territories, with thousands of tonnes of shipping being sent to the bottom.

Defender of the Med by Ivan Berryman.
 Josef Kiss is depicted attacking a flight of Caproni Ca.III bombers above the Alps in a Hansa-Brandenburg C.1 of Flik 24 in 1916.  He and his observer, Georg Kenzian successfully forced down two of these aircraft and returned to base safely, his own aircraft riddled with over 70 holes sustained during the combat.  The Austro-Hungarian ace was to end the war with a total of 19 confirmed victories.

Battle Above the Alps by Ivan Berryman.
 For over five years the young men of RAF Bomber Command fought a long, unceasing and always bitter struggle against the mighty war machine of Nazi Germany.  Magnificently brave, they endured fearful odds, frightening losses and some of the most terrifying flying conditions imaginable, but they persevered unflinchingly.  The extraordinary heroism of those men is reflected by the twenty-three Victoria Crosses awarded during that time.  And one aircraft above all others came to symbolise that gallantry, the mighty Lancaster.  Robert Taylor's moving tribute to that famous bomber, <i>Winter Homecoming</i>, is surely one of the most beautiful aviation landscapes in existence.  With great skill the artist has managed to portray the contrasting moods of wartime England within a single canvas.  As dawn breaks over a tranquil English landscape, the crisp winter air echoes to the sound of hard-working Merlin engines.  The glinting rays of the rising sun reveal the damaged Lancaster, its inner port engine smoking as the battle-weary pilot struggles to keep his aircraft flying.  Probably there are injured men on board.  Long overdue, the straggler has fallen far behind the main returning force, only the dogged tenacity of her pilot and crew have kept them going.  They could easily have fallen prey to prowling Luftwaffe night fighters, but this time they've been lucky, they will make it home - just.

Winter Homecoming by Robert Taylor. (GS)
 For those on the ground there were few sights more stirring than a B-17 Fortress on its final approach from a combat mission, and Robert Taylor's outstanding painting <i>Winter's Welcome</i> is no exception.  This now legendary image conjures up those exhilarating final moments as an exhausted pilot and his crew bring their mighty warbird safely home to the welcoming winter countryside of East Anglia.  It has been another tough and arduous mission and damage is clearly visible, but with engines throttled back, and wheels and flaps down, the tired captain coaxes his aircraft gently down the glide path towards touchdown.  On the ground below a pair of startled pheasants take to the air as the mighty machine thunders overhead, and local farm workers gaze up in respect and wonder.

Winter's Welcome by Robert Taylor. (GS)

Nicolas Trudgian - Aviation Artist

A few years ago, Cranston Fine Arts purchased all remaining Nicolas Trudgian print stocks from his publisher, the Military Gallery.  Combined with Nick's continuing popularity in the aviation art industry, this means we can now offer the best deals on Nicolas Trudgian aviation art.  We offer many multi-purchase discounts and great offers, including some prints at half price - offers on Nicolas Trudgian aviation art that are entirely exclusive to Cranston Fine Arts.

CLICK HERE TO SEE ALL HIS PRINTS

Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!

 

Nicolas Trudgian

Click the link opposite to see all of our great deals on Nicolas Trudgian aviation art!

Our Buy One Get One Half Price Offer :

Below you can see eight randomly selected items from our shop which are included in our Buy One Get One Half Price offer (BG1HP).  All prints in this offer are clearly marked on the product page with the B1G1HP logo :

Simply add any two items marked with this logo to your basket, and when you check out, the cheaper of the two will be half price.  (Add more items for better savings - every second item when ordered by price will be half price, not merely all the cheapest items)

We have hundreds of these items still available on this offer, but it will be removed before the year is out!

Buy One Get One Half Price on Aviation Art

 Flying Sopwith Snipe E8102 on 27th October 1918, Major William Barker encountered a flight of fifteen Fokker D.VIIs and decided to take them on single handed. Having downed one enemy aircraft, Barker was wounded in his left thigh and momentarily fainted. Coming to, he found another D.VII ahead of him and immediately resumed the battle. Another bullet now tore into his right leg and another shattered his left elbow. Despite his terrible injuries, Barker shot down three D.VIIs and drove the others off before crash landing his bullet-riddled Snipe in friendly territory. He survived the crash and was awarded the VC for his gallantry on this epic flight.

Major William Barker VC, DSO - Nearly an Ace in a Day by Ivan Berryman. (APB)
£70.00
 The Glen L. Martin Company had a long history as a designer and manufacturer of successful flying boats. The company had developed several different flying boats for the Navy, including the PM the P3M and the XP2M. However, when the company began considering the development of a large commercial flying boat for Pan Am, there was considerable internal controversy. The Great Depression was underway and many aircraft manufacturers were going bankrupt. Glenn Martin insisted that the company proceed, and lie was highly motivated to show the world that his organization could design and produce the finest flying boat ever built. The end product of their efforts was the M-130. Credit for its design is shared with Martins Chief Engineer (L.C. Milburn), the Project Engineer (L.D. McCarthy), test pilot (WX. Ebel), and Pail Ams Chief Engineer (Andre Priester.) The first of the three MA 3 Os was the China Clipper. It made its maiden flight on December 30, 1934. The M- 130 had a wingspan of 130 feet, a gross weight of 5 1,000 pounds, and was initially powered by four Twin Wasp radials generating 830-HP each. (In 1938 more powerful engines and automatically adjustable pitch props were refitted onto all three M-130s.) The M-130 had a capacity of 32 passengers, and were equipped with 18 sleeping births. They were flown by a crew of eight professionals. The practical range of the aircraft with a normal load was about 3000-miles, which at a typical cruising speed of 130-MPH implied an endurance of almost 24 hours in the air. One unique design feature of the M-130 was the use of sponsons, or water wings, which actually helped the aircraft lift off from the water. The three M-130s were christened the China, Hawaii and Philippine Clippers by Pan Am. The China Clipper was accepted by Pan Am in October of 1935. In November this aircraft flew from Alameda, California to Manila in the Philippines; completing the 8,200 mile journey with a total flight time of 59 hours and 48 minutes. It arrived in Manila only two minutes behind its scheduled arrival time. The Philippine Clipper entered service next and was used for survey flights to map the Manila to Hong Kong route. The Hawaii Clipper entered service in October of 1936. This aircraft, unfortunately was lost during a flight in 1938 from Guarn to Manila, and its fate is unknown. The Philippine Clipper was lost in 1943 on a flight from Hawaii to San Francisco. Lost in bad weather the plane hit a mountain northwest of the city. The China Clipper was utilized by the US Navy during the War, and was returned to Pan AM in late 1943. For the next year it flew the route from Miami to Africa. On the night of January 18, 1945 the China Clipper crashed while attempting a landing in Trinidad. At the time of this tragedy the aircraft had successfully flown more than three million miles. In Stan Stokes painting the China Clipper takes off from Hong Kongs busy harbor in the late 1930s. The China Clipper may be the best known and most-loved commercial aircraft in history. It signalled the beginning of long distance commercial airline service, which by revolutionizing international passenger travel and mail delivery, made the Earth a rnuch smaller place for all of its inhabitants.
Hong Kong Clipper by Stan Stokes.
£35.00
 The Consolidated PBY Catalina, the sea going flying workhorse of the US Navy during WW II, is with no doubt the most successful flying boat ever produced. Produced for more than ten years, it was built in greater numbers (3,300) than any other flying boat in history. In the early days of aviation flying boats made a lot of sense because of the relatively limited number of prepared airfields. Any estuary, river, or lake could become an airfield for an aircraft designed as a flying boat. Consolidated Aircraft got into the flying boat business rather late in the game. In 1928 the company won a bid to produce a prototype of a new high-wing monoplane flying boat for the Navy which would utilize aluminum in its fabrication. The XPY prototype was successfully flown in early 1929, but the Glen L. Martin Co., one of the pioneers in flying boat production, won the production contract. Not deterred by this setback, Consolidated utilized the expertise it had developed on this project to introduce a commercial 28-passenger flying boat called the Commodore. This aircraft was utilized by a number of airlines including Pan Am. Concurrent with work on the Commodore the Consolidated design team set about developing an improved version of the XPY. This design (the P2Y-1) had an enclosed cockpit, and was designed to handle either two or three engines. A total of 47 P2Ys were put in service. As production commenced on the P2Y, Consolidated began work on another improved flying boat which would be considerably larger than the P2Y. The prototype of this new aircraft (the XPY-3) utilized retractable wing floats. In 1935 Consolidated won the initial production order for the first PBY-1s in 1935. In 1936 another fifty aircraft were ordered as the PBY-2 derivative. A PBY-2 based in Hawaii is depicted in its pre-war markings over Diamond Head, in Stan Stokes painting entitled Wings Over Waikiki. This version lacked the fuselage window blisters which would be used on later variants. The PBY-2 had a wing span of 104 feet, and was nearly 64 feet in length. Powered by two 850-HP Pratt and Whitney R-1830-64s, the PBY-2 had a maximum speed of 178-MPH, and a range of more than 2,000 miles. The British ordered more than 100 PBYs in 1939. They called the aircraft Catalina. Also in 1939 a number of Catalinas were modified into amphibians by adding a retractable tricycle undercarriage. This added more than 2,000 pounds to the weight of the aircraft, but also improved its versatility. In the first few days following the Japanese attack on Pearl Harbor, many of the PBYs deployed throughout the Pacific were damaged or destroyed. The PBYs were vulnerable to enemy fighter attack when in the air. Despite these early setbacks, the Navy learned to make good use of the PBY as the war progressed. One of the most effective uses of the aircraft was in night search and attack missions, where the aircraft were generally painted all black. These Black Cats operated from island bases and seaplane tenders and effectively hampered night time movement of enemy supplies. The Catalina also flew many Dumbo missions during the war rescuing downed allied aviators. Many thousands of lives were saved during these missions.
Wings Over Waikiki by Stan Stokes. (GM)
£484.00
 Of the many famous combat aircraft to serve their respective countries in the Second World War, two perhaps more than any others, created huge impact and consternation upon seasoned opposing pilots when they first appeared on the battlefront - the Supermarine Spitfire and the Messerschmitt Me262.  Both in their day represented enormous advances in aircraft design and power, and both have continued to capture the imagination of aviation enthusiasts ever since.  As the war progressed the Spitfire continually upgraded its performance and by the time the Luftwaffes new Me262 turbo-jet arrived on the scene the sleek new Mk XIV, powered by the awesome Griffon engine, was among the fastest piston-engine fighters of the war.  The stage was set for a clash between the most powerful piston-engine fighter and the worlds first turbojet, and it was not long before the pilots of these two most advanced combat aircraft met in the hostile skies over western Europe. Ill-advisedly employed by Hitler as the wonder-bomber, the Me262 was initially issued to Bomber Units, one of which being KG51. Tasked with undertaking lightning fast raids upon advancing Allied ground forces, the shark-like jets employed their spectacular speed advantage to surprise, strike and escape. Not to be outdone, the RAF responded with their supremely fast Spitfire XIVs which had already proven themselves highly effective against Germanys V1 flying bombs. In his painting, Nick Trudgian recreates a typical moment: Spitfire Mk XIVs of 41 Squadron have intercepted and damaged a Me262 of KG51 and, with smoke and debris pouring from its damaged Jumo 004 Turbojet, the stricken Luftwaffe jet will be lucky to make it home. A dramatic painting and a fine tribute to the RAFs contribution to the Victory in Europe.
Victory Over the Rhine by Nicolas Trudgian. (C)
£260.00

 Corsairs of VMF 121 provide close air support to the US landings on Rendova, June 30, 1943. Fiercely contested, the invasion force was heavily attacked by Zero fighters and Mitsubishi G4M1 Betty bombers, flying from their base at Rabaul. Dog-fighting at tree-top height, VMF 121 Corsairs rip into a bunch of Betty bombers as they try to make their escape following their attack on shipping. On fire, the Betty in the foreground is doomed, and will shortly become one of 19 Japanese aircraft accounted for by VMF 121. Other Marine fighter units brought the total this day to a staggering 58 enemy aircraft destroyed.
Battle for the Islands by Nicolas Trudgian (AP)
£205.00
 The B-17 Flying Fortress, was one of the most acclaimed aircraft of WW II. It is also one of those uniquely popular warbirds which has attracted more than its fair share of romance and nostalgia over the years. Nearly 13,000 of these aircraft were produced. The origins of the B-17 dates to 1934 when the Boeing company was authorized to build a prototype of a long-range, metal, monoplane, medium bomber which was designated Model 299. During the first public exposure of the prototype a reporter from the Seattle Daily Times coined the term flying fortress in his description of the new sleek, heavily armed aircraft. Boeings public relations department liked this reference, and shortly thereafter the aircraft became known as the Flying Fortress. Boeing received an initial order for 13 aircraft, designated the YB-17, and these aircraft were delivered in 1937. Later that year Boeing obtained orders for several enhanced models, which were designated B-17Bs. These aircraft had supercharged engines permitting higher ceilings, redesigned nose sections, hydraulic brakes, and larger rudders. With the outbreak of WWII the first Flying Fortresses were used by the RAF. Early experience by the RAF underscored the need for increased defensive firepower. Boeing responded by redesigning the entire rear fuselage on the aircraft, and incorporating a rear gun and a remotely controlled under belly turret gun. The resulting B-17E was only slightly slower than its predecessor at 317 MPH, and in mid-1942 the USAAF began moving B-17 units to the United Kingdom.  These were primarily B-17Fs. Flying Fortresses had the ability to take a lot of punishment. The aircrafts flying characteristics were excellent, and it was not unusual for  B-17s to return to base with large sections of wing surface or tail fin missing. The first B-17G  models began to see action late in 1943, and were, along with the B-24 Liberators, carried the brunt of the USAAF daylight bombing campaign against targets of strategic significance. Such missions were exceedingly dangerous until only very late in the War. Luftwaffe pilots learned to attack B-17s head-on from the 12 oclock position, as this was the most vulnerable area to attack, and one in which crew injury was the most likely. Aviation artist Stan Stokes, in his painting entitled Rubys Fortress, shows a B-17G of the 8th Air Forces 385th Bomber Group over Germany in 1945. The aircraft in the foreground was named for Cpl. Ruby Newell of Long Beach, California. Ms. Newell was voted the most attractive WAC in England in 1944. The nose art painted by Cpl. Ploss was a fitting tribute, and such nose art was a great morale booster for bomber crews and ground support staff. Many B-17s were named after women, appropriate considering the fact that during wartime the majority of the people which built these planes were women.
Ruby's Fortress by Stan Stokes. (GL)
£624.00
B0242AP. Bf109Es of JG52 by Ivan Berryman.

Bf109Es of JG52 by Ivan Berryman. (AP)
£100.00
 Construction of the dirigible Hindenburg began in 1931 in Friedrichshafen, Germany. The huge dirigible took nearly five years to complete. It was 804-feet long, and at its widest point was 135-feet in diameter. The Hindenburgs gas capacity (in 16 gas cells) was more than 7 million cubic feet. Each cell was coated with a gelatin solution to insure its permeability against the volatile hydrogen gas. The Hindenburgs frame was made of a special alloy of aluminum and copper. The Hindenburg was powered by four huge 16-cylinder diesel engines. Each engine provided 1300-HP of take off power, and 850-HP for sustained cruising. A navigation room in the control car contained two gyro compasses, a radio compass, and a telephone switchboard. The radio room was directly above the control car. In the bridge located in the control car were the controls for controlling the engines, releasing ballast or hydrogen, and in adjusting rudder or elevators. Each passenger had a 78 x 66 inch cabin consisting of an upper and lower berth, a folding wash basin, and a collapsible writing table with folding chair. Rooms were for sleeping as passengers spent most of their time elsewhere on the ship. The lounge was decorated with a huge mural and was fairly spacious. It included a baby grand piano. The reading and writing room was a quiet area where passengers could write letters, and the smoking room was the only area on the ship that smoking was permitted. Kept under positive air pressure no hydrogen could enter the smoking lounge. The largest space on the ship was the dining room with promenade. On May 6, 1936 the Hindenburg departed Germany with fifty passengers and a crew of fity-five on its maiden voyage to America. The aircraft reached the Naval Air Station at Lakehurst, New Jersey approximately 61 hours later. The huge ship was eased into her hangar, and the passengers disembarked for a short plane ride to Newark Airport. On its return trip the Hindenburg completed the journey in less than 49 hours, unprecendented in the days of long distance sea travel. The Hindenburg made ten round trip crossings in 1936. In 1937 the plans called for the Hindenburg to make 18 Atlantic crossings. The first of the 1937 trips began on May 3. Thirty-six passengers and a crew of sixty-one were onboard. Headwinds were very strong on this voyage and it took three full days to reach the New York area. It was late in the afternoon and thunderstorms were reported in the area. The Hindenburg made a courtesy sightseeing tour of Manhattan and at 7:00PM headed into Lakehurst for landing. At about 200-feet in altitude a tongue of flame appeared at the stern. It spread rapidly and within a few short seconds the Hindenburg was a giant fireball, falling to earth tail first. The catastrophe was covered by film and radio broadcasts, and to this day is one of the most devastating disasters ever recorded. Miraculously, there were a fair number of survivors, but the age of the dirigible was over.
Fateful Voyage by Stan Stokes. (B)
£109.00

 

 

Stan Stokes

Click the link opposite to see the full range of Stan Stokes aviation art prints, including our new stock delivery of over 12,500 prints - up to £40 off.

Stan Stokes - Aviation Artist

Cranston Fine Arts have just received over 12,500 prints from the publisher of Stan Stokes' prints.  This addition to our stock makes us the single largest stockist of Stan Stokes prints.  We offer up to 25% discounts on many of his prints, and several prints in our collection feature some prized pilot signatures.

CLICK HERE TO SEE ALL HIS PRINTS

Stan has had the pleasure of meeting and working with many of his boyhood aviation heroes, including the late General Jimmy Doolittle, the late Pappy Boyington, Chuck Yeager, and many many others. A true aviation history buff, Stan often spends more time pouring over research materials for his paintings to assure their accuracy to the smallest detail than he does behind the canvas. Noted for his incredible detail and strikingly realistic illustration, Stan's canvases have a life-like three-dimensional effect that often leaves viewers spellbound. Today his work encompasses not only aviation and space but also portraits, landscapes, ships, classic cars and his new collection of cat-related fine art paintings. Stan particularly enjoys the tough assignment. During his 37 years as a professional artist, he has been asked to produce literally hundreds of paintings documenting historical events, people and places. Although Stan has logged many hours flying his own airplanes, in recent years pleasure flying has had to take a backseat to the artistic demands of his backlog. Stan was commissioned to paint more than twenty original paintings for an aviation museum being in the Philippines. Since the mid-1980s NASA has also tapped Stan's talents from time to time and he has completed more than fifteen paintings ranging from the space shuttles to the SR 71 Blackbird. Stan has also painted numerous works for the cutting edge genius in aviation and space design, Burt Rutan.

 

Ivan Berryman - Aviation Artist

For over 30 years, Ivan Berryman has been painting aviation subjects, and Cranston Fine Arts have been publishing Ivan's work for a large proportion of that time.  As his publisher, we have sole access to most of his print archive, including aviation subjects as diverse as WW1 biplanes to up to date fighter jets, and everything in between.  While we have of course covered the staples of aviation art - Battle of Britain, D-Day etc, we have often shifted our joint focus to the lesser known areas of aviation art; aircraft like the Defiant or Beaufort, or TSR2, or pilots who are not so well known as the 'celebrities' that were spawned in two world wars.  As a result, Ivan's portfolio of work is one of the most comprehensive in the world of aviation art.  Cranston Fine Arts offer great discounts on Ivan's work, including huge savings for multiple purchases, and even some prints at half price!

CLICK HERE TO SEE ALL HIS PRINTS

Over the last 30 years, Ivan Berryman has become a leading aviation, motor racing and naval artist. In this time, the subjects of his paintings have been wide and varied as he has deliberately strived to include some of the lesser know aircraft, ships and events in his portfolio, which includes aircraft like the Defiant, TSR2, Beaufort, ships including MTBs and corvettes, and around 100 different aircraft of the first world war. In addition to this he has taken new approaches to the classic subjects of his field, including the Dambuster Lancasters, Battle of Britain Spitfires, Bf109s and Hurricanes, HMS Hood, Bismarck and the best known naval ships, as well as some iconic sporting moments. In his own words : Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute

 

Ivan Berryman

 

Click the link opposite to see many aviation art items offered this month at half price, including a selection of original oil paintings and pencil drawings.


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